I love thrillers in which an adult protagonist returns home to a small country town and starts investigating a crime that has traumatised them in theiI love thrillers in which an adult protagonist returns home to a small country town and starts investigating a crime that has traumatised them in their younger years – this trope never gets old for me! In ALL GOOD PEOPLE HERE, Margot returns home to the small town of Sarakusa, Indiana, to care for her uncle, who has recently been diagnosed with dementia. When a young child goes missing, Margot is reminded of the disappearance and murder of her best friend when they were six years old, a crime that has haunted her for two decades. Are there similarities between the two crimes? Hoping both to lay old demons to rest and perhaps revive her flagging career as a small town journalist, Margot starts asking questions …
I listened to the audio version of ALL GOOD PEOPLE HERE and the story immediately drew me in, even though (or perhaps because of?) parts of it were slow burning character studies rather than an action-fuelled thriller. Carrying the burden of a childhood trauma, a dysfunctional family background and the stresses of caring for a sick loved one, Margot made for an intriguing and sympathetic character that was easy to root for. Her flashbacks to her childhood and the murder of her best friend made for two interesting stories running parallel to one another, and I was invested in finding out the answers to both.
ALL GOOD PEOPLE HERE was an intriguing small-town mystery linking two separate crimes through the eyes of one protagonist. I really enjoyed the small town atmosphere and – even though this will be polarising – thought the ending was very cleverly carried off. I hope to read more from this author in future.
I picked up SALT AND SKIN from a book exchange, so I did not know what to expect or even what the book was all about, but I knew that I had enjoyed thI picked up SALT AND SKIN from a book exchange, so I did not know what to expect or even what the book was all about, but I knew that I had enjoyed the author’s previous books. Again, Henry-Jones rewarded me with beautiful soulful writing full of longing and emotion and that slight otherworldly touch that gave it an almost dreamlike quality.
Set on a small island off the coast of Scotland, SALT AND SKIN follows the lives of Luna and her two teenage children, Darcy and Min, as they are trying to make a new start after a tragedy back in Australia. Weaving together history, folklore and a touch of magical realism, the tale soon drew me into the small island community and made me want to find out all its secrets.
SALT AND SKIN is an exquisitely written, character driven novel that explores the aftereffects of trauma and grief, and the faint blossoming of new hope. Wistful and dreamlike, it weaves together different elements to create a tale that both haunted me and kept me enchanted. Whilst there are loose links to the island’s witch trials, this is very much a contemporary novel exploring the hold that the past and folklore still has on everyday life, especially in wild and remote places. I really enjoyed this book and its characters and as sad when it ended and I knew I would not find out more about their lives. I can’t wait to read more from this author in future.
I believe that Chris Hammer’s latest novel has been published under the title OPAL COUNTRY overseas, which perhaps gives a better description of what I believe that Chris Hammer’s latest novel has been published under the title OPAL COUNTRY overseas, which perhaps gives a better description of what this book is about. Set in the opal fields in outback NSW, it focuses on the investigation into the death of an opal miner, found crucified in his own mine in Finnigans Gap. This time it is not Martin Sarsden who delves into the mystery but homicide detective Ivan Lucic from Sydney, aided by local policewoman Nell Buchanan.
In typical Hammer style, the novel is gritty and atmospheric, intricately plotted and with more threads than grandma’s Persian rug. There’s conspiracy and politics, money and power, crossing and double crossing, and the ruthlessness and desolation that characterises a small mining town in the middle of nowhere.
Whilst I love Hammer’s descriptive writing, I’ll be totally honest with you to say that I found the plot a bit too convoluted in the end, with too many characters and side stories to keep track of. Don’t read this if you want a light, relaxing weekend escape. However, if you want atmosphere, then you’ve come to the right place. Hammer captures it all: the heat, the flies, the suspicion among miners, the bleak and barren outback landscape. Everyone here has a past and a secret (or two), including our detectives, and we will get to find out about all of them.
I loved the atmospheric setting and found it authentic (having had a few friends who have mined opals in similar places), and the mystery surrounding the dead man’s past was intriguing. Towards the end, there was a bit too much politics and double crossing for me, but perhaps I should not have read it between night shifts, when my brainpower is at its lowest ebb. If you have enjoyed the Martin Sarsden series, then you will most likely like TREASURE & DIRT in all its gritty glory.
If you’ve ever read any of Gillian McAllister’s book, then you will have come to appreciate the ethical and moral dilemmas at the heart of every one oIf you’ve ever read any of Gillian McAllister’s book, then you will have come to appreciate the ethical and moral dilemmas at the heart of every one of her stories. I love a book that throws me right into the middle of a tricky situation and makes me ponder how I would react if I was in the characters’ shoes (even if I feel like yelling at the characters at various points in the book). It’s one of the reasons McAllister has become one of my favourite devour-in-one-sitting authors!
Three siblings, bound by a tragedy in their past. They live next door to one another, work together in the family business and stick together through thick and thin. Even their spouses can never be a part of their tight knit circle. They would do anything for one another, but does that include murder? On a dark night on holidays in Verona, Frannie, the baby of the family calls her older siblings for help. There has been a terrible accident and she doesn’t know what to do. It’s the night that will change the siblings’ lives forever. The night they will make a decision that will haunt them. How far are they prepared to go to help one of their own?
If you love a good ethical and moral dilemma, then this is the perfect read for you. Again, as with most of McAllister’s books, the answers aren’t black and white but will make you dig deep into your own psyche to ask yourself the difficult questions: what would you do if you were in the characters’ shoes? How far would you go to protect the ones you love most? How would your past experience (going as far back as your childhood) influence your decision? And what would be the point of no return for you, at which you would draw the line?
THAT NIGHT made for fascinating reading from beginning to end and I could not tear myself away, even as the train was thundering towards the abyss. I loved the way McAllister explores the sibling relationship and the events that have shaped their position in the family, ultimately guiding their decisions. The ending, which I anticipated to be difficult no matter where the story was ultimately headed, wrapped everything up in a satisfying finale, leaving me pondering my own position on the matter some more. An intriguing character study that looks into the heart of family dynamics. I thoroughly enjoyed it and look forward to reading more from this author in future.
ALL THAT’S LEFT UNSAID is one of those books that starts off as a mystery but then ends up being so much more, leaving you emotionally exhausted at thALL THAT’S LEFT UNSAID is one of those books that starts off as a mystery but then ends up being so much more, leaving you emotionally exhausted at the end of it. If a book haunts my thoughts long after I turned the last page, I know that it has struck some deep emotion with me somewhere. Ky, the daughter of Vietnamese immigrants, returns to her childhood home in Cabramatta after the violent death of her younger brother Denny Tran, killed at a local restaurant. Even though the murder happened in front of dozens of witnesses, everyone claims not to have seen anything, and the police investigation has come to a dead end so far. Dealing with her own grief and the heartbreak Denny’s death has caused her parents, Ky starts asking questions – someone just had to have seen who killed her brother. So why is no one talking?
Even though ALL THAT’S LEFT UNSAID centres around a murder, it is more than just a mystery. In her debut novel, Lien explores what it’s like to be an immigrant in Australia – and to be the child of immigrant parents. It is also an exploration of grief and guilt that transcends race and culture – because parents grieving for their child speak a universal language that is understood with the heart rather than words. The mark Denny’s death left on his parents broke my heart, especially as they are trying to get answers and find justice in a culture that is foreign to them, with many barriers standing in their way. Ky, on the other hand, also has burdens only a child of immigrant parents can understand. On top of her own grief, she juggles her parents’ expectations, the role of the “good child” she was cast into, the problem solver and translator, the one that got out and made a better life for herself.
The social commentary on immigrant life in Cabramatta thirty years ago was an eye opener for me, and added a lot of depth to the mystery. I loved the way Lien included other narrators in addition to the voice of Ky, our main protagonist. One character in particular really spoke to me and made me forge a deeper emotional connection to the story than I would have otherwise done.
In summary, dealing with the struggles of immigrant life in Australia, inter-generational trauma, grief, guilt and the way children of immigrant parents feel torn between two cultures, ALL THAT’S LEFT UNSAID was a mystery with a powerful message that really touched my heart. If you love Celeste Ng’s or Amy Tan’s books, then you should definitely read this one.
Thank you to Netgalley and Harlequin Australia for the free electronic copy of this novel and for giving me the opportunity to provide an honest review.
I have been (not so) patiently waiting for another Aaron Falk novel, and finally it is here! Of course I had to rush out and get it as soon as it hit I have been (not so) patiently waiting for another Aaron Falk novel, and finally it is here! Of course I had to rush out and get it as soon as it hit the shelves. Harper has once again chosen an atmospheric setting for her novel, this time in a picturesque wine growing region of SA. As usual, her descriptive writing transported me straight into the landscape, and I could picture it all vividly, yearning to be part of the cosy dinners and glasses of wine Aaron enjoys with his friends.
Despite the idyllic landscape, it’s not all peace and happiness here, because at the heart of the story lie two unsolved mysteries: the hit and run of a respected local accountant, and the mysterious disappearance of a young mother at last year’s wine fair. Even though the deaths have been ruled unconnected, in a small town like Marralee everyone is related or connected in some way. Falk, who is visiting to attend the christening of his good mate’s son, cannot help but observe different people’s reactions to the anniversary of the young woman’s disappearance. And of course Falk’s sharp mind immediately picks up a few discrepancies along the way …
EXILES follows in the vein of Harper’s previous novels – slow burning, character driven and atmospheric. The clues are metered out carefully, for the reader to slowly join together the dots just as Falk does, and yet I was still surprised by the final reveal, which is why I am not a detective! I enjoyed the insights into Falk’s personal life just as much as the unravelling of the mystery, and whilst I hope that he will finally find companionship and happiness, I am also loathe to let him retire back into the ether of fictional characters. I hope this is not the last we will see of Falk!
Maggie O’Farrell has done it again – like her previous book HAMNET, THE MARRIAGE PORTRAIT was a fascinating window into history, this time exploring tMaggie O’Farrell has done it again – like her previous book HAMNET, THE MARRIAGE PORTRAIT was a fascinating window into history, this time exploring the events surrounding the untimely death of Lucrezia de’ Medici, the third daughter of Cosimo de’ Medici, the Grand Duke of Tuscany during the Italian Renaissance. It only took a few paragraphs for Lucrezia to steal my heart, and I was hooked.
Written with the heart and poetic beauty that characterises her work, O’Farrell has merged history and fiction so skilfully that the tale takes on a life of its own. And even if some of it has sprung from her imagination rather than truth, it has brought the fate of a young woman at the mercy of her society’s rules back into our focus so her story will not be forgotten. Written with a style so visual that it brought each character to life for me, it was impossible not to be swept away by a tide of emotions whilst reading it. The elaborate backdrop of the Italian palazzo provided both an escape as well as an almost whimsical backdrop that gave the story an otherworldly air where history could be rewritten. I challenge you not to be moved by Lucrezia’s fate!
Poetic, magical and utterly captivating, THE MARRIAGE PORTRAIT was one of my favourite books in 2022, and one that has stuck in my mind. Very highly recommended!
If you love your thriller with a slight spicing of the supernatural, then THE WHISPERING should definitely be on your list (disclaimer: for those of yIf you love your thriller with a slight spicing of the supernatural, then THE WHISPERING should definitely be on your list (disclaimer: for those of you who love a good dose of spook, this may be a bit too mild). As an added bonus, it also features a delicious small town Australian setting in a remote region just as a cyclone is about to hit. With all those elements adding tension, this story was a definite must-read for me.
Callum Haffenden is an investigative journalist who – just like thousands of mystery protagonists before him – falls into the trap of returning to his old hometown to help with the investigation into the mysterious death of one of his childhood friend’s son. OF course, Callum has plenty of his own secrets and demons, and we will learn in the course of the book why not many people are excited to welcome him back into their fold.
I mentioned a supernatural element, which was one of the main reasons I was instantly drawn to the premise of the book. In the vein of PICNIC AT HANGING ROCK, a cluster of boulders in the vicinity of the town has been the cause of many a local legend, and linked to the disappearance and death of a few locals in the rainforest. Amongst the town’s children, it is well known that the “whispering” may lure you to your death, so they have taken to wearing small friendship bracelets with bells to drown out the boulders’ siren song. I won’t give any more away, because this was one of the best aspects of the book, albeit one I thought could have used a bit more to create a spookier vibe (I am not easily spooked these days, so it takes a bit to raise my goosebumps).
I was very quickly drawn into the story, even though I thought that aspects of it could have been edited a bit more to move the story along at a better pace. I also had a few issues with credibility, for example the fact that if you’ve been an amputee for 30 years, you would have adapted much better to living with this reality than Callum has. A few other things grated a bit, but all in all the mystery central to the story kept me reading eagerly to find out the answers. Mostly, I loved the remote atmospheric setting, despite the fact that this must have been the slowest ever cyclone to approach a town and the worst prepared locals ever in Australia, flitting about the countryside despite the storm and the flooding (I have been through several natural disasters and believe me, you would not merrily drive around as a Cat 5 cyclone hits your town). Oh, to be able to suspend disbelief!
But don’t listen to my moaning. THE WHISPERING will appeal to readers who love a remote atmospheric setting and a small-town mystery where everyone has something to hide. There were quite a few surprises in store and the premise of the mysterious boulders was most intriguing. Just like a strange mix between PICNIC AT HANGING ROCK and THE DRY, THE WHISPERING is a worthy recipient of the 2021 Banjo Prize.
Oh how I love Tuva Moodyson! This series is just getting better and better.
Tuva has had her fair share of tragedy and is still reeling from the incideOh how I love Tuva Moodyson! This series is just getting better and better.
Tuva has had her fair share of tragedy and is still reeling from the incident that almost killed her lover and put her in a coma. She now feels like she has little to lose, which is perhaps the reason she throws herself headlong into trying to solve another mystery, consequences be damned. A young woman has gone missing up near the mysterious Rose Farm, and no one is talking. It’s the sort of challenge Tuva cannot resist, even if it puts herself in danger.
With Tuva, Dean has created a strong, enigmatic, kick-ass female character who has not only overcome adversity (Tuva is deaf), but also never shies away from setting injustices right. Supported by a cast of weird and wonderful characters, and a remote, small-town setting, this series never disappoints. Over the previous four books, we have become very familiar with the small forest town of Gavrik and its inhabitants, and they all make a disappearance here. Whether it’s the creepy wood-turning sisters you’ve been hoping to catch up with, or the whiff of Tammy’s amazing cooking, Dean makes sure they are not forgotten.
I felt sad for Tuva in this one, because part of her bravery and determination not to back down reflects her inner loneliness after the tragedy that stole the love of her life from her. So perhaps this is the reason this book seemed more melancholy to me than its predecessors, even though it’s a solid mystery with lots of action and nail-biting scenes where Tuva puts herself in danger. For me, it’s the characters and the setting that make this series so irresistible, though of course I’m not knocking the well-plotted mystery that holds it all together (which I won’t go into here because it’s best to delve in blind for maximum surprise value).
The Tuva Moodyson series remains one of my favourite crime series and one I can’t get enough of. I hope that we will see a lot more of Tuva in future.
Thank you to Netgalley and Oneworld Publication for the free electronic copy of this novel and for giving me the opportunity to provide an honest review.
A satisfying follow-up to its predecessor, THE FAMILY UPSTAIRS, which tied up all open ends neatly and gave a lot of the background info I was cravingA satisfying follow-up to its predecessor, THE FAMILY UPSTAIRS, which tied up all open ends neatly and gave a lot of the background info I was craving whilst reading Jewell's earlier novel. Just a heads up that this is best read when you still remember details and characters from THE FAMILY UPSTAIRS, and would probably disappoint if read as a standalone novel. I thoroughly enjoyed it!
There is a good reason why Megan Goldin is one of my favourite thriller writers. I think that THE ESCAPE ROOM is still one of my all-time-favourite boThere is a good reason why Megan Goldin is one of my favourite thriller writers. I think that THE ESCAPE ROOM is still one of my all-time-favourite books and one that stands out from the rest, but her latest book is not far behind. It only took a few pages into STAY AWAKE to find myself utterly absorbed by the disjointed reality of Liv’s world.
I love thrillers that rely strongly on the doubt cast on the main protagonist’s mental state. Liv, a traumatised woman who forgets everything that has happened to her as soon as she falls asleep, is a perfect candidate to star in that category of unreliable narrators. With every plot twist, I admired the author for being able to create such an intricate, multi-layered and challenging novel without ever losing credibility. Every time I was briefly concerned that a thread would be left hanging or would stretch credibility too far, I was soon reassured by the background detail that made it all perfectly plausible and tied things up nicely in the end.
Liv’s world is like a crazy kaleidoscope of disjointed images and unanswered questions that consumed me until I had reached the end and finally found out the answers. It was lucky that I read this book on holidays, because I was loathe to put it down. With a perfect blend between action and mystery, Goldin again delivers a psychological thriller so carefully constructed that I never had a chance to guess the culprit – all my theories were totally wrong. I loved every minute of this novel and can’t wait to see what Goldin will come up with next.
With characters like Emmet, Billy, Duchess, Wooley, Sarah and Ulysses , this was never going to be a dull tale. I just loved the cast in Amor Towles’ With characters like Emmet, Billy, Duchess, Wooley, Sarah and Ulysses , this was never going to be a dull tale. I just loved the cast in Amor Towles’ latest book and soon lost myself in the story of their escapades. There was nothing predictable about this book and each character brought something unique and unusual to the story, making this tale one I won’t forget for a while (not to mention that ending).
A story about mateship and family ties, of loyalty and adventure, of choices we make and consequences we reap. A tale that would fit nicely into Billy’s “big red book” and can be enjoyed by a variety of readers of all ages and genders. If you would love to lose yourself in a multi-layered adventure story set in the 1950’s, then this book is definitely for you.
I was instantly drawn to the premise of THE MOTHER because it sounded like a subject that needs to be told. Unfortunately, I didn’t gel with the book I was instantly drawn to the premise of THE MOTHER because it sounded like a subject that needs to be told. Unfortunately, I didn’t gel with the book half as much as I had hoped. Perhaps I should blame my expectations of a domestic thriller, but I felt like there was a definite lack of suspense, which surprised me, given the implied threat to the main characters. The format of the book, which focused more on Miriam’s ruminations than Ally’s predicament, also suddenly skipped over a few years just as the tension was finally building – and it was instantly lost again. I found the writing clunky in places and character development lacking, which made Fiona perhaps the most interesting family member of them all, even though we never get to hear her POV. Nick, who is drawn as the villain, needed much more fleshing out to make him a) believable and b) truly threatening. Mostly we have to just take Ally’s (scant) word for the threat he posed, without any real background information or build-up of tension.
Even after finishing the book, I keep asking myself what really motivated these characters to act as they did? Most of their decisions seemed to come out of thin air without preamble or explanation, and lacked credibility. In a story like this, I should have hated the character of the abuser, but I felt more puzzled than upset by him. Most of Nick’s actions seemed like well-worn domestic thriller tropes without the emotional background to tie it all together. The end was probably the final nail in the coffin for me because I found it too far fetched to be believable and any credibility Miriam may have had quickly dissipated into thin air.
All in all, THE MOTHER was a book that bravely tackled the difficult subject of domestic abuse, but its characters lacked credibility for me, and its format prevented it from ever really ratcheting up the tension enough to be called a thriller. Unable to form any real emotional connection to any of the characters, the story didn’t move me the way I had hoped and I almost DNF’d it a few times. I’m glad to see that other readers enjoyed it more than I did.
Every time a new Lisa Gardner book comes out, I know that I can’t go far wrong with it – she has never written anything I haven’t enjoyed.
As a seasonEvery time a new Lisa Gardner book comes out, I know that I can’t go far wrong with it – she has never written anything I haven’t enjoyed.
As a seasoned thriller writer, Gardner knows how to create interesting, fleshed out characters who instantly come to life on the pages. I liked Frankie Elkin, even though I admit I am getting a little bit tired of the troubled alcoholic protagonist trend (maybe I am just reading too many of these type of books). I kept thinking that there could be more satisfying and original explanations for Frankie’s drive to find missing girls than her alcoholism, which was the first thing in the story that didn’t quite add up for me. Secondly, I was a bit disappointed that Frankie was portrayed as a middle-aged white woman going into battle for missing people from minority groups. I thought that she could have brought more insight and credibility to the racial issues she discusses in the book if she had belonged to a minority ethnic group herself (such as Sheena Kamal’s main protagonist Nora Watts in EYES LIKE MINE).
That said, I really enjoyed Gardner’s descriptions of one of Boston’s troubled neighbourhoods, a backdrop that added both atmosphere as well as tension to the story. As Frankie slowly uncovers more and more clues in her search for the missing teenagers, readers are prompted to form their own conclusions and theories in real-life time just as Frankie is – my favourite type of mystery. The balance between suspense and action provided just enough tension to keep me reading until I had found out all the answers.
Whilst Frankie Elkin wasn’t a stand-out character for me, I would probably still pick up the next book in the series and see where it leads me.
Reid is a PI investigating a suspicious car crash for an insurance company, which brings him back to his old hometown of Manson, a place he had vowed Reid is a PI investigating a suspicious car crash for an insurance company, which brings him back to his old hometown of Manson, a place he had vowed never to revisit. When his investigations unearth a connection to the cold case of two missing local teenagers, he suddenly comes face to face with some of his own demons that made him leave town all those years ago.
Pomare usually writes a good mystery, and THE WRONG WOMAN was no exception. I really enjoyed Reid’s POV and felt that he made a good main protagonist who carried the story well and had just enough baggage to make him interesting, but not too much to make him the stereotypical tortured detective type. I admit that I initially struggled with the character of Eshana, who didn’t quite ring true for me. However, as the story progressed, it offered enough mystery and suspense to keep me intrigued and forget about my misgivings.
I can’t say much more without giving anything away, just that some of the final reveals were sinister and troubling but provided me with a satisfying finale that tied up all loose ends. A quick, intriguing story that made for perfect weekend reading. If you like small town mysteries and people trying to solve a cold case, then you can’t go wrong with this one.
Can you stop a murder after it has already happened? This may seem like a silly question, until you get lost in Jen’s reality after she witnesses her Can you stop a murder after it has already happened? This may seem like a silly question, until you get lost in Jen’s reality after she witnesses her teenage son committing a heinous crime. But when she wakes up the next day, her family act as if nothing is wrong. Just as Jen thinks she has suffered a horrible nightmare or some psychological breakdown, her gaze lands on the calendar – and she finds out that it is now the day before yesterday.
This premise may sound very confusing, but I guarantee you that it is one of the most original stories I have come across this year. Can a mother’s love be strong enough to create a time-loop, allowing you to go back to the past to try and prevent a terrible thing from happening to your child? Jen is about to find out.
WRONG PLACE WRONG TIME is not your typical time travel story. It’s also a most unusual mystery, since it investigates the cause of the crime going back to its origins. As Jen goes further and further back in time, she will uncover a lot of things she never knew about her family. I loved everything about this book, and it kept me totally spellbound until I found out the answers. Despite warnings from other readers that the story would be too confusing to follow on audio, I thoroughly enjoyed my audio version and was so engrossed that I had no trouble at all with the unusual timeline.
Time travel books require a lot of skill to stay believable, and I am happy to report that McAllister has nailed it. Not only was her story utterly intriguing, but it also touched my heart, just as Diane Chamberlain’s THE DREAM DAUGHTER did (where a mother time travels to the future to find a medical cure for her child’s heart condition). I was so taken by it that it was a no-brainer it would end up on my favourites list. One of the cleverest, most original books I have read in a long time, exploring the boundaries of a mother’s love and how far she would go to save her child. Beautifully written and intricately plotted, I fully recommend it to everyone who is looking for a thriller that stands out from the fray.
What was the last book that totally took you by surprise? Since I read A LOT of thrillers, I’m often disappointed by predictable endings. Well, I am vWhat was the last book that totally took you by surprise? Since I read A LOT of thrillers, I’m often disappointed by predictable endings. Well, I am very happy to say that Scrivenor totally blindsided me!
DIRT TOWN follows in the wake of a spade of atmospheric, small-town Australian thrillers that delve into missing persons cases. Here, it is a young schoolchild who fails to return home after school and is eventually found buried in a shallow grave just out of town. In a place where everyone knows one another, it is hard to believe that a child killer is on the loose.
The story is being told through various POVs, including two of the 12-year-old victim’s friends, her mother, the police detective investigating the case and the collective of the town’s remaining children (referred to as “we”), which brought some interesting insights into the case. As you can appreciate with a case of a dead child, the story was sad and tragic, with that melancholy air that also characterises a lot of Australian crime fiction. Child characters’ POVs often don’t ring true for me, but Scrivener nailed it with the voices of both her young protagonists, who appeared authentic and believable with their 12-year-old view of life and death. I also loved the way the author portrayed the dying small town and the way its residents clung to life there, trying to make things work.
Hayley Scrivenor is an exciting new voice in Australian fiction, and I can’t wait to read more from her in future!
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