Marc's Reviews > Souvenirs dormants
Souvenirs dormants
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As an entry-level book into Modiano's oeuvre, this seems ideal to me, perfectly in line with his 20 previous books: it's the story about a mysterious older person looking back on episodes of more than 50 years ago, when he walked through nocturnal Paris, visiting dark, grubby cafés, had short encounters with equally mysterious women who were all involved in something vague, sometimes crime-related, and whom he usually meeted briefly years later, without anything more. All Modiano's themes are in it: the faulty and deceptive memory of men, the past that always returns, the elusiveness of a human life, the impossibility of real human communication and finally the misleadingly precise topography of Paris. But in this ultra-short novel (you can read it in about one hour) Modiano has reduced his scope on life to the essence, and his style is even more sober and dreamy-like than before. As always it intrigues and appeals, but - in general - I prefer a little more meat on the bone.
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Reading Progress
January 4, 2018
– Shelved
Started Reading
August 26, 2018
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Finished Reading
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Steve wrote: "" As always it intrigues and appeals, but I prefer a little more meat on the bone."
As do I, Marc. I also prefer a writer with a more impressive command of the language: my experience of his books..."
Oh, but I like his dreamy style, Steve, and, as a Paris-lover, I just adore reading his topographic indications and in my thoughts taking the same routes. And I liked his other books, Steve, especially L'Herbe des nuits and certainly Dora Bruder. But these are more layered, more complicated novels, whilst in this book his style has become too 'emaciated'.
As do I, Marc. I also prefer a writer with a more impressive command of the language: my experience of his books..."
Oh, but I like his dreamy style, Steve, and, as a Paris-lover, I just adore reading his topographic indications and in my thoughts taking the same routes. And I liked his other books, Steve, especially L'Herbe des nuits and certainly Dora Bruder. But these are more layered, more complicated novels, whilst in this book his style has become too 'emaciated'.
As do I, Marc. I also prefer a writer with a more impressive command of the language: my experience of his books has left me with the impression that his linguistic palette is (doubtlessly deliberately) limited in ways that become tedious to me. Of course, when opposed to the 2016 Nobel laureate in literature he does impress...