|
|
|
|
|
|
|
|
|
|
|
|
|
my rating |
|
|
|
|
|
|
|
|
|
|
||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
0192824090
| 9780192824097
| 0192824090
| 4.02
| 1,797
| -422
| Nov 10, 2016
|
it was amazing
|
Aristophanes came along in my reading following extensive other readings of ancient Athenians history, heroes and gods throughout many works by Homer,
Aristophanes came along in my reading following extensive other readings of ancient Athenians history, heroes and gods throughout many works by Homer, Hesiod, Plutarch, Arrian, Xenophon, Plato, Aristotle, Aeschylus, Sophocles, Euripides, Apollonius of Rhodes, and Ovid. Arriving to Aristophanes feels like he pairs well with Cervantes and the overdone journeying of the Age of Heroes, and even a Greek Dante with such highly referential interplay between life, an afterlife, and the divine. Aristophanes’ Old Comedy plays might be a useful source even to compare with Finnegans Wake for their burlesque bawdiness. Clouds was where I had hoped to start coming off reading Plato’s early Socratic dialogues and Xenophon’s four Socratic dialogues. In fact, the order of reading was rather helpful, in particular Xenophon’s dialogue on estate management between Socrates and Ischomachus in Oeconomicus alongside Hesiod’s advice to farmers in his Works and Days. STREPSIADES. What I mentioned before: that immoral way of debating. In Clouds, the father and son incarnations of traditional and modern, Strepsiades and Pheidippides, intimate social tensions of political rhetoric of orators and sycophants (lawyers) in conflict with wealth as represented in land, money lending, aristocratic prestige, new models of education, and generational change. However, Aristophanes depiction of Socrates is so far off Aristotle’s, Plato’s and Xenophon’s likening that it becomes a helpful frame to understand other characters. Herein, Socrates is an incontinent farting machine with oafish sophist teachings. There are only minor hints of the Platonic version, while Xenophon’s more common men of the city, like the estate owner Strepsiades, are heavily featured. The classic Agon I of Clouds is between Moral and Immoral, followed later in Agon II with between father and son, Strepsiades and Pheidippides. MORAL. Come over here then! Show yourself Structurally, I am still coming to terms with the complexities of Aristophanic comedy: parodos, agon, strophic pairs of choruses, songs, iambic dialogue, (to be continued) The Women of Thermophae Frogs ...more |
Notes are private!
|
1
|
Sep 23, 2024
|
Sep 30, 2024
|
Sep 23, 2024
|
Paperback
| |||||||||||||||
014044517X
| 9780140445176
| 014044517X
| 4.05
| 2,775
| -370
| Jul 03, 1990
|
liked it
|
This was a tandem reading with some of Plato’s early Socratic dialogues (Ion, Protagorus, Phaedrus, Symposium, Apology) to which I have to think much
This was a tandem reading with some of Plato’s early Socratic dialogues (Ion, Protagorus, Phaedrus, Symposium, Apology) to which I have to think much of Xenophon’s better writing is a derivative from access to Plato’s style and representation of an idealized Socrates. If Xenophon offers anything, it is being the secondary, lesser pair to any number of writings: Xenophon’s Anabasis vs Arrian’s Anabasis of Alexander, Thucydides The Peloponnesian War vs Xenophon’s Hellenica, and here, Plato’s Socratic dialogues versus Xenophon’s. Still, without Xenophon there would be no alternative or in the case of Arrian, no original, to let shine the other great, supreme works. Xenophon is a significant author, and like his Oeconomicus is a Hesiod to other great Homers. The Oeconomicus was painful to get through but only in the same way that Hesiod’s Works and Days presents a mundane, non-heroic quality to ancient ways of being, maintaining a home and family, and of agriculture. The advice (or herein knowledge) that is presented in Socratic dialogues lacks the brilliance of Plato’s exemplars. Alas, I can now say I have read two works by Xenophon, and after Thucydides I am uncertain if the time is worthwhile to press through another book of secondary style, intellect and emulation of another. Xenophon’s The Persian Expedition (Anabasis) was exceptional, and thus nudged me to read this. As Rex Warner translated both it and Xenophon’s The History of My Times (Hellenica), perhaps I will take another shot at Xenophon again. Within this collection, his Symposium is adequate and an interesting pairing with Plato’s; however it lacks originality. The Apology and Memorabilia were underwhelming. ...more |
Notes are private!
|
1
|
Sep 18, 2024
|
Sep 21, 2024
|
Sep 18, 2024
|
Paperback
| |||||||||||||||
0374526966
| 9780374526962
| 0374526966
| 3.89
| 2,995
| -39
| Jun 15, 2000
|
it was amazing
|
This kind of work is why I love the minor classics, the filler between the hits that just do something to teach you more about the breadth and scope o
This kind of work is why I love the minor classics, the filler between the hits that just do something to teach you more about the breadth and scope of an artist. Virgil is a master of structure and progression. The political story is less prominent than the introduction might suggest, and yet the pastoral is capable of emoting the loss of land, or its gain to those rewarded for war victory. The sixth eclogue sung by Damon is lyrically stunning and includes one of my favorite, least known gods, Pan. DAMON This translation by David Ferry was very readable. Though when I began I read the Latin as well until I found the translation was loose and hard to trace parallels between the two languages. It certainly makes me want to learn Latin, and overall the lyrical quality, humor, and great storytelling come powerfully through. ...more |
Notes are private!
|
1
|
Sep 12, 2024
|
Sep 17, 2024
|
Sep 05, 2024
|
Paperback
| |||||||||||||||
0141396962
| 9780141396965
| 0141396962
| 3.94
| 1,651
| 1794
| Dec 06, 2016
|
it was amazing
|
An incredibly dense read, I will have to redouble my efforts to do justice to Schiller’s model, explicated in detail over 27 “letters” to his patron—a
An incredibly dense read, I will have to redouble my efforts to do justice to Schiller’s model, explicated in detail over 27 “letters” to his patron—an altogether clever and interesting dramatization of the philosopher divulging his philosophy. He articulates a mode human impulses (sensuous, reason, play) and refined taste in a complex means to moderate society and individuals morally. Aesthetic taste like religion has the “merit of being a surrogate for true virtue.”
...more
|
Notes are private!
|
1
|
Aug 27, 2024
|
Sep 02, 2024
|
Aug 27, 2024
|
Paperback
| |||||||||||||||
0543959015
| 9780543959010
| 0543959015
| 3.17
| 7,676
| 1786
| Oct 13, 2000
|
it was amazing
|
Amazed at how similar Goethe’s nuance, variance, and dramatic tension respond to Euripides play by the same name, Iphigenia in Tauris. The premise is
Amazed at how similar Goethe’s nuance, variance, and dramatic tension respond to Euripides play by the same name, Iphigenia in Tauris. The premise is like that of Euripides’ Helen, an alternative history of what we thought we knew of the events of the Trojan war, and the roles of gods and men. Even more importantly, we must have familiarity with Aeschylus’ Oresteia, Sophocles’ Electra, and four plays by Euripides: Iphigenia in Tauris, Electra, Orestes, Iphigenia at Aulis. The curse of the house of Atreus and specifically the family of Agamemnon creates themes of duty, honor, and retribution in seeking justice. It is within these great works of the Greek tragedians we find further depth and hypothetical tensions varied by each take with new contexts or conditions revealed that transform our interpretation of obligation, tradition and law. Goethe’s Iphigenia in Tauris is a spectacular version to be read after Euripides. The themes and motifs of hospitality, suppliants at a temple, and strangers to an unknown shore come to a crisis between the Scythian king Thoas, the priestess of the Temple of Apollo, Orestes and his friend Pylades. Goethe’s version of Pylades has led to some of the greatest speeches of the play creating the most empowered, active version of Orestes’ foster brother. PYLADES: Another recent read of Albanian author Ismail Kadare’s Broken April contains many of the most similar themes of an ancient law of justice, of the goddess Diana (or Artemis) and man’s acceptance of fate. At several points I could not but wonder if Kadare had read Goethe’s version. THOAS:...more |
Notes are private!
|
1
|
Aug 23, 2024
|
Aug 24, 2024
|
Aug 23, 2024
|
Paperback
| |||||||||||||||
B000FBL6PC
| 4.00
| 1
| unknown
| Jan 01, 1969
|
really liked it
|
This book follows the lines of “philosophy of history” in seeking out an abstraction of ideas, generalizations out of context, from a perceived tabula
This book follows the lines of “philosophy of history” in seeking out an abstraction of ideas, generalizations out of context, from a perceived tabula rasa and selecting historical units to arrive at a arbitrary teleological view of the whole of history. This volume looks at the slow development of this idea, so you can imagine a perversion of history into patterns and tendencies in order to make predictions for the future. Some of the theologians, historians and philosophers are more simplistic, others imagine a more complex view. All of the views have their strengths, and interests, but none is without their limitation or illusion. The introduction explains that German contains two words for what English conflates: Historie (the process of events) and Geschichte (the narrative that connects and makes events intelligible). Here is a great place to start, and already it makes sense why people have trouble with conceiving a clear definition of history, its meaning or possible uses. The names of influential thinkers in this volume are impressive. Saint Augustine, Giambattista Vico, Immanuel Kant, Johan Gottfried Herder, G. W. F. Hegel, Karl Marx and Frederich Engels, Oswald, Spengler, Arnold Toynbee, and several other critics of the philosophy of history and historicism (a theological or naturalistic meaning ‘historical inevitability’). More or less this work presents and shows how ideas were modified successively over 1000 years to look to the ‘end of history’, a title of an article by Francis Fukuyama, to which he was condemned. The teleological development proposed by Hegel had massive and important effects on society. It was highly flawed, selective of subjective periodization of history, yet it told a coherent story supplied with a ‘manifest destiny’. The main reason I picked out this book was because I saw it included sections on Vico’s New Science and Toynbee’s The Study of History. It exceeded my expectations and was the perfect book to look at when beginning Hegel’s The Philosophy of History. I love reading books like this that present ideas even if no longer seen as valid inquiries, they still have such value on their own as a process of what historians call historicism (or ideas as situated in a context being limited and relative) and as a catalogue of historiography. ...more |
Notes are private!
|
1
|
Aug 16, 2024
|
Aug 23, 2024
|
Aug 16, 2024
|
Mass Market Paperback
| |||||||||||||||||
4.01
| 7,121
| Nov 23, 1978
| Dec 23, 2010
|
it was amazing
|
The shape of the novel takes on many forms. Six chapters of shifting perspectives, Gjorg, Bessian and Diana, and Mark narrate the Albanian tragedy. Li
The shape of the novel takes on many forms. Six chapters of shifting perspectives, Gjorg, Bessian and Diana, and Mark narrate the Albanian tragedy. Like the great ancient Athenian tragedies, the status of ritual violation, claims of suppliants, and the undeniable providence of the gods/God enforce an ancient and unwavering law. We humans are but subjects of the gods. ”Your books, your art, they all smell of murder. Instead of doing something for these unfortunate mountaineers, you help death, you look for exalted themes, you look here for beauty so as to feed your art. You don’t see that this is beauty that kills, as a young writer said whom you certainly do not care for.”...more |
Notes are private!
|
1
|
Aug 14, 2024
|
Aug 16, 2024
|
Aug 14, 2024
|
Kindle Edition
| ||||||||||||||||||
0375758402
| 9780375758409
| 0375758402
| 3.93
| 124
| 1983
| Sep 11, 2001
|
it was amazing
|
Reading Plato’s Republic in high school and leaving it unfinished left me with the sense that the philosophy was solely about the ideas (of governance
Reading Plato’s Republic in high school and leaving it unfinished left me with the sense that the philosophy was solely about the ideas (of governance) and not as much about the style nor method of speech. Now I realize the organization and presentation made at least as much. It was not until finishing all the extant Athenian tragedies and reading Plutarch’s Greek Lives that Athenian thought, society and history came to make more sense—in particular of its religious dimension. Homer, Hesiod, Aeschylus, Sophocles, Euripides, Aristotle, Xenophon, Apollonius of Rhodes, Plutarch and Arrian give shape to and hint at a Greek religiosity beyond myth and story. Many of the myths come to feel presaging Christian stories, and especially certain motifs of the hero, savior, and martyr. Now I realize one needs this wealth of knowledge to make sense of references and give insight into the intricacies of the dramatic persons joining Socrates in conversation. Learning of the structure of tragedy, and its development of dithyrambic chorus, helped to place Plato’s writing into a broader field of tragedians, comedians, rhapsodes, sophists, and philosophers. Plato’s “dramatic dialogues” frame the method of his writing as well as offering a view of Socratic interrogations and cross-examinations. This volume included five: Ion, Phaedrus, Protagorus, The Symposium, Apology. The ordering of these from short and simple to increasingly long and more significant dialogues allowed understanding of the unique process of Socrates cross-examination. At times, and honestly for much of the time, Socrates comes off as someone given to harm or insult others for speaking falsely. His destruction of Ion the rhapsode is embarrassing, and in moments contains ill-will. Phaedrus was my favorite as it introduced an idyllic setting and action apart from the dialogue. All the rest are classics and are to be experienced be reading them. Actively reading my circling, underlining, and parsing the ideas so densely presented, and subtly decoded the nuance of both style and content. After loving these so much, and as a consequence of reading all extant complete Greek tragedies, I bought to venture into another 30 or so works of the ancient world. The sheer invention of original thought and creative language more than 2000 years ago continues to astound. "You, my friend a citizen of the great city of Athens, famous for its culture and Power—are you not ashamed of heaping up the largest amount of money and status and reputation, and caring so little about wisdom and truth and improving as much as possible your soul, which you never regard nor heed at all?" And if some one of you disagrees and says that he does care, then I will not leave him nor let him go at once, but will interrogate and examine and cross-examine him, and if I think that he has no virtue in him but only says that he has, I shall reproach him with undervaluing what is most precious, and overvaluing what is less. And I shall repeat the same words to everyone whom I meet, young and old, citizen and foreigner, but especially to you citizens, inasmuch as you are my brothers. For this is the command of the god— know it well. And I believe that no greater good has ever happened to you in this city than my service to the god. Next up will be Xenophon’s four Socratic writings: Apology, Memoriabilia, Symposium, Oeconomicus ...more |
Notes are private!
|
1
|
Aug 14, 2024
|
Sep 15, 2024
|
Aug 13, 2024
|
Paperback
| |||||||||||||||
0195015401
| 9780195015409
| 0195015401
| unknown
| 3.95
| 510,052
| -400
| Jan 01, 1963
|
it was amazing
|
This edition of The Art of War by Sun Tzu is more than I bargained for. It is the result of US General Samuel Griffin’s translation and scholarship on
This edition of The Art of War by Sun Tzu is more than I bargained for. It is the result of US General Samuel Griffin’s translation and scholarship on the Thirteen Chapters with centuries of commentary by Ts’ao Ts’ao, Tu Fu, Li Ch’uan, Tu Ma, Mei Yao-ch’en, Wang Hsi, Chang Yu, and a few others. To the addition of the commentaries is added further footnotes and commentary from Griffin to expand upon more recent application of Sun Tzu’s tactics by Mao Tse-tung and Japanese generals. In the way that commentaries interact with the source text, what has emerged is a centuries-long discourse and interpretation of Sun Tzu. III Griffin, along with many of the commentary authors, discuss difficulties of determining authorship of the text. Like other classical works, the role of compilers was common and then attribution to an older authority commonly given, creating works less likely by a single author. The explanations of this are fascinating and worth reading and considering, as they examine the challenges of determining the providence of texts more than 2000 years ago. This edition provides appendices, including one with Sun Wu of Ch’i, a general of the State of Wu, who is the historical figure attributed with authorship. The stylistic and structure differences exist but much if the material seems to suit the dialogue between the general and Marquis Wu. CHAPTER V I highly recommend reading a version by Griffin as translator and commentator as the discussion of The Art of War as a historical source and text is fascinating, illuminating a time of ancient China as foundational as the ancient Greek world of the Athenian tragedians and philosophers. A recent reading of Confucius’ Analects reveal some similarities in the historiography of authorship and textual providence. Cannot wait to read more Chinese classics. ...more |
Notes are private!
|
1
|
Aug 11, 2024
|
Aug 13, 2024
|
Aug 11, 2024
|
Hardcover
| ||||||||||||||
3.81
| 22,379
| -475
| Apr 12, 1960
|
really liked it
|
A heavy read if not fluent in the historical context of ancient China before the Warring States Period. My brain is filled with names of the Master K’
A heavy read if not fluent in the historical context of ancient China before the Warring States Period. My brain is filled with names of the Master K’ung (Confucius) community, and aphoristic exchanges between his many questioning disciples: Meng Wu Po, Tzu-kung, Tzu-chang, Yen Hui, Tzu-lu, Jan Yung, Chi K’ang-tzu, Jan Keng, Jan Ch’iu, Tzu-hsia, Tsai Yu, Master Tseng. These I am not even sure are correct, as I have just recorded them here mentioned in the core books attributed to Confucius: Book III - Book IX. These books are simple, concise and exemplary. By Book IX I was throughly enjoying the structure even if not understanding who the interlocutors were nor any of the references. I will be needing to read this again, as I throughly enjoyed the core books. 21. Duke Ai asked Tsai Yü? about the Holy Ground. Tsai Yü replied, The Hsia sovereigns marked theirs with a pine, the men of Yin used a cypress, the men of Chou used a chestnut-tree, saying, 'This will cause the common people to be in fear and trembling.' The Master hearing of it said, What is over and done with, one does not discuss. What has already taken its course, one does not criticize; what already belongs to the past, one does not censure. The books I-III and books X-XX are more of a drag stylistically. Each paragraph is expanded, longer, and asymmetrical. This creates an imbalance and certainly makes the reading less enjoyable. These changes occur frequently in ancient Chinese writings as the compilers of these volumes were writing after they purportedly occurred. Often the Master’s name is attached, as a sort of claim of authority, even if not the author. The scholarship seems to support this view, but alas, I am still struggling to make sense of all I have read. Largely this relates to the practice explained here: 11. The Master said, He who by reanimating the Old can gain knowledge of the New is fit to be a teacher. Other names appear as well, many of cultural importance as either historical (Duke Ai, Duke of Chou, Duke of Lu) or mythical figures (Po I and Su Ch’i, King Wen and King Wu). I think one of the main takeaways for me is that The Analects is but one text emerging from the period following the life of Kung Fu Tzu (Confucius), born on 550 BC. This text could be imagined to correspond to 500-480 BC, as in, the conversations within could correspond to discussions between Master K’ung and his disciples. However, the text under compilation for at least 200 years, illuminated by the revisitations to the commentary of Confucius. Their major interests center on governing, of ritual behavior, of Goodness (of ritual) being projected outward to create balance and stability. The concept of tê and li are moral force and physical force, respectively. Tê seems to be the overarching principle guiding the work of The Analects. The philosophy is used to analyze the political actions of kings, princes, dukes, ministers and commoners, centered on the promotion of Goodness (of ritual). Other works to read to fill out an understanding of the complex context and ideas are the Five Classics: The Book of Songs, The Book of Documents, The Book of Rites, The Book of Changes, Spring and Summer Annuls. Then there are the Four Books, including the Analects, Great Learning, Doctrine of the Mean, Mencius. As well as the Taoist works Tao Te Ching and Chuang Tzu. An immediate next read is The Art of War as it will shine light on The Warring States Period preceding the time of Confucius, the Spring and Autumn Period. ...more |
Notes are private!
|
1
|
Aug 10, 2024
|
Aug 11, 2024
|
Aug 10, 2024
|
Mass Market Paperback
| ||||||||||||||||||
5.00
| 2
| unknown
| 1958
|
it was amazing
|
And now I complete my reading of the ancient Greek tragedies: 31 extant tragedies by Aeschylus, Sophocles and Euripides, along with one satyr play by
And now I complete my reading of the ancient Greek tragedies: 31 extant tragedies by Aeschylus, Sophocles and Euripides, along with one satyr play by Euripides (Cyclops) and one spuriously attributed to him (Rhesus). That means seventeen Euripidean tragedies are completed with this reading of: Helen (412 BC) is such a surprising reversal, as with Iphigenia in Tauris, the translator reversed the order of his introduction and the play. Together these are two reimaginings of the Trojan war altered by the gods. This is a powerful and beautifully written play. While it is useful to have read The Iliad, Euripides is riffing off of other legends as well, he introducing great variations to the story. They called me Helen. Let me tell you all the truth of what has happened to me. The three goddesses came to remote Ida, and to Paris, for him to judge their loveliness, and beauty was the cause. These were Hera, the Lady of Cyprus, and the Daughter of Zeus. But Aphrodite, promising my loveliness (if what is cursed is ever lovely) to the arms of Paris, won her away. Idaean Paris left his herds for Sparta, thinking I was to be his. This narration introduces our namesake as a plaything of the gods. Which is a major theme of Greek epic and tragedy. As well, Helen is a unique presentation of the most important character who is hardly ever visible and has never been given a voice. Euripides does this very well, bringing women again and again to the forefront of his dramas, as this volume does well to showcase. Hecuba (425 BC) was a second reading for me, and flows beautifully into the a pattern of strong women facing a crisis after war’s end. Here we see the lamentation of women for the loss of their warring men to become slaves of the victors. Hecuba Here we see referenced how 50 of Danaus’ daughters plotted to murder the 50 bridegrooms pledged by King Aegyptus. Here the theme of forces marriages and the cunning of women was victorious. Another case, related in The Argonautica presents another case of the Lemnian men’s return with Thracian war-conquered mistresses led to the wives collusion to revenge their loss of place in the bed, perhaps prefacing Medea’s own. It is this interconnected tapestry of the ancient Greek world that is referenced and repeated, with alterations. As in the following line by Polymestor, the treacherous Thracian king, blinded with the pin of a broach: Polymestor (from within) …indicating they ancient belief in light being emitted from the eyes. Andromache (427 BC) carries on the war’s end motifs. The tribulations of Hector’s wife, Andromache, as she is gifted to Neoptolemus, Achilles’ son, as a slave prize of his valor. Neoptolemus is also married to Hermione, daughter of Menelaus and Helen. The birth of a son by Andromache threatens Hermione, and with cameos by her father and later Orestes, this is an unforgettable tragic drama—perhaps my favorite among many great ones in this volume. The presence of Achilles’ father, Peleus, presence a rare chance to view this hero, who with Heracles and Jason chased the Golden Fleece, and also with Heracles, fought at Troy a generation before. Really an unbelievable chance to see his character and four generations of Phthian lords: Peleus, Achilles, Neoptolemus, and a young great grandson of Peleus by Andromache. EPODE The Trojan Women (415 BC) is presented perfectly as a followup to Helen, Hecuba and Andromache. This time we have not even left the shores of Troy, and the immediacy of the city’s complete destruction. Poseidon the women face the decisions made by the ruling Atreus brothers on the division of the women to the noble warriors. Ion (415 BC) is singular in telling an older story, before the Trojan War. It is a foundation story of Athens, and even Plato has a dialogue with Ion. What is great about Euripidean structure is how frequent the story is introduced by a god, here, by Hermes. Hermes Rhesus (440 BC) was another reread for me. Given its spurious nature, it does have a different feel than other plays, and as pointed out by the translator Lattimore it tells a story of Book X of The Iliad, which is unknown in his other works. They tell either before, or after the war takes place. I need to rearead Book X to get an idea how the adventures of Odysseus and Diomedes differ. A great simple war adventure behind enemy lines. The Suppliant Women (417 BC) is another one-off. It touches on my favorite Greek epic cycle, the Theban tragedy of house Oedipus. This play centers on the Argive king Adrastus and the mothers of those killed at the seven gates of Thebes pleading to Theseus to avenge the sacrilege of leaving the dead unburied. A great pitting of the noble king Theseus against the notorious King Creon, Oedipus’ uncle/brother-in-law (never not funny). The story is of the fate of his sons, Polynices and Eteocles. ...more |
Notes are private!
|
1
|
Aug 05, 2024
|
Aug 08, 2024
|
Aug 01, 2024
|
Hardcover
| ||||||||||||||||||
B001YVFVXK
| unknown
| 5.00
| 1
| unknown
| Jan 01, 1956
|
it was amazing
|
This is not comprehensive, nor even a summary. Simply it is my recall, promoted by revisiting the texts after finishing all, to celebrate and remember
This is not comprehensive, nor even a summary. Simply it is my recall, promoted by revisiting the texts after finishing all, to celebrate and remember the complex beauty of each tragedy, isolated from its lost paired trilogy and final satyr play. I had forgotten even the premise of Alcestis even a few days after reading. There is so much to grapple with, an entire mythological universe with overlapping stories, bent a new direction each time presented. The themes and motifs are rich, complex, and imbued with a specific context that arrives at incompletion as intended, incompleteness as the central design to Greek tragedy. This incompleteness accords nuanced beauty and interpretative power, lending imaginative dexterity of the unknown, changing, and highly-fickle world of Olympic gods and goddesses. Alcestis (438 BC) is a play centered upon the idea of escaping death with a replacement. It is a simple story of the Gods (Apollo and Death), and a Thessalian royal family. Death This is a lovely play, with the appearance of Heracles in a unique and unassuming role of friend to comfort an unreconcilable Admetus. Medea (432 BC) was the second reading for me, translated by Rex Werner. This time I was fast off of finishing Apollonius of Rhodes’ The Voyage of the Argo (Euripides would have been aware of the Argo mythology but our only extant Argonautica was written in 250 BC so the influence would have been inversely from highly-coveted Euripides among other sources). However I think this is actually a rather fundamental depiction of the Age of Heroes, laying out the legends that came before the Trojan War era. We hear of Jason and Medea, but also Heracles, Theseus, Orpheus, Telamon and Peleus, Castor and Polydeuces, Meleager, Zetes and Calais, among about 50 others. More importantly, many of the savage monsters of this romantic era of heroes were still left to be faced. These included the Labors of Heracles (the killing of the Hydra occurs peripherally) but also those faced by the Argonauts. But center in this story is King Aeetes, the suppliant Phrixus married to Chalciope, and Medea’s powers to support the everyman hero Jason. In this play we learn an inversion, a complexification of the Medea legend whereby ill-favor and lost love find Medea and her sons faced with exile and the fickle actions of Jason. Jason with his marriage into the royal family of Corinth, is setting up a scenario whereby his sons are less than secure under King Creon and his daughter. Like the story of Phrixus exile at the hands of his stepmother, Medea cannot allow both the subordination of her own marriage, nor the children’s reassignment. This is such a great play as so many of Euripidean women are powerful, complex, and as flawed as any of the men. The realism of vengeance and fury transcends the mythic Jason and imagines an ending that brings to life the dark magic Medea practices. This is one of the highlights of this volume. Heracleadae (429 BC) is another play whereby Heracles is a side character, and his absence itself brings calamity. This then is another Age of Heroes play, expounding on the Labors of Heracles. In this version, Heracles must pursue the elimination of menacing monsters threatening the civilized Greek world. King Euryatheus of Argos and Mycenae has sent Heracles to complete his labors, and in his absence persecuted Heracles’ children and mother Alcmene, and old Iolaus. As they arrive to the Temple of Zeus in Marathon as suppliants, Demophon, King of Athens steps in a protector against the armies of the wicked King Eurystheus. Hippolytus (428 BC) like other thematic characters centers on Theseus, his son Hippolytus, and stepmother, Phaedra. This is an ancient incestuous love triangle confounded by the gods Artemis and Aphrodite. The ways in which the mores, customs and taboos have been grouped together in this volume is so helpful. Also a highlight of this volume. Highly recommended. Cyclopes (425 BC) is a story known to all who have read The Odyssey and yet this is the only remaining satyr play by Euripides. These plays were short and occurring after the tragic trilogy. Their purpose was not only comic, but there were satyrs (horsemen) with phallises to lighten the mood. As no full four play submissions to any of the competitions has survived, it is unclear exactly how they might be connected. This was a great simple read. What is not to love with Odysseus and the blinding of the Cyclops Polyphemus. This comic dialogue is a delight: Coryphaeus Heracles (423 BC) is a second time read for me as well. This is a masterpiece. It fits well with Sophocles’ Aias as a case of God-induced madness and hallucinations. This play is set in Thebes with the tyrant Lycus declaring he will put to death the treats to his newly usurped throne over King Creon. As Creon is Megara’s father, and she the wife of Heracles, and Lycus fears retribution from the family of Heracles. The chorus sections feature prominently at the beginning and include a great retelling the Labors of Heracles. Thus the Chorus sings what all believe true at the time—Heracles to be dead and in Hades. (Enter the Chorus of old men of Thebes. They walk painfully, leaning upon their staffs.) Here Heracles is the central figure as he arrives in time to save his father, Amphitryon, his wife Megara and his three sons. Theseus again arrives and we get to experience the relationship between these classical heroes, making for a spectacular dialogue. Iphigenia in Tauris (414 BC) is so far my favorite rethinking, alternate history of the well-known actions to begin The Iliad, the sacrifice of Iphigenia to Apollo. In this version, Artemis is the central God, though Apollo and Athena play important roles in the continuation of the Orestes storylines. Iphigenia (telling them) Given that the next volume begins with Helen, a similarly structured and themed play, I cannot wait to read the final unread Greek tragedies. Euripides, when his plays are longer, we can expect unique structures, quick reversals, and the ever-near interference of the Gods, his deus ex machina finales. ...more |
Notes are private!
|
1
|
Aug 2024
|
Aug 04, 2024
|
Aug 01, 2024
|
Hardcover
| ||||||||||||||||
4.16
| 5,036
| 150
| 1971
|
it was amazing
|
Hard to express just how impressive it is that works of men before the time of Christ can be written with any certainty. In the case of Arrian — writi
Hard to express just how impressive it is that works of men before the time of Christ can be written with any certainty. In the case of Arrian — writing after the time of Christ, roughly in 115 AD, in a archaic Greek style — we are genuinely lucky to have a work following Alexander’s exploits so closely. The structure is based upon Xenophon’s Anabasis and follows the linear path describing the landscape and people Alexander confronted. It was his ‘march across’ the Asiatic world. He literally went as far as was known, and then he pushed on to explore what the borders and adjacent lands beyond encompassed. It is very hard not to celebrate the near impossible tasks, grace, ferocity, and ambition of Alexander III of Macedon. From his ascension to the throne in 336 BC until his death in 323 BC, Alexander with his complex compilation of professional specialized forces and combined arms tactics (calvary: the Companion heavy calvary, Thessalian calvary, Paeonian light calvary; archers and javelin-throwers: the Agrianes, Cretan archers; infantry: foot Companions heavy infantry, Thracian peltasts, Greek hoplite mercenaries, shield-bearing Hypaspists) were the reasons no other cities or kingdoms could challenge the decisive action, breakneck speed, cunning strategy, and fearless daring for glory prevailing in Alexanders “unbroken chain” of victories. His leadership in action, victories, and at times speeches to his men defined a man of intellect as much as physical prowess. Speeches like this, perhaps were recorded in Ptolemy’s history of Alexander, but add firsthand storytelling to an altogether rather distant historical account: ’If you have any complaint to make about the results of your efforts hitherto, or about myself as your commander, there is no more to say. But let me remind you: through your courage and endurance you have gained possession of Ionia, the Hellespont, both Phrygias, Cappadocia, Paphlagonia, Lydia, Caria, Lycia, Pamphylia, Phoenicia, and Egypt; the Greek part of Libya is now yours, together with much of Arabia, lowland Syria, Mesopotamia, Babylon, and Susia; Persia and Media with all the territories either formerly controlled by them or not are in your hands; you have made yourselves masters of the lands beyond the Caspian Gates, beyond the Caucasus, beyond the Tanais, of Bactria, Hyrcania, and the Hyrcanian sea; we have driven the Scythians back into the desert; and Indus and Hydaspes, Acesines and Hydrates flow now through country which is ours. With all that accomplished, why do you hesitate to extend the power of Macedon - your power - to the Hyphasis and the tribes on the other side? Are you afraid… Arrian’s coeval Plutarch wrote his biographies on nine Greeks in The Age of Alexander establishing a context for his 70-page biography of Alexander’s character and accomplishments. However, Arrian’s The Conquests of Alexander delves into the expedition and exploits of Alexander over seven chapters of 50 pages each. The depth and detail of the terrain, people and military tactics presents a man with nonpareil ambition and boldness across the string of an “unbroken chain” of victories. The seven chapters cover: (I) the sake of Thebes and battle of Granicus; (II) battle of Issus, sieges of Tyre and Gaza; (III) Egypt’s submission, foundation of Alexandria, the battle of Gaugamela, and pursuit of Darius through the Caspian Gates; (IV) the Scythians, Alexander’s orientalism, Bactria, Sogdia and the siege of the rock of Aornos, and establishing many new Alexandrias; (V) the land of five rivers, the Indus and Indians, Porus, Macedonian mutiny; (VI) voyage down the Indus to Pattala, the Indian Ocean, march back though Gedrosia; navigating the Tigris and Euphrates, return to Babylon; (VII) Susian marriages, preparations for an Arabian expedition, deaths of Hephaestion and Alexander. ...more |
Notes are private!
|
1
|
Jul 29, 2024
|
Jul 31, 2024
|
Jul 29, 2024
|
Paperback
| ||||||||||||||||||
3.79
| 18,733
| Jun 1996
| 2003
|
really liked it
|
Premised off an inversion of Gogol’s Dead Souls, Kurkov’s Death and the Penguin centers on Viktor Zolotaryov who writes “obituaries of the still livin
Premised off an inversion of Gogol’s Dead Souls, Kurkov’s Death and the Penguin centers on Viktor Zolotaryov who writes “obituaries of the still living,” profiting from so doing. The subversive 1996 novel seems to address issues of political surveillance of the time, as invisible heads exploit and entrap others to cover and sabotage, and in this case it is aspiring writers and journalists like Viktor who are made to cooperate and conspire with an intelligentsia constituted of covert political operations in the media in so doing. What lends the novel’s caprice is a flair for pacing, episodic chapters flipping past the simple daily life of Viktor’s household. From the penguin he has adopted from the zoo, to the fostering and care for a colleague’s daughter Sonya, to the employing of his friend Sergey’s niece as Sonya’s nanny, Viktor’s life fills out to resemble a family. This however, is not left without complication, and the novel resolves in a way that suggest there will be a trilogy, with Penguin Lost having been published in English already. I cannot say I will rush out to read it, but I am half impressed with the feeling of this work being from the 90s. In ways this work made me recall another novelist from the period, Victor Pelevin’s Oman Ra, and the fraud associated with governments, society and the institution of the media. ...more |
Notes are private!
|
1
|
Jul 23, 2024
|
Jul 24, 2024
|
Jul 23, 2024
|
Paperback
| ||||||||||||||||||
4.15
| 7,490
| 1925
| 1985
|
really liked it
|
Reading an English translation of Adam and Eve on an eReader was a bit like downloading some Rolling Stones on Napster—questions emerge such as: Am I
Reading an English translation of Adam and Eve on an eReader was a bit like downloading some Rolling Stones on Napster—questions emerge such as: Am I getting a virus with this? Who really translated the work? Wouldn’t it be nice to have a cleaner providence of conveyance? Once getting over the uncertainty of not having an official cover, I felt the thrill of reading a bootleg, coverless copy, à la Yu Hua in his China in Ten Words on reading during the Cultural Revolution. Who else is privileged to be able to read it in English? Who else even knows Liviu Rebreanu to be on their radar? (However, fellow Goodreads enthusiasts had put his Forest of the Hanged on my TBR list as there is a translation by Tiberian Press.) The conceit of this 1928 novel, Adam and Eve is a string of interconnected romance narratives. These romances seem to evolve as do their literary ancestors to present a history of classical romances over time. Cervantes famously mocks the genre as cliche and exhausted, but certainly no one can doubt the significance of the genre as perseverating across millennia. Perhaps Rebreanu greatest feat is compiling these classical love stories across time albeit in a way few readers will be conversant. More often than not one is baffled by the sources of all the names, regions, conflicts, and resolves of each of seven chapters. It is this structuring of seven sections of seven chapters that gives solidity to the novel, even if the interconnected narratives feel light and at times, alternative versions, copies of some original. The characters and their historical epochs are memorable, are highly complex, and feel in a way inhospitable. Yet one wants more explanation or scholarship to fill out what a reader might be missing. „Da, ultima, da! Îsi zise istovit. Am fost eu, Toma Novac !...Dar Mahavira si Unamonu, si Gungunum, si Axius, Adeodatus, si Gaston ?... Tot eu? Acelasi eu? Atunci Na-vamalika, Isit, Hamma, Servilia, Maria, Yvonne ar fi tot Ileana ?... Adica precum spunea Aleman?... Si dacã toate astea sunt inchipuiri care s-au smuls acuma din subconstientul meu ?... De ce insã tocmai acuma ?" …which is translated as: "All right, the last one!" he said to himself in a state of exhaustion. "That was me, Toma Novac! ... But what about Mahavira and Unamonu, and Gungunum, and Axius, and Adeodatus, and Gaston?... Were they also me? The same self? What about Navamalika, Isit, Hamma, Servilia, Maria, Yvonne, were they Ileana?...That is, according to Aleman?... And suppose all of these are merely figments of my imagination snatched out of my subconsciousness?... But why now and not at any other time?"...more |
Notes are private!
|
1
|
Aug 29, 2024
|
Sep 2024
|
Jul 19, 2024
|
Paperback
| ||||||||||||||||||
0870714996
| 9780870714993
| 0870714996
| 4.39
| 15,389
| Mar 01, 2003
| Mar 01, 2003
|
it was amazing
|
A wonderful introduction to mosses, their vital role in forests, their evolutionary development, and niche ecologies. The first person narrative with
A wonderful introduction to mosses, their vital role in forests, their evolutionary development, and niche ecologies. The first person narrative with shifting thematic chapters presents novel approaches to conceive of mosses and their relationships to natural and human processes. This work, Gathering Moss provides a very intimate illustration of moss ecologies, of the many types, of the many remaining mysteries regarding the circumstances and delicate conditions for new colony growth. There are so many surprising bryological facts and hypotheses, and even more ways that they intersect aspects of our daily lives that we hardly consider, yet have observed. It means we see without understanding, so as to then just move on. It takes, as Robin Wall Kimmerer repeatedly states, a very long time for mosses to reach maturity, and their ecological functions are fundamental to nurture the conditions for innumerable niche species including salamanders, waterbears, and mycorrhizae. If you want to gain insight into the workings of forests, mosses, or ecology, this is a unique, accessible introduction to the topic. ...more |
Notes are private!
|
1
|
Jul 12, 2024
|
Jul 21, 2024
|
Jul 12, 2024
|
Paperback
| |||||||||||||||
0140441239
| 9780140441239
| 0140441239
| 4.13
| 3,330
| 1568
| Aug 30, 1963
|
it was amazing
|
Wow! Twenty years in waiting to read this, this chronicle by Bernal Diaz came 40 years after his first-hand, eye witness participation in the first co
Wow! Twenty years in waiting to read this, this chronicle by Bernal Diaz came 40 years after his first-hand, eye witness participation in the first contact with the heavily populated lands from the Yucatan to the Valley of Mexico, Lake Texcoco and the Seven Cities. In this account Diaz in his 70s and 80s recounts the three exploratory voyages, first by Cordoba to Cozumel, then Grijalva to Tabasco, and ending with Cortez’s landing Tonala/San Antonio, contact with Montezuma’s diplomatic outreach, and marching (uninvited) from their first garrison and settlement at Villa Rica de la Vera Cruz to the Valley of Mexico. What I knew beforehand was that the people of Tenochtitlan where called Mexica, their language was Nahautl, and their political rivals sided with Cortes. Thus, through forces of advantageous weaponry, sheer luck and deceit, the powerful Aztecs under Montezuma were defeated in 1521. However, Bernal Diaz remembrance of his involvement in the adventurous and daring conquest expands a vision of a fearsome adversary far more politically divided, of numerous city states that Cortes’s small force of soldiers, horsemen, crossbowers and musketeers had to subdue against Cempoalo, Tlascala, Chulula, and Texcoco before being able to meet Montezuma. The section on the captivity of Montezuma is the highlight of everything the reader thinks they know being incorrect. The stage for Cortes and Montezuma diplomacy and political maneuvering is central to the narrative, and its detailed elaboration is fascinating. Diaz at times suggests the conquest by Cortes recall the daring of Paladin Roland, or the level of death following the siege of Tenochtitlan to that of ancient Jerusalem, likening the city’s destruction to that of Troy, or referring to military maneuvers of Roman generals. The exploits of their initial stay in Tenochtitlan, exodus, encircling and siege of the city showcase a level of military genius and incredible finesse that almost, almost cannot be believed. I will be reading Prescott’s The History of the Conquest of Mexico to get yet a more authoritative and corroborated history of this disastrously significant conquest, though Prescott praised the historical quality of Diaz’s narrative. And here we arrive at how trustworthy the narrative of Bernal Diaz is, even if being far more insightful and experiential than The Short Account of the Destruction of the Indies by de las Casas, to whom Diaz comments: I think that my readers must have heard enough of this tale of Cholula, and I wish that I were finished with it. But I cannot omit to mention the cages of stout wooden bars that we found in the city, full of men and boys who were being fattened for the sacrifice at which their flesh would be eaten. We destroyed these cages, and Cortes ordered the prisoners who were confined in them to return to their native districts. Then, with threats, he ordered the Caciques and captains and papas of the city to imprison no more Indians in that way and to eat no more human flesh. They promised to obey him. But since they were not kept, of what use were their promises? Quite absent in de las Casas are the human sacrifices on the cues by the papas to the teules of those captured in war. Diaz goes on to describe how throughout the Yucatan and into Mexico the heart and blood was delivered on altars to the teules while the arms and legs were eaten. Indeed, one of the major moral claims Diaz makes for the righteousness of the conquest of ‘New Spain’ is the deliverance of the people from their evil ways. Still on his horse, with Doña Marina beside him, Cortes then asked the Caciques why they had turned traitors and decided the night before that they would kill us, seeing that we had done them no harm but had merely warned them against certain things as we had warned every town through which we had passed: against wickedness and human sacrifice, and the worship of idols, and eating their neighbours' flesh, and sodomy. All we had done was to tell them to lead good lives and inform them of certain matters concerning our holy faith, and this without compulsion of any kind. These claims because of their repetitive frequency come to be believed, and certain violent warrior culture beliefs still remain about the human sacrifices. What surprises me is how Diaz describes the cannibalism is a way that de las Casas never even mentions. However, Daniel Defoe in Robinson Crusoe in an adaptive narrative brings forth stories of adventure, failure, success, isolation, survival, redemption and domination of a small island in the Lesser Antilles (near Trinidad) where savage cannibals come to eat the victims captured in their neighborly warring. It seems to me this idea derives from somewhere, and the veracity of its occurrence and the contexts of its practice may be overwhelmingly biased by/based on accounts like Diaz. I am fascinated as to how much the theme of cannibalism is historically inspired and how the the themes of cannibalism were developed by works modeled on Robinson Crusoe: Gulliver’s Travels, Treasure Island, The Island of Dr. Moreau, The Invention of Morel, The Life of Pi. This is but an aside. The events of this work are made all the more believable by the characters that inhabit the pages: Hernando Cortes (also Malinche), the native translators Dona Marina and Jeronimo de Aguilar, and the four captains: Pedro de Alvarado, Juan Velasquez de Leon, Diego de Ortaz, and Gonzalo de Sandoval. Not to mention the indigenous leaders of the Tlascala, Montezuma’s widespread kinship, and the last Mexican leader, Guatemoc, who despite the blockade of Tenochtitlan, bravely fought the Spaniards with their alliance of Mexican enemies. This is really an unforgettable story of conquest and war, but also of first contact and the exchange of religious beliefs, tactical warfare, and diplomacy. The subtleties of the narrative make Bernal Diaz a must-read, and so, read it already. I wish I had. ...more |
Notes are private!
|
1
|
Jul 02, 2024
|
Jul 14, 2024
|
Jul 02, 2024
|
Paperback
| |||||||||||||||
0998829099
| 9780998829098
| 0998829099
| 4.25
| 28
| Feb 01, 2019
| Feb 01, 2019
|
really liked it
|
Borgesian labyrinths before Borges. This small incomplete collection is a great sample of Roussel’s several short works. This was so fascinating that
Borgesian labyrinths before Borges. This small incomplete collection is a great sample of Roussel’s several short works. This was so fascinating that I would like to get my hands on Impressions of Africa and Locus Solus. The Alley of Fireflies is an incredible, incomplete quizzical compositions filled with texts within texts, mysteries within mysteries. The retelling of Candide to Voltaire, with an ice-cube Pangloss is just wild. Highly recommended. ...more |
Notes are private!
|
1
|
Jul 02, 2024
|
Jul 03, 2024
|
Jul 02, 2024
|
Paperback
| |||||||||||||||
0140445625
| 9780140445626
| 0140445625
| 3.72
| 3,924
| 1552
| Sep 08, 1999
|
it was amazing
|
I first learned of Bartholomé de las Casas in a history course on the conquest of the Americas. It was a fantastic introduction course with Bob Ferry
I first learned of Bartholomé de las Casas in a history course on the conquest of the Americas. It was a fantastic introduction course with Bob Ferry at Colorado. Watching a Youtube video I was reminded that de las Casas changed his life from a hacienda-owning-conquistador turned into a Dominican priest advocating for the humane treatment of Indigenous people. And then, during a life filled appealing the Indigenous plight, de las Casas suggested importing African bodies as replacements to the encomienda slave tribute system. In light of this recall, A Short Account of the Destruction of the Indies is still significant in the portrayal of a Caribbean unknown to any men after, to the replacement of an entire region’s human existence, continuity and culture. The largely first-person account by de las Casas lays out a shocking account of the heinous, evil process of first contact between indigenous societies and conquistador-adventurers. From his arrival to Hispaniola as a hacienda owner in 1502, to his conversion to a Dominican priest in 1510 after personally witnessing the conquest of Cuba, to writing this account in 1542 and its European publication 10 years later, de las Casas began a path to improve Phillip II’s (the King of Spain and Holy Roman Emperor) laws and policies for the humane treatment of native people. This account was his appeal, and a representation of the destructive process of conquest. The descriptions come to signify the violent systematic dismantling of indigenous societies throughout the Greater and Lesser Antilles, the mainlands of Panama, Guatamala, Nicaragua, New Spain, Florida, Venezuela, and New Granada. De las Casas writings illustrate a detailed process of how the Arawak and Tainos of the Caribbean became extinct by way of genocide. Of the repetition and continual push across new lands under the Spanish crown and the subjugation of native people through extreme violence. Included here are brief secondhand accounts of the fall of the Aztec and Inca empires as well as across all other Spanish conquered lands, which were “as populated as any on earth.” What more can be said, but need be said. Simply and repeatedly. I should like now to say no more - until, that is, fresh reports arrive of worse evils (if such there could be) or until I am in a position to return to the region to see matters for myself. For forty-two years now, these matters have been constantly before my eyes and on my mind, and I can honestly say, as God is my witness, that I have solid grounds for believing that the depredations, the harm, the destruction, the depopulation, the atrocities and massacres, the horrible cruelty and barbarism, the violence, the injustice, the plunder and the wholesale murder that all these territories have witnessed and their people suffered (and still suffer) are on such a scale that what I have here been able to relate is no more than a thousandth part of the reality of what has been taking place and continues to take place. This testament was written to the King of Spain, Phillip II, for the protection of indigenous people, of laws to respect their humanity, to be treated as humans and not beasts of burden, not human tribute of the encomienda system, nor traded as slaves to work in mines of Hispaniola, not to worked, unfed, until death; not to be cut down, mutilated and burned at the stake. This account is shocking from the start to finish, but does come to lull the discomfort into disgust, anguish at all the thousands and millions of lives lost, of cultures and cities no longer visible, destroyed without any attempt to understand the internal workings of indigenous societies. Again and again, de las Casas describes the native people as kind, generous, noble and never giving any cause to injury or injustice. This point seems overgenaralized, but is surely responding to the disproportionate response of murder, massacre and mayhem that made up the systematic indigenous genocide by the Spanish empire. And this work lays out just what a 50 year period was able to accomplish before a system of legal courts could be installed to balance the power of the conquistadors. I am saddened it took me so long to read this very important, short historical work. I knew its contents, but find it an incredible primary source. To hear the voice of someone who saw the lawless, avaricious adventurers—one is reminded of the Mongolian horseman descending through Central Asia to the destruction of medieval Baghdad, laying waste to any and all cities that resisted subjugation and tribute in any way. The results were unthinkable; the outcomes too easily forgotten; the loss of life but also loss of knowledge, of ways of being, of diversity and authenticity. A Short Account of the Destruction of the Indies is the kind of book which brings back—even if just a simple record of one man resisting, of his claim of conscious, of a plea to the king for justice—some semblance that humanity existed at the time. Someone knew. This was a widely published and translated book when it was first published. It is certain to have had many influences, the least of which must have been on Daniel Defoe’s Robinson Crusoe. The deserted island he finds, the savage cannibals, the hacienda/fazenda Robin finds in the Brasils, the status of indigenous people under Robin, and Muslims. I wish I knew more of the extent of Defoe’s awareness of this work. The spiritual appeal, the hell that was the Americas of de las Casas, and the idea of a lord and king to rule justly in the Americas become themes structuring both de las Casas appeal and Defoe’s novel. At times as well, the work made me recall reading the early part of Garcia Marquez’s One Hundred Years of Solitude. The founding of Macando seems to carry, though not explicitly, a lingering notion of a sort of paradise, a paradise in isolation and solitude. I have Bernal Diaz’s The Conquest of New Spain which has too been sitting on my shelf in a TBR queue that now seems as pertinent as ever. ...more |
Notes are private!
|
1
|
Jun 29, 2024
|
Jun 30, 2024
|
Jun 29, 2024
|
Paperback
| |||||||||||||||
0802130135
| 9780802130136
| 0802130135
| 4.01
| 6,553
| 1943
| Jan 12, 1994
|
really liked it
|
The prose is fluid and flowing, images and memories come, shift, narrate at a rate that rushes ahead and then suddenly inserts a refrain, a repetitive
The prose is fluid and flowing, images and memories come, shift, narrate at a rate that rushes ahead and then suddenly inserts a refrain, a repetitive story. There are multiple narratives at work, and the names, some of which are nicknames, pseudonyms for others, and these other names the reality, the base and sin-filled nature of a band of friends, men dressed as women, men in love and love welded as power, deceit and seduction, love and lust—“try to recognize the dotted lines” ends Darling’s letter to Divine, indicating the outline of his penis. Like all children, adolescents, or mature men, I smiled readily, I even laughed heartily, but as my life rounded out a cycle, I dramatized it. Eliminating the elements of mischievousness, levity, and prankishness, I have retained only those which are properly tragic: Fear, Despair, unhappy Love . . . and I free myself from them only by declaiming those poems which are as convulsed as the faces of sybils. They leave my soul clarified. But if the child in whom I think I see myself laughs or smiles, he breaks up the drama which had been constructed and which is my past life when I think back to it; he destroys it, falsifies it, at least because he manifests an attitude which the character could not have had; he tears to bits the memory of a harmonious (though painful) life, forces me to see myself becoming another, and on the first drama grafts a second. The complexity of this novel on one hand emerges from the Baudelairean images flash across the mind. Another level emerges with the references to Divine as “the child” — a child in one sense as the Savior, and in another as the Wordsworthian, “the child is father of man.” This use of ‘child’ as both original innocence and also as state from when transformation emerges creates a kind of continuous metamorphosis from one character to the next. These images at times seem as fleeting as an Ovidian nymph becoming a pool of water, or here, a child becoming a murderer. There is real levity, a sordid lightness flitting across an ephemera. Our Lady of the Flowers is a power, singular voice. To be experienced before one may understand, and the luminous form remains in the mind, incomplete and incomprehensible, continuing to seek a conclusive end: What does it all mean? ...more |
Notes are private!
|
1
|
Jun 24, 2024
|
Jul 2024
|
Jun 24, 2024
|
Paperback
|
Davvybrookbook > Books: Read (421)
|
|
|
|
|
my rating |
|
|
||
---|---|---|---|---|---|---|---|---|---|
4.02
|
it was amazing
|
Sep 30, 2024
|
Sep 23, 2024
|
||||||
4.05
|
liked it
|
Sep 21, 2024
|
Sep 18, 2024
|
||||||
3.89
|
it was amazing
|
Sep 17, 2024
|
Sep 05, 2024
|
||||||
3.94
|
it was amazing
|
Sep 02, 2024
|
Aug 27, 2024
|
||||||
3.17
|
it was amazing
|
Aug 24, 2024
|
Aug 23, 2024
|
||||||
4.00
|
really liked it
|
Aug 23, 2024
|
Aug 16, 2024
|
||||||
4.01
|
it was amazing
|
Aug 16, 2024
|
Aug 14, 2024
|
||||||
3.93
|
it was amazing
|
Sep 15, 2024
|
Aug 13, 2024
|
||||||
3.95
|
it was amazing
|
Aug 13, 2024
|
Aug 11, 2024
|
||||||
3.81
|
really liked it
|
Aug 11, 2024
|
Aug 10, 2024
|
||||||
5.00
|
it was amazing
|
Aug 08, 2024
|
Aug 01, 2024
|
||||||
5.00
|
it was amazing
|
Aug 04, 2024
|
Aug 01, 2024
|
||||||
4.16
|
it was amazing
|
Jul 31, 2024
|
Jul 29, 2024
|
||||||
3.79
|
really liked it
|
Jul 24, 2024
|
Jul 23, 2024
|
||||||
4.15
|
really liked it
|
Sep 2024
|
Jul 19, 2024
|
||||||
4.39
|
it was amazing
|
Jul 21, 2024
|
Jul 12, 2024
|
||||||
4.13
|
it was amazing
|
Jul 14, 2024
|
Jul 02, 2024
|
||||||
4.25
|
really liked it
|
Jul 03, 2024
|
Jul 02, 2024
|
||||||
3.72
|
it was amazing
|
Jun 30, 2024
|
Jun 29, 2024
|
||||||
4.01
|
really liked it
|
Jul 2024
|
Jun 24, 2024
|