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Samuel Taylor Coleridge Quotes

Quotes tagged as "samuel-taylor-coleridge" Showing 1-8 of 8
“Thus Milton refines the question down to a matter of faith," said Coleridge, bringing the lecture to a close, "and a kind of faith more independent, autonomous - more truly strong, as a matter of fact - than the Puritans really sought. Faith, he tells us, is not an exotic bloom to be laboriously maintained by the exclusion of most aspects of the day to day world, nor a useful delusion to be supported by sophistries and half-truths like a child's belief in Father Christmas - not, in short, a prudently unregarded adherence to a constructed creed; but rather must be, if anything, a clear-eyed recognition of the patterns and tendencies, to be found in every piece of the world's fabric, which are the lineaments of God. This is why religion can only be advice and clarification, and cannot carry any spurs of enforcement - for only belief and behavior that is independently arrived at, and then chosen, can be praised or blamed. This being the case, it can be seen as a criminal abridgement of a person's rights willfully to keep him in ignorance of any facts - no piece can be judged inadmissible, for the more stones, both bright and dark, that are added to the mosaic, the clearer is our picture of God.”
Tim Powers, The Anubis Gates

Samuel Taylor Coleridge
“They passed the hall, that echoes still,
Pass as lightly as you will.
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady's eye,
And nothing else saw she thereby,”
Samuel Taylor Coleridge, Christabel

Peter Redgrove
“His (Samuel Coleridge) dark senses were constantly in play, the frustration of them bringing illness. Weather and organic nature combined in a synaesthetic multi-media event, and this was the ground of all perception before it was divded up in daily living: the Primary Imagination giving way to the Secondary. Poetry was forever seeking a conscious return to this state, which existed all the time, whether he knew it or not.”
Peter Redgrove, The Black Goddess and the Unseen Real: Our Uncommon Senses and Their Common Sense

“It is a pity that no one in Paris bothered to quote Coleridge, who wrote, long before cubism, that the true poet is able to reduce 'succession to an instant.' Simultaneity in this sense is the property of all great poetry.”
LeRoy C. Breunig, The Cubist Poets in Paris: An Anthology

Karen Swallow Prior
“…the rising movement of romanticism, with its characteristic idealism, one that tended toward a black-and-white view of the world based on those ideas, preferred for different reasons that women remain untinged by “masculine” traits of learning. Famous romantic writers such as Lord Byron, Samuel Taylor Coleridge, and William Hazlitt criticized the bluestockings. …and Hazlitt declared his 'utter aversion to Bluestockingism … I do not care a fig for any woman that knows even what an author means.' Because of the tremendous influence that romanticism gained over the cultural mind-set, the term bluestocking came to be a derogatory term applied to learned, pedantic women, particularly conservative ones. ... Furthermore, learned women did not fit in with the romantic notion of a damsel in distress waiting to be rescued by a knight in shining armor any more than they fit in with the antirevolutionary fear of progress.”
Karen Swallow Prior, Fierce Convictions: The Extraordinary Life of Hannah More—Poet, Reformer, Abolitionist

Samuel Taylor Coleridge
“Joy lift her spirit, joy attune her voice;
To her may all things live, from pole to pole,
Their life the eddying of her living soul!
O simple spirit, guided from above,
Dear Lady! friend devoutest of my choice,
Thus mayest thou ever, evermore rejoice.”
Samuel Taylor Coleridge, The Complete Poems

Robert Macfarlane
“Unmistakably, the wild land of the Lake District acted for good upon Coleridge. As he moved between the crags and cataracts, over the fells and the moors, and through the pathless wilds, a sense of joy - joy, the 'beautiful and beauty-making power' as he had longingly called it during the dark spring of 1802 - began to seep back into him. Walking over soft mossy ground on the slopes of Red Pike - 'a dolphin-shaped Peak of a deep red' that rises to the south-west of Buttermere - he gave 'many a hop, skip, & jump'. Up on the mountains that year, he found not the 'Darkness & Dimness & a bewildering Shame, and Pain that is utterly Lord over us' which had characterised his depression, but instead, a 'fantastic Pleasure, that draws the Soul along swimming through the air in many shapes, even as a Flight of Starlings in a Wind!”
Robert Macfarlane, The Wild Places

Miriam Toews
“I believe in what the great poet Samuel Taylor Coleridge thought were the cardinal rules of early education:
1. To work by love and so generate love
2. To habituate the mind to intellectual accuracy and truth
3. To excite imaginative power

In his lecture on education, Coleridge concluded with the words 'Little is taught by contest or dispute, everything by sympathy and love.”
Miriam Toews