Sherrill Milnes
Author of Requiem / Pelleas et Mélisande / Pavane [sound recording]
About the Author
Image credit: Sherrill Milnes
Works by Sherrill Milnes
Abide with me 1 copy
Recital 2 1 copy
Associated Works
Salome [sound recording] (1972) — Baritone vocals [Jochanaan, Il Profeta], some editions — 83 copies, 2 reviews
Adriana Lecouvreur [sound recording] — Artist, some editions — 21 copies
Giordano : Andrea Chénier [sound recording] {Domingo} (1976) — Baritone vocals [Carlo Gerard], some editions — 4 copies
Symphony No. 1 / Cello Concerto / Belshazzar's Feast / Coronation Te Deum / Crown Imperial / Anniversary Fanfare / Orb… (1986) — Baritone, some editions — 3 copies
Strauss : Salome [sound recording] {1968 Leinsdorf/London Symphony Orchestra} (1968) — Baritone vocals [Jochanaan, Il Profeta] — 2 copies
Giordano : Andrea Chénier [sound recording] {Domingo} (1976) — Baritone vocals [Carlo Gerard], some editions — 2 copies
Happy trails 2 copies
Tagged
Common Knowledge
- Birthdate
- 1935-01-10
- Gender
- male
- Nationality
- USA
- Occupations
- operatic baritone
- Organizations
- Metropolitan Opera
Members
Reviews
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Associated Authors
Statistics
- Works
- 11
- Also by
- 19
- Members
- 52
- Popularity
- #307,430
- Rating
- 4.3
- Reviews
- 1
- ISBNs
- 2
As a huge opera fan, I was eager for lots of behind the scenes stories. He does recount many and there are some genuinely “laugh out loud” moments (which is particularly awkward on a bus or subway!). The most personal and moving chapter is the “Decade of Panic” in which he describes the chronic throat ailment that ultimately derailed his Met career.
That said, the book was disappointing. In many ways it’s just a catalog of events in his life and career with no real analysis. He glosses over the major events (both personal and professional), not so much describing them, but listing them. Several of the stories he recounts are done so in a fairly blatantly self-serving way. For example, he clearly has an ax to grind with some of the folks at the Met and those stories and people are presented with a very obvious bias. I also would have liked to read a bit more of his thoughts on music, opera and his roles. Still, it was a fun read.
P.S. If anyone was an "Odd Couple" fan, you might be interested to know that, gleaning from the book, I'm guessing that Milnes was the baritone originally cast for the "Rigoletto" episode - the one in which Richard Fredricks starred.… (more)