Models Quotes

“Quantum theory provides us with a striking illustration of the fact that we can fully understand a connection though we can only speak of it in images and parables.”
― Werner Heisenberg

“I don’t want to be a supermodel; I want to be a role model.”
― Queen Latifah

“Above all things -- read. Read the great stylists who cannot be copied rather than the successful writers who must not be copied.”
― Ngaio Marsh, Death on the Air and Other Stories

“Role models are only of limited use. For no-one is as important, potentially powerful and as key in your life and world as you.”
― Rasheed Ogunlaru

“—except for the fact that your scars mean you’ve been hurting, I am one-hundred-percent cool with having them in the painting. Some models, especially the professional ones, it’s like painting air-brushed people. Give me something raw any day.”
― J. Kenner, Release Me

“IF YOU WANT TO CREATE A CHANGE, you must challenge not only the models of Unreality, but the paradigms that underwrite them.”
― Stafford Beer

“She'd lost two more pounds. A picture of the models she'd cut out of the magazine flashed through Kessa's mind. And the winner is... seventy-three!”
― Steven Levenkron, The Best Little Girl in the World

“In the case of Michel Angelo we have an artist who with brush and chisel portrayed literally thousands of human forms; but with this peculiarity, that while scores and scores of his male figures are obviously suffused and inspired by a romantic sentiment, there is hardly one of his female figures that is so,—the latter being mostly representative of woman in her part as mother, or sufferer, or prophetess or poetess, or in old age, or in any aspect of strength or tenderness, except that which associates itself especially with romantic love. Yet the cleanliness and dignity of Michel Angelo's male figures are incontestable, and bear striking witness to that nobility of the sentiment in him, which we have already seen illustrated in his sonnets.”
― Edward Carpenter, The Intermediate Sex: A Study Of Some Transitional Types Of Men And Women

“As the statistician George E. P. Box wrote, "All models are wrong, but some models are useful." What he meant by that is that all models are simplifications of the universe, as they must necessarily be. As another mathematician said, "The best model of a cat is a cat."
...
The key is in remembering that a model is a tool to help us understand the complexities of the universe, and never a substitute for the universe itself.”
― Nate Silver, The Signal and the Noise: Why So Many Predictions Fail—But Some Don't

“During the shoot in November 2003, I was vaguely aware of the stylist’s sulky demeanor and eye-rolling vibe, but I blocked her out. Some fashion people are snotty drama queens; this is not news. Whatever was going on with her, I was determined to be positive and not get infected by her energy. Later, Fiorella told me that the entire time I was in makeup, the stylist had been clomping up and down the hall, sputtering into her cell phone, “I can’t believe I have to style a FAT GIRL!”

Believe it, bitch. ”
― Crystal Renn, Hungry: A Young Model's Story of Appetite, Ambition, and the Ultimate Embrace of Curves

“[...] a familiar art historical narrative [...] celebrates the triumph of the expressive individual over the collective, of innovation over tradition, and autonomy over interdependence. [...] In fact, a common trope within the modernist tradition of the nineteenth and early twentieth centuries involved the attempt to reconstruct or recover the lost ideal of an art that is integrated with, rather than alienated from, the social. By and large, however, the dominant model of avant-garde art during the modern period assumes that shared or collective values and systems of meaning are necessarily repressive and incapable of generating new insight or grounding creative praxis.”
― Grant H. Kester, The One and the Many: Contemporary Collaborative Art in a Global Context

“Modeling is the culmination of lighting, texture, body movement, and your soul's expression.”
― Adrienne Posey

“And then I recalled those mysterious stories about the waxworkers of the middle ages and the public reprobation attached to their trade. Did they not live in cellars, in the eternal twilight propitious for enchantments and apparitions? Their visionary art (who, more than they, evoked a truer image of life?) was closely related to that of magicians: bewitchments were carried out with wax figures, witch trials are full of them, and one particular legend haunted me above all, that of the modeler from Anspach, who slowly squeezed the soul and the life out of his model in order to animate his painted waxwork and then, having finished his work of art, awaited nightfall to go and bury the corpse in the ditch at the city walls.”
― Jean Lorrain

“A general challenge for the models we have written here, but for theory more generally in biology, is to be ahead of the experiments. Ultimately, we want to suggest exciting and revealing experiments that have not yet been conceived or undertaken. One of the critical frontiers in this area is to design experiments that showcase the uniquely nonequilibrium features of living systems, providing an impetus for new kinds of statistical physics.”
― Rob Phillips, The Molecular Switch: Signaling and Allostery

“Partly it was an escape. Mostly, though, he'd discovered a fierce determination within himself, a hunger to be able to do what these books described.”
― James Islington, The Shadow of What Was Lost

“Beauty is a flamboyant spectacle, it never goes unnoticed.”
― Wayne Chirisa

“I do not understand why people will spend over $1,000 on a cell phone when the $50 models work well.”
― Steven Magee

“Norm looked out over the court. The workers involved in the [model] shoot darted about like trapped particles under sudden heat.”
― Harlan Coben, One False Move

“Mannequins are the artificial intelligence of the modelling industry.”
― Mokokoma Mokhonoana

“Models are, for the most part, caricatures of reality, but if they are good, like good caricatures, they portray, though perhaps in a disturbed manner, some features of the real world.”
― Marc Kac

“Fundamentally, the NORMAL human being always lives in a state of dependency or counter-dependency; he is dependent on his model (whatever it may be: model of action, social or imaginary project), but, at the same time, permanently challenging that model. He is motivated and counter-motivated in the same movement. There is no need for psychology or psychoanalysis or, indeed, any human science for this. These sciences exist only to reconcile the irreconcilable. As a consequence, human beings do always both what they need to for their model to succeed and all that is necessary for it to fail. Here again, there's no need of any weakening or perversion or death drive. It is from their primal duality that human beings derive this antagonistic energy. This is the normal human being and everything that sets about reconciling him with himself and finding a solution to the questions raised above is of the order of superstition and mystifIcation.”
― Jean Baudrillard, Why Hasn't Everything Already Disappeared?

“One can’t build a skyscraper out of ideas, and one can’t build models without concepts and laws.”
― Marcelo Gleiser

“I am not buying another Microsoft Windows computer until entry level models have at least 8 processors and 8GB RAM.”
― Steven Magee

“One of the most complex computer games ever devised is called Dwarf Fortress. It is not much to look at: its graphics are the terminal-based structures that were in vogue in the 1980s. What makes Dwarf Fortress an extraordinary game is the depth of agent-based logic: every character, every enemy unit, even pets are endowed with a hugely complex agent-based behavioural model. As an example, cats in Dwarf Fortress can stray into puddles of spilled beer, lick their paws later, and succumb to alcohol poisoning.

Yet agent-based modeling is about much more than belligerent dwarves and drunk cats. Agent-based models are powerful computational tools to simulate large populations of boundedly rational actors who act according to preset preferences, although often enough in a stochastic manner.”
― Chris von Csefalvay, Computational Modeling of Infectious Disease: With Applications in Python

“It’s a beautiful thing to be in Hollywood... the feeling of it... that classical glamour never dies.” She walked to the closet and back to the bed. “The actress lives a beautiful life once at a certain level... when her sink has a view and her phone calls aren’t rejections anymore, but producers, offices, playhouses in London, a director pitching his sacred screenplay. The food gets healthier, people around you are more positive... driving in traffic is even different because your car is nice, and the music you normally hate sounds different when life works... when you get the furniture you want... And mentors pass down movie posters from their mentors—so Hepburn never really dies. You keep it in your home... there’s room for everything... I treasure letters from other artists... studio invitations... Being a woman in Hollywood is entirely different than a man’s experience. All the time, by everyone, for everything, a woman is wanted... dinners... so many dinners... so many scripts lying around the room, in the sun... the people you have yet to meet... it’s not about fame—I do not care for the public praise... but what is truly compelling is when you make it big, you finally understand why there are palm trees in this city... Los Angeles suddenly turns on. Like a bulb you thought disliked you and would never light. But it lights. Of course, one must put the cocktail down, leave the house, and make more movies. But this is to say, the after hours are nice. When the camera is off and I return home, I get to love what is left.”
― Karl Kristian Flores, A Happy Ghost

“Beautiful people were led to think their beauty needed to go somewhere. On a person’s phone. In a magazine. Outwards. Why do anything with it? Maybe all the models on runways loved it, but maybe most just walked in because they fit inside the doors. Here was a pretty man who did not share himself and very much could have. It was rare to meet someone with that kind of jaw, sweet eyes, and those arms, who did not fall into modeling or influencing. There was magic in this. Lorenzo inadvertently alchemized his reserve into a valuable currency: the only time someone could see his beauty was if they were in the same room he was in or if they heard about it from someone who was there. Lorenzo had planted a kind of beauty in the world not captured by a camera, but a beauty that passed through and could only ever be run into.”
― Karl Kristian Flores, A Happy Ghost

“A far cry now that she is in Tajrish. This is District One. The posh end of town. Snuggled deep in between the streets of this bustling roundabout are where the rich live. She looks up, a huge billboard with a blue-eyed model sits there with a phone in his hand. Some brand she’s never heard of. She has never quite understood the infatuation Iranians have with celebrities and colored eyes. To her, it seems like any Iranian with green or blue eyes makes their way either on the big screen or on a billboard. The old traditional concept of Persian beauty, black eyes with a unibrow now replaced with Hollywood-inspired looks. The Leo DiCaprios, Brad Pitts of this world. Still a cheap knock-off of them as well.”
― Soroosh Shahrivar, Tajrish

“When investigating car options for a new car purchase, I will rent the various models of cars for a day and drive each of them before making a decision.”
― Steven Magee

“We are in truth, more than half what we are by imitation. The great point is to choose good models and to study them with care.”
― Lord Chesterfield

“I wondered if it was right to instruct the fashion models to walk with poker faces, dead eyes and devoid of emotions when all we really want is to be truly seen, understood and have our feelings comprehended. The shells that the models created around them while walking gave out a message that we are wanted only when we are surrounded by these shells, hiding our innermost feelings behind poker faces. The catwalk seemed more like a soulless promotion of impossible body image standards to an audience who reflected on their 'imperfect' body types throughout the fashion show. The models appeared as though they could neither give nor accept empathy, a trait that makes us human. I wondered what kind of society was being portrayed to the audience as the fashion models appeared emotionally distant and somber. People should be reminded to foster loving connections, embrace their true selves, prioritize fitness, joy, and health; unlike the fashion models.”
― Namrata Gupta, White Horses Dark Shadows: A Modern Day Intense Romance | A story about finding True Love