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Fallen Gods #1
Godkiller
Kissen’s family were killed by zealots of a fire god. Now, she makes a living killing gods, and enjoys it. That is until she finds a god she cannot kill: Skedi, a god of white lies, has somehow bound himself to a young noble, and they are both on the run from unknown assassins.
Joined by a disillusioned knight on a secret quest, they must travel to the ruined city of Blenraden, where the last of the wild gods reside, to each beg a favour.
Pursued by demons, and in the midst of burgeoning civil war, they will all face a reckoning – something is rotting at the heart of their world, and only they can be the ones to stop it.
Joined by a disillusioned knight on a secret quest, they must travel to the ruined city of Blenraden, where the last of the wild gods reside, to each beg a favour.
Pursued by demons, and in the midst of burgeoning civil war, they will all face a reckoning – something is rotting at the heart of their world, and only they can be the ones to stop it.
304 pages, Hardcover
First published January 19, 2023
About the author
Hannah Kaner
6 books1,549 followersHannah has her heart in Scotland and her roots in the north of England.
Hannah’s trade has always been story telling. From creating and unravelling mysteries in Northumberland with her mates, to annoying the hell out of her supervisors at the University of Cambridge by insisting on comparing Terry Pratchett to Charles Dickens, and studying narrative theory in video games.
They grudgingly (or joyfully?) gave her a 1st Class degree in English.
She puts the desire to communicate and challenge into her work in the technology sector, specialising in creating digital tools for hard to reach communities.
Hannah loves the histories and mythologies shared through our cultural histories, the stories we tell ourselves about being human. She also likes stabby swords and angry women.
Hannah’s trade has always been story telling. From creating and unravelling mysteries in Northumberland with her mates, to annoying the hell out of her supervisors at the University of Cambridge by insisting on comparing Terry Pratchett to Charles Dickens, and studying narrative theory in video games.
They grudgingly (or joyfully?) gave her a 1st Class degree in English.
She puts the desire to communicate and challenge into her work in the technology sector, specialising in creating digital tools for hard to reach communities.
Hannah loves the histories and mythologies shared through our cultural histories, the stories we tell ourselves about being human. She also likes stabby swords and angry women.
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Displaying 1 - 30 of 7,242 reviews
February 20, 2024
y’all really want me to root for someone whose name means pillow in German 👁👄👁
— 3.5 stars rounded up
ACTUAL REVIEW: After initially struggling with the first few chapters of this novel, I’m happy to say it managed to convince me to keep reading to the point where I finished the last 60% in one go. Consider me SAT. 🧎🏼♀️
I still think my original comment/crack review is one of the funniest things I have ever contributed to this platform, but I’m happy to tell you all: the MC being called pillow didn’t bother me in the slightest. I was too focused on the plot and the characters’ relationships to pay any heed to Kissen’s German doppelgänger. 🛌
But back to Hannah Kaner’s more than solid debut novel about Gods and the art of killing them.
First off: this fictional world is queer-normative, and I literally couldn’t be more here for it. Queer-normative worlds will always have me assume every single character is queer, so when one of the characters turned out to be straight, I was shook, lmao. Had legitimately forgotten hets can exist in queer-normative worlds, too. A shocker, I know. Their lifestyle has to be everywhere. 😮💨😩
The novel’s concept is one of its major draws, IMO. A world that was once the breeding place for gods of every variety, size, and purpose. A country under the rule of the Prince who declared war on all gods still living, as well as on their rituals, customs, and their followers as a result of the terrible war on humankind that was fought and won by the Kingdom, though dearly paid for. And in all this: Kissen – a Godslayer, veiga – who tracks and hunts down remaining Gods.
While the fantasy genre is no stranger to divine characters, Kaner does something interesting with the concept by closely intertwining the Gods’ fates with humanity. Gods can only come into existence if people believe in and pray to them. The more shrines people build and the more offerings they bring, the stronger the God. This makes Kissen’s work more interesting in so far that she is more than just a killer of Gods, she is also a hunter of their symbols, and thus equally feared and despised by those who still pray to the beings of old.
Kissen is a breath of fresh air in today’s fantasy landscape. While the character still displays some tropey traits such as being orphaned at a young age, and consequently being a self-reliant, mulishly stubborn, hides-her-heart-behind-high-walls protagonist, she is also hella queer, knows how to fight and fights well!! (let’s not talk about those FMC that are either too overpowered and naturally gifted at literally every single thing they do or, while said to be a great warrior, actually aren’t), disabled (the disability rep in this novel was outstanding), and the brains to know when a situation is outside her capabilities. All in all, Kissen felt very well-rounded, and I enjoyed reading her POV.
The other characters we follow through the course of the novel are Elogast, currently a baker but formerly the Prince’s most-trusted knight suffering from PTSD from his time in the war; Inara, a young noble’s daughter who spent her short life hidden away from prying eyes to a point where no one knows she exists; and Skedi, the hare-deer-bird God of White Lies who is mysteriously bound to her, and whose existence puts both their lives at incredible risk.
All of the above characters I found engaging and well-written. Their POVs were unfortunately not as unique as I would have liked, so I sometimes forgot whose POV I was reading, meaning I had to go back to the chapter’s title page to remind myself.
Out of the four, Elogast was probably my favourite though I love that even though this is an adult fantasy novel, the author made a child a key character in her narrative. Inara made for an interesting addition to the group’s dynamic. But back to Elogast… 🧑🏿🍳 Is it too spoilery to say this is a fantasy novel with a romantic side plot?? Those will, unfortunately, always slap, and I will always eat them up, I can’t help it. 🫡 The battle at the end and the things leading up to it were exciting, sure, but the main reason I sped through the second half is because there was a good ol’ slow-burn romance and you know how I love those.
I guess my main gripe with the story was the novel’s length in combination with how relatively long things took to finally kick off. The main part is spent on the road, meaning only the novel’s beginning and ending were not about moving from one place to another. The characters travel, and travel, and travel, and it’s giving Fellowship of the Ring except for the fact that they are four, not nine and that with one exception, all of them are gay (“but the Fellowship is gay, too!!” I know, my dear, but the general public isn’t ready for that quite yet). To me, it only started to feel like things got going when the characters were well on their way already which – given the book’s length – was around the 30% mark. The book was simply a bit too short for an exposition this long.
However, despite the main plot taking just a little too long to kick off and the novel being more of a road trippidy-dippidy narrative, the book’s ending is nothing but explosive. The final chapters are so intense, you will not want to put the book down. I haven’t been excited about an Illumicrate monthly pick in a long time, and I will make sure to read the sequel as soon as it's out.
— 3.5 stars rounded up
ACTUAL REVIEW: After initially struggling with the first few chapters of this novel, I’m happy to say it managed to convince me to keep reading to the point where I finished the last 60% in one go. Consider me SAT. 🧎🏼♀️
I still think my original comment/crack review is one of the funniest things I have ever contributed to this platform, but I’m happy to tell you all: the MC being called pillow didn’t bother me in the slightest. I was too focused on the plot and the characters’ relationships to pay any heed to Kissen’s German doppelgänger. 🛌
But back to Hannah Kaner’s more than solid debut novel about Gods and the art of killing them.
First off: this fictional world is queer-normative, and I literally couldn’t be more here for it. Queer-normative worlds will always have me assume every single character is queer, so when one of the characters turned out to be straight, I was shook, lmao. Had legitimately forgotten hets can exist in queer-normative worlds, too. A shocker, I know. Their lifestyle has to be everywhere. 😮💨😩
The novel’s concept is one of its major draws, IMO. A world that was once the breeding place for gods of every variety, size, and purpose. A country under the rule of the Prince who declared war on all gods still living, as well as on their rituals, customs, and their followers as a result of the terrible war on humankind that was fought and won by the Kingdom, though dearly paid for. And in all this: Kissen – a Godslayer, veiga – who tracks and hunts down remaining Gods.
While the fantasy genre is no stranger to divine characters, Kaner does something interesting with the concept by closely intertwining the Gods’ fates with humanity. Gods can only come into existence if people believe in and pray to them. The more shrines people build and the more offerings they bring, the stronger the God. This makes Kissen’s work more interesting in so far that she is more than just a killer of Gods, she is also a hunter of their symbols, and thus equally feared and despised by those who still pray to the beings of old.
Kissen is a breath of fresh air in today’s fantasy landscape. While the character still displays some tropey traits such as being orphaned at a young age, and consequently being a self-reliant, mulishly stubborn, hides-her-heart-behind-high-walls protagonist, she is also hella queer, knows how to fight and fights well!! (let’s not talk about those FMC that are either too overpowered and naturally gifted at literally every single thing they do or, while said to be a great warrior, actually aren’t), disabled (the disability rep in this novel was outstanding), and the brains to know when a situation is outside her capabilities. All in all, Kissen felt very well-rounded, and I enjoyed reading her POV.
The other characters we follow through the course of the novel are Elogast, currently a baker but formerly the Prince’s most-trusted knight suffering from PTSD from his time in the war; Inara, a young noble’s daughter who spent her short life hidden away from prying eyes to a point where no one knows she exists; and Skedi, the hare-deer-bird God of White Lies who is mysteriously bound to her, and whose existence puts both their lives at incredible risk.
All of the above characters I found engaging and well-written. Their POVs were unfortunately not as unique as I would have liked, so I sometimes forgot whose POV I was reading, meaning I had to go back to the chapter’s title page to remind myself.
Out of the four, Elogast was probably my favourite though I love that even though this is an adult fantasy novel, the author made a child a key character in her narrative. Inara made for an interesting addition to the group’s dynamic. But back to Elogast… 🧑🏿🍳 Is it too spoilery to say this is a fantasy novel with a romantic side plot?? Those will, unfortunately, always slap, and I will always eat them up, I can’t help it. 🫡 The battle at the end and the things leading up to it were exciting, sure, but the main reason I sped through the second half is because there was a good ol’ slow-burn romance and you know how I love those.
I guess my main gripe with the story was the novel’s length in combination with how relatively long things took to finally kick off. The main part is spent on the road, meaning only the novel’s beginning and ending were not about moving from one place to another. The characters travel, and travel, and travel, and it’s giving Fellowship of the Ring except for the fact that they are four, not nine and that with one exception, all of them are gay (“but the Fellowship is gay, too!!” I know, my dear, but the general public isn’t ready for that quite yet). To me, it only started to feel like things got going when the characters were well on their way already which – given the book’s length – was around the 30% mark. The book was simply a bit too short for an exposition this long.
However, despite the main plot taking just a little too long to kick off and the novel being more of a road trippidy-dippidy narrative, the book’s ending is nothing but explosive. The final chapters are so intense, you will not want to put the book down. I haven’t been excited about an Illumicrate monthly pick in a long time, and I will make sure to read the sequel as soon as it's out.
March 28, 2023
this is an extremely well-written novel. when it comes to fantasy, this definitely falls in rank with authors like rothfuss, lynch, and sanderson.
theres a lot of enjoy about this. the characters are wonderfully developed, the plot is engaging, and the world is built up perfectly for a medieval fantasy.
is there anything that made me obsess over this? no, not really. but its definitely an above average story and one that i had fun reading.
↠ 4 stars
theres a lot of enjoy about this. the characters are wonderfully developed, the plot is engaging, and the world is built up perfectly for a medieval fantasy.
is there anything that made me obsess over this? no, not really. but its definitely an above average story and one that i had fun reading.
↠ 4 stars
February 1, 2024
(3.5) I really enjoyed this one! I wasn't expecting all the povs, but I really enjoyed following each character & finding myself attached to each of them by the end. They all brought something new and fresh to the story. My only big gripe with this book was the pacing. It felt like whiplash at times. One minute you're in the middle of this tense action scene and the next minute it's *crickets*
January 9, 2023
"You are not welcome here, Godkiller" is a simple statement that piqued my curiosity when I opened the package that included Hannah Kaner's upcoming fantasy debut. I was so intrigued that I opted to read Godkiller next. I'm content that I did as this release is a fascinating and engaging dark fantasy adventure reminiscent of Sapkowski's The Witcher series. It is extremely well-written, features excellent pacing and contains some wonderful twists.
The action picks up some time after a momentous event in this world, the killing of the majority of the gods under the King's orders. Although things seem pretty settled at the moment, there are rumours of a civil war, political unrest, civilians who miss the gods, and there are strange happenings that have taken place. This all causes a few of our main characters' paths to cross - following a secret request from the king - culminating in the necessity for a quest to the ruined city of Blenraden. A lot has happened previously in Kaner's fantasy world and the details, mythology, and the positions that the gods play are all revealed neatly and gradually as the tale progresses.
Whilst reading Godkiller, we follow four different points of view. Two of them are reluctant legends in their own fields, both were active and influential throughout the god war, and are now just generally plodding along. They find themselves in a position that is similar to how Ringil begins in The Steel Remains. Kissen is the titular Godkiller and her occupation is pretty self-explanatory. She doesn't like gods much and will kill them for a fee. Elogast is currently a baker, yet his previous occupation was as one of the King's most trusted Knights. We also follow Inara, a young noble lady who the majority of the nobility don't seem to know exists, and finally her bonded god companion Skedi, the god of white lies.
All the points of view are interesting; their past experiences, flaws, and vulnerabilities revealed to the reader as they're detailed to the other main characters. Inara and Skedi's connection and the god's past are shrouded in mystery, as it should not be possible for a god to survive without a shrine and the love and dedication of followers.
Regarding what to expect, Godkiller includes an LGBTQ+ lead, main characters who struggle with mental illness, a point of view character who has a prosthetic leg, other important disabled characters, and this world's equivalent of sign language. All of these aspects fit seamlessly and enhance the story and the characters around them. We also have incredible set pieces, romance, betrayals, showdowns, curses, tragic loss, demons, and an amazing ending. Little statements and seemingly unimportant details come to be of the utmost importance later on, so Godkiller is absolutely a rewarding novel for those that pay attention.
Godkiller delivers an impressive fantasy world, the way the gods are presented is unique, and, as previously mentioned, the fact that the mythology and history are delivered at a steady pace hints that this series has a lot more of its secrets yet to reveal. Kaner's debut reads similar to one of Sapkowski's short stories or the stand-alone Season of Storms in that it's self-contained, follows a few main characters on an adventure, and that it feels like we're only witnessing a small yet exciting part of what's going on in a massive, vivid world.
At around 300 pages, it's quite a short read for epic fantasy and I truly hope that Kaner builds on this credible platform that showcases great potential. My only minor complaint is that due to Godkiller's short length, some of the exchanges and events seem a bit too neat and coincidental. In light of this point, I'd personally like the series' next entry to expand, include more point-of-view characters, to show us what is happening elsewhere in the world concurrently, adding extra depth, and drama, and becoming even more impressive. Happenings have truly heated up by the end of the novel, and so I will trust the author's vision and I'll definitely read what comes next.
The action picks up some time after a momentous event in this world, the killing of the majority of the gods under the King's orders. Although things seem pretty settled at the moment, there are rumours of a civil war, political unrest, civilians who miss the gods, and there are strange happenings that have taken place. This all causes a few of our main characters' paths to cross - following a secret request from the king - culminating in the necessity for a quest to the ruined city of Blenraden. A lot has happened previously in Kaner's fantasy world and the details, mythology, and the positions that the gods play are all revealed neatly and gradually as the tale progresses.
Whilst reading Godkiller, we follow four different points of view. Two of them are reluctant legends in their own fields, both were active and influential throughout the god war, and are now just generally plodding along. They find themselves in a position that is similar to how Ringil begins in The Steel Remains. Kissen is the titular Godkiller and her occupation is pretty self-explanatory. She doesn't like gods much and will kill them for a fee. Elogast is currently a baker, yet his previous occupation was as one of the King's most trusted Knights. We also follow Inara, a young noble lady who the majority of the nobility don't seem to know exists, and finally her bonded god companion Skedi, the god of white lies.
All the points of view are interesting; their past experiences, flaws, and vulnerabilities revealed to the reader as they're detailed to the other main characters. Inara and Skedi's connection and the god's past are shrouded in mystery, as it should not be possible for a god to survive without a shrine and the love and dedication of followers.
Regarding what to expect, Godkiller includes an LGBTQ+ lead, main characters who struggle with mental illness, a point of view character who has a prosthetic leg, other important disabled characters, and this world's equivalent of sign language. All of these aspects fit seamlessly and enhance the story and the characters around them. We also have incredible set pieces, romance, betrayals, showdowns, curses, tragic loss, demons, and an amazing ending. Little statements and seemingly unimportant details come to be of the utmost importance later on, so Godkiller is absolutely a rewarding novel for those that pay attention.
Godkiller delivers an impressive fantasy world, the way the gods are presented is unique, and, as previously mentioned, the fact that the mythology and history are delivered at a steady pace hints that this series has a lot more of its secrets yet to reveal. Kaner's debut reads similar to one of Sapkowski's short stories or the stand-alone Season of Storms in that it's self-contained, follows a few main characters on an adventure, and that it feels like we're only witnessing a small yet exciting part of what's going on in a massive, vivid world.
At around 300 pages, it's quite a short read for epic fantasy and I truly hope that Kaner builds on this credible platform that showcases great potential. My only minor complaint is that due to Godkiller's short length, some of the exchanges and events seem a bit too neat and coincidental. In light of this point, I'd personally like the series' next entry to expand, include more point-of-view characters, to show us what is happening elsewhere in the world concurrently, adding extra depth, and drama, and becoming even more impressive. Happenings have truly heated up by the end of the novel, and so I will trust the author's vision and I'll definitely read what comes next.
November 27, 2022
A fresh and confident debut, Godkiller will have you in its grasp from the first pages. Led by a cast of spirited characters, it leaps and bounds to the beat of its own golden heart, building to an epic clash of wills.
Hannah Kaner has taken her first great strides in what is sure to be an extraordinary journey.
Hannah Kaner has taken her first great strides in what is sure to be an extraordinary journey.
March 27, 2023
1.5 stars
I couldn’t care about the book, its story or its characters. At all. Not in the slightest. Not one bit. It’s a very amateur novel for a publishing house like Harper Voyage. I didn’t want to read Godkiller but it was the pick of the month in the book club I’m in so I thought "just 300 pages so it is not a big deal". Unfortunately, it proved to be a real struggle to finish. The only interesting thing about it was that prologue.
It didn't manage to hold my attention, I had a difficult time reading it, and I couldn’t connect even remotely to the characters. My friends liked it at least. Unfortunately, I felt like I wasted my time. I know many disagree but I’m tired of being sorry when I don’t like a book. Or well, sorry in general. I rarely give 1 star ratings anymore always leaving the book some benefit of the doubt but I’m tired of doing that even. This book wasn’t my thing. It might be yours and if so great! But in all cases, I only recommend it if you want some basic fantasy. It is a waste though, the diversity and the inclusion were great. The MC had a disability + several LGBT characters.
I couldn’t care about the book, its story or its characters. At all. Not in the slightest. Not one bit. It’s a very amateur novel for a publishing house like Harper Voyage. I didn’t want to read Godkiller but it was the pick of the month in the book club I’m in so I thought "just 300 pages so it is not a big deal". Unfortunately, it proved to be a real struggle to finish. The only interesting thing about it was that prologue.
It didn't manage to hold my attention, I had a difficult time reading it, and I couldn’t connect even remotely to the characters. My friends liked it at least. Unfortunately, I felt like I wasted my time. I know many disagree but I’m tired of being sorry when I don’t like a book. Or well, sorry in general. I rarely give 1 star ratings anymore always leaving the book some benefit of the doubt but I’m tired of doing that even. This book wasn’t my thing. It might be yours and if so great! But in all cases, I only recommend it if you want some basic fantasy. It is a waste though, the diversity and the inclusion were great. The MC had a disability + several LGBT characters.
March 9, 2023
The prologue was sooo good and the last ~50 pages too but the middle part bored me to death (writing this from the afterlife). The worldbuilding was very confusing and there were way to many side characters that didn't add anything to the story. I really liked the gods and the main concept of the story but it was written in such a way that I just didn't care at all.
November 8, 2023
actual rating: 3.75 stars
September 18, 2023
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Rating: 4 stars
Cover: 🌟🌟🌟
The soft brown tones and mystical illustrations make this design weirdly striking, even though it does not convey much about the story.
Writing: 🌟🌟🌟🌟🌟
The immersive writing style, with its lush descriptions and multiple points of view, quickly pulled me into the story. Even more captivating was the atmospheric world brimming with history and a fascinating gods system that enriches the story.
“The people with the sharpest edges sometimes hid the deepest wounds."
Storyline: 🌟🌟🌟🌟
The gradual introduction to the world and main characters is interspersed with vivid action scenes that keep the storyline engaging. Once the main characters cross paths, the storyline alternates between fast and slow moments, suffering somewhat from pacing issues but still compelling. Things culminate in a gripping ending with lots of action, several reveals and a delicious cliffhanger that sets things up nicely for the next book.
Main character(s): 🌟🌟🌟🌟
The complex trio central to the story are distinct, fleshed-out characters. Fierce yet caring, Kissen was easy to like, and I loved the disability representation she presents through her prosthesis. Although I took slightly longer to connect with Elogast and Inara, the growth they experience adds depth to their characters and makes them endearing.
"What happened to us does not define us, what we do next is what matters."
Secondary characters: 🌟🌟🌟
Apart from Skediceth, a little god of white lies, secondary characters in this story receive little focus and are simply used to drive the storyline. However, due to shocking reveals towards the end of the story, some of these characters will likely be developed further in the next book.
Romance: 🌟🌟🌟🌟
The enemies-to-lover trope is skillfully used here, with the characters initially suspicious of each other but then gradually trusting and opening up to one another. As their walls come down, moments of attraction eventually lead to a passion that mostly feels natural and cute.
Narration & Audio: 🌟🌟🌟🌟
Kit Griffiths' dynamic narration, which enriches the story's emotions, pace and tension, grabbed my attention within seconds. Also, the different voices used for the characters bring them to life and strengthen the listening experience.
In brief, 'Godkiller' begins and ends with an exhilarating rush of action. Despite slight pacing issues in the middle, the story remained entertaining because of the fascinating main characters and enchanting world. I would recommend The Jasmine Throne by Tasha Suri for those looking for a similar high fantasy read with a fascinating world and fiery characters.
Rating: 4 stars
Cover: 🌟🌟🌟
The soft brown tones and mystical illustrations make this design weirdly striking, even though it does not convey much about the story.
Writing: 🌟🌟🌟🌟🌟
The immersive writing style, with its lush descriptions and multiple points of view, quickly pulled me into the story. Even more captivating was the atmospheric world brimming with history and a fascinating gods system that enriches the story.
“The people with the sharpest edges sometimes hid the deepest wounds."
Storyline: 🌟🌟🌟🌟
The gradual introduction to the world and main characters is interspersed with vivid action scenes that keep the storyline engaging. Once the main characters cross paths, the storyline alternates between fast and slow moments, suffering somewhat from pacing issues but still compelling. Things culminate in a gripping ending with lots of action, several reveals and a delicious cliffhanger that sets things up nicely for the next book.
Main character(s): 🌟🌟🌟🌟
The complex trio central to the story are distinct, fleshed-out characters. Fierce yet caring, Kissen was easy to like, and I loved the disability representation she presents through her prosthesis. Although I took slightly longer to connect with Elogast and Inara, the growth they experience adds depth to their characters and makes them endearing.
"What happened to us does not define us, what we do next is what matters."
Secondary characters: 🌟🌟🌟
Apart from Skediceth, a little god of white lies, secondary characters in this story receive little focus and are simply used to drive the storyline. However, due to shocking reveals towards the end of the story, some of these characters will likely be developed further in the next book.
Romance: 🌟🌟🌟🌟
The enemies-to-lover trope is skillfully used here, with the characters initially suspicious of each other but then gradually trusting and opening up to one another. As their walls come down, moments of attraction eventually lead to a passion that mostly feels natural and cute.
Narration & Audio: 🌟🌟🌟🌟
Kit Griffiths' dynamic narration, which enriches the story's emotions, pace and tension, grabbed my attention within seconds. Also, the different voices used for the characters bring them to life and strengthen the listening experience.
In brief, 'Godkiller' begins and ends with an exhilarating rush of action. Despite slight pacing issues in the middle, the story remained entertaining because of the fascinating main characters and enchanting world. I would recommend The Jasmine Throne by Tasha Suri for those looking for a similar high fantasy read with a fascinating world and fiery characters.
February 12, 2024
This book was fantastic! Being the author’s debut, I can’t wait to see what Hanna will bring us next! One thing is certain though, Hanna is a great addition for the fantasy genre, and will surely secure a place among the greatest.
I loved everything about Godkiller:
- cover: I don’t usually comment on this but I couldn’t ignore this one. It’s stunning! And the texture? I don’t know if the regular edition has the same feeling but the illumicrate one is so soft that I just don’t want to stop touching the book (and I read it on kindle 😂)
- writing: gorgeous and efficient. Hanna easily grabbed my attention and transported me to a new world without any difficulty. Absolutely everything written in this book is necessary for the story flow.
- worldbuiling: interesting and original. Despite being high fantasy, we are slowly introduced to everything, without ever feeling swamped with information, or lost in the new world.
- characters: I loved them all! Godkiller has 4 very distinct POV, with amazing character ARC. Every character is struggling with different things, resulting in an endearing found family trope.
- representation: perfect! Includes disability, mental health, chronic pain, LGBTQIA+ and BIPOC, and none of it feels forced into the book.
- romance: it’s a needed subplot to further develop the character, and I liked it very much.
You can see I am truly impressed by Godkiller. And the best thing of all? This was all accomplished in less than 300 pages!
I could go on and on but I don’t want to spoil anything. Recommended for high fantasy readers or for those wanting to enter the genre.
I loved everything about Godkiller:
- cover: I don’t usually comment on this but I couldn’t ignore this one. It’s stunning! And the texture? I don’t know if the regular edition has the same feeling but the illumicrate one is so soft that I just don’t want to stop touching the book (and I read it on kindle 😂)
- writing: gorgeous and efficient. Hanna easily grabbed my attention and transported me to a new world without any difficulty. Absolutely everything written in this book is necessary for the story flow.
- worldbuiling: interesting and original. Despite being high fantasy, we are slowly introduced to everything, without ever feeling swamped with information, or lost in the new world.
- characters: I loved them all! Godkiller has 4 very distinct POV, with amazing character ARC. Every character is struggling with different things, resulting in an endearing found family trope.
- representation: perfect! Includes disability, mental health, chronic pain, LGBTQIA+ and BIPOC, and none of it feels forced into the book.
- romance: it’s a needed subplot to further develop the character, and I liked it very much.
You can see I am truly impressed by Godkiller. And the best thing of all? This was all accomplished in less than 300 pages!
I could go on and on but I don’t want to spoil anything. Recommended for high fantasy readers or for those wanting to enter the genre.
September 24, 2023
As of the beginning of writing this I'm still not sure what rating I want to give, so maybe I'll figure it out by the end. I wanted to love Godkiller (look at that cover!) but I have very mixed feelings about it. Pitched as perfect for fans of Witcher and Gideon the Ninth... I have questions. Witcher I kind of get as a comp title, though I think think that might set up the wrong expectations. There are some loose similarities. As for Gideon, I think it's a terrible comparison. The only similarity is that both books have queer women with swords.
This ended up being a journey story, which can be a hard sell for me. A knight turned baker, a lady Godkiller, and a little girl attached to a small god end up thrown together on a dangerous journey to a forbidden city. The prologue grabbed my attention immediately and there were elements of the story that liked. The complexities of gods and faith as something with great potential for both good and evil is interesting.
I liked the characters well enough, but I wanted more from them. I was never invested enough to really care about this romantic subplot, and we never get enough information to really get why Elo is so loyal to his childhood BFF.
The world-building is interesting, but the book is SO SLOW for being less than 300 pages! We frequently interrupt the action for random asides giving world info or backstory that may be relevant or not to what's happening. (this is similar to Witcher, but it's also one of the most frustrating things about the series so I'm not sure that's a positive) As much as there were questions I wanted answers to and I was interested to see where things went, I struggled to remain attentive and this book too me way longer to read than it should have given the length. I definitely would not call it a page-turner. And the ending is interesting, but not as satisfying as I was hoping given how plodding the journey to get there could be. We're left with some big questions that have been there throughout the book and I'm not sure I have the patience to see if we finally get answers in book 2 if it's going to be as slow as this was.
But for all that, this isn't a BAD book. The world is reasonably interesting, so is the plot. The characters are fine for a debut, the prose is also perfectly fine if nothing to write home about. There are the bones of something here that could have really captured my imagination and there are moments in the book that rise to the occasion, but I think that potential just makes it feel all the more painfully mediocre. I had very high hopes, and so maybe that's on me. But it was fine. I think some people will really enjoy it. It's also worth saying that there is disability rep in this book, which I think is great to see. Again- elements of this I wanted to love so I'm rounding up but it just wasn't quite what I hoped. I received a copy of this book for review via NetGalley, all opinions are my own.
This ended up being a journey story, which can be a hard sell for me. A knight turned baker, a lady Godkiller, and a little girl attached to a small god end up thrown together on a dangerous journey to a forbidden city. The prologue grabbed my attention immediately and there were elements of the story that liked. The complexities of gods and faith as something with great potential for both good and evil is interesting.
I liked the characters well enough, but I wanted more from them. I was never invested enough to really care about this romantic subplot, and we never get enough information to really get why Elo is so loyal to his childhood BFF.
The world-building is interesting, but the book is SO SLOW for being less than 300 pages! We frequently interrupt the action for random asides giving world info or backstory that may be relevant or not to what's happening. (this is similar to Witcher, but it's also one of the most frustrating things about the series so I'm not sure that's a positive) As much as there were questions I wanted answers to and I was interested to see where things went, I struggled to remain attentive and this book too me way longer to read than it should have given the length. I definitely would not call it a page-turner. And the ending is interesting, but not as satisfying as I was hoping given how plodding the journey to get there could be. We're left with some big questions that have been there throughout the book and I'm not sure I have the patience to see if we finally get answers in book 2 if it's going to be as slow as this was.
But for all that, this isn't a BAD book. The world is reasonably interesting, so is the plot. The characters are fine for a debut, the prose is also perfectly fine if nothing to write home about. There are the bones of something here that could have really captured my imagination and there are moments in the book that rise to the occasion, but I think that potential just makes it feel all the more painfully mediocre. I had very high hopes, and so maybe that's on me. But it was fine. I think some people will really enjoy it. It's also worth saying that there is disability rep in this book, which I think is great to see. Again- elements of this I wanted to love so I'm rounding up but it just wasn't quite what I hoped. I received a copy of this book for review via NetGalley, all opinions are my own.
December 5, 2023
4.75/5
People make gods, and, for better or worse, gods make people.
I absolutely adored everything about this book, it was phenomenal! The world was so vibrant and alive, teeming with history and ancient beings; the characters were so real and human, always flawed and always interesting; the prose was beautiful and evocative. I simply cannot fault it!
Thank you Netgalley and HarperCollins UK for providing me with an e-arc in exchange for an honest review. This review has been postponed in support of the HarperCollins Union Strike. Congratulations to the union!
The world was so rich, flooded with possibilities, unique faiths and conflicting ideals that stirred intrigue and seeded mysteries throughout the story. From the very first page, I was completely immersed within it and felt its life as it lived and breathed all around me. Kaner’s prose was so mesmerising and emotional, it enthralled my every thought and I never wanted to put this book down. I’m astounded that this was a debut, it’s easily one of my favourite books I’ve read this year.
Funerals are for the living. The dead don't mind what the world does to them.
The characters were, to sum them up very plainly, incredible. They each were so fleshed out, with their own intriguing motivations and journeys, their own complicated and ensnaring relationships, their own beliefs and fears and treacheries. They were created so flawlessly that they felt less like creations, less like characters on a page, and more akin to humans. And I loved each and every one of them!
Kissen is a perfect main character, a perfect driving force throughout this story. She’s a veiga, a godkiller, in a world brimming with gods of old and new. She has ghosts that haunt her, the flames of her past contending with the brightness of the future beneath the ever-watching eye of the sun. She has a purpose in her life that directs her across this wide world, but all that changes when she meets Inara.
Inara is a young girl with mysterious powers and a magical friend (who, I would say, definitely counts as an animal companion). She wants answers to the secrets she has had to keep for years, she wants to understand her place in the world and perhaps create a new one. She goes to Kissen for answers and discovers more than she ever would have guessed.
Inara and Kissen’s relationship is so beautiful to behold and watch as it grows and contorts, fitting around old wounds and scars, shifting amongst their newfound care and shared resilience. It’s a relationship that parallels and reminds me of Geralt and Ciri in the Witcher, a bond of family that refuses to break.
Kissen and Inara are also similar characters to Geralt and Ciri respectively, and this story holds the same comfort that the world of the Witcher does—a warmth of familiarity that makes it feel like coming home to a place you never wanted to leave.
Another of our main characters is a retired knight named Elogast. I love the ‘retired warrior must pick up his sword one final time’ trope and so I also loved seeing it here. He’s a disillusioned ex-knight, wearing the scars of his battles on his skin. But his worst scars are the ones that lie deep within, on the shards of his memories. He makes an unlikely traveller on the roads and an even more unlikely companion to Kissen and Inara as they travel to the ruins of a city—each with their own compelling motivations.
Even small lives are worth something.
The plot takes us on a winding adventure rooted in a world overflowing with magic. It’s unputdownable and so much fun to read. I cannot wait for the next book and I will fight anyone I must to get my hands on it!
-
(1/12/23 I've now reread in anticipation for Sunbringer, the sequel, and I loved it just as much, maybe even more, the second time! This is such a phenomenal book, I adore all the characters, the world is so vibrant and the story is so comforting. I can't wait to read my arc of Sunbringer! If you haven't already, GO READ THIS BOOK!)
People make gods, and, for better or worse, gods make people.
I absolutely adored everything about this book, it was phenomenal! The world was so vibrant and alive, teeming with history and ancient beings; the characters were so real and human, always flawed and always interesting; the prose was beautiful and evocative. I simply cannot fault it!
Thank you Netgalley and HarperCollins UK for providing me with an e-arc in exchange for an honest review. This review has been postponed in support of the HarperCollins Union Strike. Congratulations to the union!
The world was so rich, flooded with possibilities, unique faiths and conflicting ideals that stirred intrigue and seeded mysteries throughout the story. From the very first page, I was completely immersed within it and felt its life as it lived and breathed all around me. Kaner’s prose was so mesmerising and emotional, it enthralled my every thought and I never wanted to put this book down. I’m astounded that this was a debut, it’s easily one of my favourite books I’ve read this year.
Funerals are for the living. The dead don't mind what the world does to them.
The characters were, to sum them up very plainly, incredible. They each were so fleshed out, with their own intriguing motivations and journeys, their own complicated and ensnaring relationships, their own beliefs and fears and treacheries. They were created so flawlessly that they felt less like creations, less like characters on a page, and more akin to humans. And I loved each and every one of them!
Kissen is a perfect main character, a perfect driving force throughout this story. She’s a veiga, a godkiller, in a world brimming with gods of old and new. She has ghosts that haunt her, the flames of her past contending with the brightness of the future beneath the ever-watching eye of the sun. She has a purpose in her life that directs her across this wide world, but all that changes when she meets Inara.
Inara is a young girl with mysterious powers and a magical friend (who, I would say, definitely counts as an animal companion). She wants answers to the secrets she has had to keep for years, she wants to understand her place in the world and perhaps create a new one. She goes to Kissen for answers and discovers more than she ever would have guessed.
Inara and Kissen’s relationship is so beautiful to behold and watch as it grows and contorts, fitting around old wounds and scars, shifting amongst their newfound care and shared resilience. It’s a relationship that parallels and reminds me of Geralt and Ciri in the Witcher, a bond of family that refuses to break.
Kissen and Inara are also similar characters to Geralt and Ciri respectively, and this story holds the same comfort that the world of the Witcher does—a warmth of familiarity that makes it feel like coming home to a place you never wanted to leave.
Another of our main characters is a retired knight named Elogast. I love the ‘retired warrior must pick up his sword one final time’ trope and so I also loved seeing it here. He’s a disillusioned ex-knight, wearing the scars of his battles on his skin. But his worst scars are the ones that lie deep within, on the shards of his memories. He makes an unlikely traveller on the roads and an even more unlikely companion to Kissen and Inara as they travel to the ruins of a city—each with their own compelling motivations.
Even small lives are worth something.
The plot takes us on a winding adventure rooted in a world overflowing with magic. It’s unputdownable and so much fun to read. I cannot wait for the next book and I will fight anyone I must to get my hands on it!
-
(1/12/23 I've now reread in anticipation for Sunbringer, the sequel, and I loved it just as much, maybe even more, the second time! This is such a phenomenal book, I adore all the characters, the world is so vibrant and the story is so comforting. I can't wait to read my arc of Sunbringer! If you haven't already, GO READ THIS BOOK!)
April 25, 2024
BookTube channel with my awesome brother, Ed - The Brothers Gwynne
My personal BookTube channel - William Gwynne
"'More powerful gods than you have made me offers, Ennerast,' said Kissen, 'and I killed them just the same.'”
I was immediately intrigued when I saw the awesome title, and heard the great premise. I mean, Godkiller must surely be one of the best fantasy titles out there!
This is a very well-written book with a core cast of unique characters. The relationship between our Godkiller, Kissen, and Inara is one of the highlights of this story. It witnesses real growth, with breadcrumbs that allow us to gradually learn more about their past whilst keeping the reader engaged.
“You are not welcome here, Godkiller”
Whilst the pace lost a bit of its drive around the middle of the book, it does not last long. This is quite short for a fantasy book, but contains a lot for its size. Great world building in a unique setting, clear and effective prose, a brilliant premise and twists throughout. A very solid beginning to the Fallen Gods series that I think has something for most readers out there.
4/5 STARS
My personal BookTube channel - William Gwynne
"'More powerful gods than you have made me offers, Ennerast,' said Kissen, 'and I killed them just the same.'”
I was immediately intrigued when I saw the awesome title, and heard the great premise. I mean, Godkiller must surely be one of the best fantasy titles out there!
This is a very well-written book with a core cast of unique characters. The relationship between our Godkiller, Kissen, and Inara is one of the highlights of this story. It witnesses real growth, with breadcrumbs that allow us to gradually learn more about their past whilst keeping the reader engaged.
“You are not welcome here, Godkiller”
Whilst the pace lost a bit of its drive around the middle of the book, it does not last long. This is quite short for a fantasy book, but contains a lot for its size. Great world building in a unique setting, clear and effective prose, a brilliant premise and twists throughout. A very solid beginning to the Fallen Gods series that I think has something for most readers out there.
4/5 STARS
February 9, 2023
oh this was devastating to the highest degree. the prologue ended with “I love you,’ he said, and threw her to the sea.” and it was at that moment i knew.
RTC
RTC
January 27, 2024
Very mixed feelings. Didn't enjoy the first half, but the second half was considerably better. Very interesting world-building. Only time will tell if I pick up book 2.
3.5 / 5 stars
3.5 / 5 stars
April 30, 2024
Kissen kills gods for a living, but she soon meets a god she can’t kill: Skediceth— minor god of white lies. Skedi is bonded to a noble girl named Inara and they cannot be separated and because of this Inara harbors some godlike abilities as well. the final character is Elogath, a retired knight who fought in the godwar. together these 3 along with Skedi set out on a quest together that leads to eventual destruction, betrayal and reveals.
”You are worth more than you think. You are still alive; make something of it. Of life, not death.”
i loved all the queer/disability rep in here and the only real problem i had was some uneven pacing. but i liked the characters and they all had distinct personalities. even though the premise is that of a typical fantasy, something about the way it’s written made it feel a bit different in a way i can’t even fully explain. the ending gripped me though and i’m left wondering where the characters will go from here in the sequel.
”You are worth more than you think. You are still alive; make something of it. Of life, not death.”
i loved all the queer/disability rep in here and the only real problem i had was some uneven pacing. but i liked the characters and they all had distinct personalities. even though the premise is that of a typical fantasy, something about the way it’s written made it feel a bit different in a way i can’t even fully explain. the ending gripped me though and i’m left wondering where the characters will go from here in the sequel.
September 14, 2024
„Палач на богове“ е разкошен фентъзи роман! Мрачната история за битки и интриги между хората и боговете е страшно сладкодумно разказана и неусетно пренася читателите в своята пленителна мистична атмосфера... Действието в нея се развива динамично, но същевременно съдържа смислени послания относно религиозния фанатизъм и алчността за власт. Много приятно съм изненадан от основните персонажи в книгата, които се оказаха силни и запомнящи се образи! Житейските съдби на убийцата на богове Кисен, момичето от аристократичен произход Инара, богът на благородните лъжи Скеди, и пекарят и бивш рицар Елогаст, се преплитат по изключително любопитен и вълнуващ начин...
„Умишлено или не, сълзите на Инара също повлияха на Ело. Волята на Скeди се уви около аурата му, долови несигурността и я уталожи, потисна я. Справяше се, успяваше да контролира и двамата, защото това бяха дребни, благородни лъжи, на които почти им се искаше да повярват. Сред цветовете на Ело се надигна чувство за дълг с цвета на прасковена зора и той кимна.
- Така да бъде - изрече.
Беше почти сладко; той наистина чувстваше нужда да помага на хората. Грабна раницата си и се изсули от хамака. Cкeди долетя при Инара и я обърна обратно, а козината му настръхна от собствената му мощ, почти усещаше как рогата му порастват. Човеците бяха толкова лековерни! Като риби в мрежа, щом веднъж ги уловеше. Беше поел контрола над съдбата си и над тази на Инара за пръв път, откaкто се бяха намерили един друг и се бяха принудили да живеят в страх. Щеше да им поиска дарове в замяна на спасяването от вейгата и демоните. Щеше да бъде истински бог.“
„Умишлено или не, сълзите на Инара също повлияха на Ело. Волята на Скeди се уви около аурата му, долови несигурността и я уталожи, потисна я. Справяше се, успяваше да контролира и двамата, защото това бяха дребни, благородни лъжи, на които почти им се искаше да повярват. Сред цветовете на Ело се надигна чувство за дълг с цвета на прасковена зора и той кимна.
- Така да бъде - изрече.
Беше почти сладко; той наистина чувстваше нужда да помага на хората. Грабна раницата си и се изсули от хамака. Cкeди долетя при Инара и я обърна обратно, а козината му настръхна от собствената му мощ, почти усещаше как рогата му порастват. Човеците бяха толкова лековерни! Като риби в мрежа, щом веднъж ги уловеше. Беше поел контрола над съдбата си и над тази на Инара за пръв път, откaкто се бяха намерили един друг и се бяха принудили да живеят в страх. Щеше да им поиска дарове в замяна на спасяването от вейгата и демоните. Щеше да бъде истински бог.“
May 3, 2024
6.14 on CAWPILE.
September 8, 2023
This is a solid start to a new series, and I think it will appeal to many readers desiring diverse fantasy. The quality of writing really is stellar; I think my struggles more or less stemmed from the uneven pacing during the middle chunk, as it took me quite awhile to finish this relatively short book, at least by fantasy standards. The cover is truly a work of art, and it ties in nicely to the story. If you’re looking for high fantasy and enjoy carrying around a physical book copy that won’t break your wrists and double as a door stop, give this one a try.
*Many thanks to the publisher for providing my review copy.
*Many thanks to the publisher for providing my review copy.
May 20, 2024
I can't believe Hannah Kaner had the audacity to write a book this fucking good! This may be my new favorite read of 2024. This is some seriously good fucking shit. The prologue ended with 💫“I love you,” he said, and threw her to the sea.💫 This was my undoing. However, I knew I was going to love this book the moment I saw that cover.
Plot:
After the great war in Blenraden where many fell at the hands of wild gods, gods are now outlawed in the kingdom of Middren. King Arren, who banished them, pays godkillers to destroy any new ones that may arise. When Kissen, a godkiller, happens upon a young noble child whose soul is bound to a tiny god of White Lies, she sets out on a journey back to the war-ruined city of Blenraden where she plans to ask a favor from a wild god to help the young girl solve her "god problem." Joined by a knight on his own secret quest to Blenraden, the small group are hunted by demons and must rely on each other to survive. Meanwhile, the kingdom is on the brink of civil war and something foul is festering in the heart of Blenraden...
Worldbuilding
The worldbuilding in this book is delicious. A fantasy novel that is written in a way in which you can imagine exactly where the characters are is the absolute crème de la crème. From Lesscia to Estfjor, Talicia to Blenraden--you can truly see the landscape like a painting.🌄 The worldbuilding is so intricate and beautifully written. My favorite place Kaner wrote about is Gefyrton--a little city tucked away within granite cliffs and large, billowy waterfalls along a large riverscape.⛰️🏞️ I can definitely imagine myself living there. The world Kaner created is absolutely magical.
Characters:
The characters in Godkiller will go down as some of my all-time favorites. The book is written from four POVs so we will hit on all four characters. Starting with Kissen. We all know I love an asshole, and Kissen is a certified A+, obstinate, dauntless asshole. She is also a hella queer, disabled queen with a scarred up face and an even more scarred personality, which I love. Kissen may have built her walls high, but that doesn't mean she never lets anyone in. She was orphaned and abused at a young age, but learned resiliency and came out stronger.💪🏽We stan a fucking badass bitch who not only knows how to fight with her fists but can throw verbal hands as well!
💫"Fate was a fairy story and a bullshit one at that; fate could get fucked and go bother someone else."
We also follow Elogast, formerly the King's best friend and most trusted knight commander, now suffering from PTSD after the great war and currently working as a baker.👨🏽🍳 Elo is such a sweet opposition to Kessin's harsh personality. The two of them have such a fun dynamic. I also liked seeing his character shift from timid, knight-turned-baker to protective warrior when on the road.🦁
Inara and Skediceth are an interesting addition to the group dynamic. Inara starts out an innocent noble girl and experiences this great character arc when she has to learn to grow up much quicker than she originally planned. Skediceth, the tiny god of White Lies, grows with her.🐰🦌🐦 Gods' fates are so closely intertwined with humanity in this book, and you can clearly see that in the relationship between Skedi and Inara.
Overall Thoughts:
Fantasy books don't usually shy away from divine beings such as gods or other celestial entities. But in Kaner's world, gods cannot exist unless people believe in them and pray to them. Offerings must be made and shrines must be built so that they can survive. This concept is so different from other books I've read. I also love how the characters in Godkiller are so dynamic, well-rounded, and loveable. I instantly connected with them. The book is queer-normative and has so much disability representation in it as well which is awesome to see. This fantasy novel is five stars through and through and I would highly recommend it. I cannot wait to read Sunbringer.☀️
💫“You are worth more than you think. You are still alive; make something of it. Of life, not death.”
⭐⭐⭐⭐⭐/5
Plot:
After the great war in Blenraden where many fell at the hands of wild gods, gods are now outlawed in the kingdom of Middren. King Arren, who banished them, pays godkillers to destroy any new ones that may arise. When Kissen, a godkiller, happens upon a young noble child whose soul is bound to a tiny god of White Lies, she sets out on a journey back to the war-ruined city of Blenraden where she plans to ask a favor from a wild god to help the young girl solve her "god problem." Joined by a knight on his own secret quest to Blenraden, the small group are hunted by demons and must rely on each other to survive. Meanwhile, the kingdom is on the brink of civil war and something foul is festering in the heart of Blenraden...
Worldbuilding
The worldbuilding in this book is delicious. A fantasy novel that is written in a way in which you can imagine exactly where the characters are is the absolute crème de la crème. From Lesscia to Estfjor, Talicia to Blenraden--you can truly see the landscape like a painting.🌄 The worldbuilding is so intricate and beautifully written. My favorite place Kaner wrote about is Gefyrton--a little city tucked away within granite cliffs and large, billowy waterfalls along a large riverscape.⛰️🏞️ I can definitely imagine myself living there. The world Kaner created is absolutely magical.
Characters:
The characters in Godkiller will go down as some of my all-time favorites. The book is written from four POVs so we will hit on all four characters. Starting with Kissen. We all know I love an asshole, and Kissen is a certified A+, obstinate, dauntless asshole. She is also a hella queer, disabled queen with a scarred up face and an even more scarred personality, which I love. Kissen may have built her walls high, but that doesn't mean she never lets anyone in. She was orphaned and abused at a young age, but learned resiliency and came out stronger.💪🏽We stan a fucking badass bitch who not only knows how to fight with her fists but can throw verbal hands as well!
💫"Fate was a fairy story and a bullshit one at that; fate could get fucked and go bother someone else."
We also follow Elogast, formerly the King's best friend and most trusted knight commander, now suffering from PTSD after the great war and currently working as a baker.👨🏽🍳 Elo is such a sweet opposition to Kessin's harsh personality. The two of them have such a fun dynamic. I also liked seeing his character shift from timid, knight-turned-baker to protective warrior when on the road.🦁
Inara and Skediceth are an interesting addition to the group dynamic. Inara starts out an innocent noble girl and experiences this great character arc when she has to learn to grow up much quicker than she originally planned. Skediceth, the tiny god of White Lies, grows with her.🐰🦌🐦 Gods' fates are so closely intertwined with humanity in this book, and you can clearly see that in the relationship between Skedi and Inara.
Overall Thoughts:
Fantasy books don't usually shy away from divine beings such as gods or other celestial entities. But in Kaner's world, gods cannot exist unless people believe in them and pray to them. Offerings must be made and shrines must be built so that they can survive. This concept is so different from other books I've read. I also love how the characters in Godkiller are so dynamic, well-rounded, and loveable. I instantly connected with them. The book is queer-normative and has so much disability representation in it as well which is awesome to see. This fantasy novel is five stars through and through and I would highly recommend it. I cannot wait to read Sunbringer.☀️
💫“You are worth more than you think. You are still alive; make something of it. Of life, not death.”
⭐⭐⭐⭐⭐/5
June 13, 2023
If there’s one thing I love, it’s wounded people coming together to make each other feel a little less alone in the world (what I hope I get to experience for myself someday) What a beautiful book. All of the stars and full RTC.
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I’m almost half way through and absolutely ADORING this. Skedi has my entire heart. Thank you so much Harper Voyager for the ARC!
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I’m almost half way through and absolutely ADORING this. Skedi has my entire heart. Thank you so much Harper Voyager for the ARC!
January 5, 2024
Unfortunately I did not enjoy reading this novel. I thought all the characters sounded the same voice-wise even though the book featured multiple points of view. In addition to the dry writing, I felt that Godkiller focused so much on action (e.g., character does X, character does Y, character does Z) that it sacrificed more of the emotional component of each character and each character’s interiority. The characters were doing things and I found it hard to care. I don’t always naturally lean toward fantasy so maybe that contributed to my dislike. We’ll see if my book club liked it more than I did!
January 13, 2024
NO ERES BIENVENIDA AQUÍ, ASESINA DE DIOSES.
La familia de Kissen fue asesinada por los fanáticos de una diosa del fuego. Ahora se gana la vida matando a dioses y disfruta con ello.
Hasta que encuentra a uno con el que no puede acabar: Skedi, un dios de las mentiras piadosas que, de manera inexplicable, se ha quedado ligado a una joven noble, y ambos huyen de unos asesinos desconocidos.
Acompañados por un caballero desencantado en una misión secreta, deberán viajar a la ciudad en ruinas de Blenraden, donde residen los últimos dioses salvajes, para pedirles sendos favores.
Perseguidos por demonios y con la amenaza de una guerra civil inminente, se enfrentarán a un duro desafío final. Hay algo corrupto en el corazón del reino y ellos son los únicos que pueden detenerlo.
Vayamos pasito a pasito..
¿Tentador verdad?.. Lo empiezas y te dices que bueno es. Así se empieza un libro, me mola. Va a cumplir con creces. Pasas poco a poco el principio 40- 50 páginas.
Luego la ostia es inmisericorde. Que puñetero aburrimiento..
Le tenía muchas ganas a este libro por una sencilla razón. Los libros de fantasía épica que involucren dioses me llaman muchísimo. Gran historia con una prosa de lo más interesante. Llama nada más leer la premisa y ese comienzo fue soberbio.
Pero se la pega. El pecado de este libro son los enormes altibajos que contiene. Más bajos que altos por desgracia. Me ha parecido una trama y un tempo demasiado irregulares.
Buen comienzo e incluso un buen y aceptable final. Pero todo o casi todo, que es bastante, lo que sería ese recorrido tan largo me aburrió mucho.
Apunto estuve de abandonarlo.
Tiene su interesante dosis de misterio que envuelve la construcción del mundo, algo de acción, personajes y unos dioses intrigantes.
La prosa es muy acertada.
Pero claro si una parte importante del camino y hablamos de cientos de páginas aburre y falla.. acabas pegándotela.
Una pena. Apuntaba muy alto. Se queda en un "Pronto lo olvidaré... Ah, nota mental para el supermercado, me he quedado sin café".. ✍️🤔🎩
La familia de Kissen fue asesinada por los fanáticos de una diosa del fuego. Ahora se gana la vida matando a dioses y disfruta con ello.
Hasta que encuentra a uno con el que no puede acabar: Skedi, un dios de las mentiras piadosas que, de manera inexplicable, se ha quedado ligado a una joven noble, y ambos huyen de unos asesinos desconocidos.
Acompañados por un caballero desencantado en una misión secreta, deberán viajar a la ciudad en ruinas de Blenraden, donde residen los últimos dioses salvajes, para pedirles sendos favores.
Perseguidos por demonios y con la amenaza de una guerra civil inminente, se enfrentarán a un duro desafío final. Hay algo corrupto en el corazón del reino y ellos son los únicos que pueden detenerlo.
Vayamos pasito a pasito..
¿Tentador verdad?.. Lo empiezas y te dices que bueno es. Así se empieza un libro, me mola. Va a cumplir con creces. Pasas poco a poco el principio 40- 50 páginas.
Luego la ostia es inmisericorde. Que puñetero aburrimiento..
Le tenía muchas ganas a este libro por una sencilla razón. Los libros de fantasía épica que involucren dioses me llaman muchísimo. Gran historia con una prosa de lo más interesante. Llama nada más leer la premisa y ese comienzo fue soberbio.
Pero se la pega. El pecado de este libro son los enormes altibajos que contiene. Más bajos que altos por desgracia. Me ha parecido una trama y un tempo demasiado irregulares.
Buen comienzo e incluso un buen y aceptable final. Pero todo o casi todo, que es bastante, lo que sería ese recorrido tan largo me aburrió mucho.
Apunto estuve de abandonarlo.
Tiene su interesante dosis de misterio que envuelve la construcción del mundo, algo de acción, personajes y unos dioses intrigantes.
La prosa es muy acertada.
Pero claro si una parte importante del camino y hablamos de cientos de páginas aburre y falla.. acabas pegándotela.
Una pena. Apuntaba muy alto. Se queda en un "Pronto lo olvidaré... Ah, nota mental para el supermercado, me he quedado sin café".. ✍️🤔🎩
January 17, 2023
3***
I went into this book expecting to love it. An interesting plot description, vengeance and high praise from other authors made me want to really read it… however this just fell flat for me for most of the book. I lost interest and really had to force myself to read this, until around 80/90% of the book what the action picks up (even then I was debating whether to just give up- I forced myself to find out what happens).
The book had a really strong prologue, and then I lost interest. It follows Kissen, a GodKiller (basically similar to Geralt of Rivia but instead of chasing and hunting down monsters for coin, she kills Gods), whose life becomes entangled with a strange girl called Inara and her little god, Skedi. Inara and Skedi’s bond reminded me of the bond that Lyra has with her Daemon in His Dark Materials by Phillip Pullman.
Other than the MC, the other characters perspectives did not interest me much at all. As Inara is a younger girl, it is told from a younger perspective and I found it slightly irritating to read. However, I am curious about where her journey may go.
The other characters in this book I did not become attached/interested in.
I was very interested in reading the things about the gods and their shrines- the different worshipping of gods and their powers.
Giving this a middle rating as while I enjoyed read it the different Gods and the action at the end, most of the book fell flat and it was a forceful read for me.
Thank you to NetGalley for the E-arc!
I went into this book expecting to love it. An interesting plot description, vengeance and high praise from other authors made me want to really read it… however this just fell flat for me for most of the book. I lost interest and really had to force myself to read this, until around 80/90% of the book what the action picks up (even then I was debating whether to just give up- I forced myself to find out what happens).
The book had a really strong prologue, and then I lost interest. It follows Kissen, a GodKiller (basically similar to Geralt of Rivia but instead of chasing and hunting down monsters for coin, she kills Gods), whose life becomes entangled with a strange girl called Inara and her little god, Skedi. Inara and Skedi’s bond reminded me of the bond that Lyra has with her Daemon in His Dark Materials by Phillip Pullman.
Other than the MC, the other characters perspectives did not interest me much at all. As Inara is a younger girl, it is told from a younger perspective and I found it slightly irritating to read. However, I am curious about where her journey may go.
The other characters in this book I did not become attached/interested in.
I was very interested in reading the things about the gods and their shrines- the different worshipping of gods and their powers.
Giving this a middle rating as while I enjoyed read it the different Gods and the action at the end, most of the book fell flat and it was a forceful read for me.
Thank you to NetGalley for the E-arc!
January 28, 2024
buddy read w/ my love, ashley!
this book, guys, this book - this is how you do fantasy worldbuilding. it was phenomenal, truly! i cannot emphasise enough the stunning and incredibly rich mythology and magic system that Kaner wove into this masterful story. despite this book beginning after the conclusion of a dramatic and devastating war, i never felt confused or questioned whether i had missed a prequel, because Kaner successfully avoided info-dumping while laying down the foundation to a fascinating new world, and for that alone deserves a prize.
another incredibly strong point to this book was the characters. our main MAIN character, Kissen, was kickass and strong without being unbelievable and two-dimensional. her personality was abrupt and rude but not cruel, and it was also understandable, because my girl needed a break.
"The people with the sharpest edges sometimes hid the deepest wounds."
our other main characters were equally fascinating, i wasn't quite as invested in them as i was in Kissen, but Inara was such a sweetheart. and i certainly felt strongly about Skedi...
i'm quickly losing motivation for this review, but anyway IT WAS REALLY GOOD. stunning worldbuilding. beautifully written main characters. casual queer rep. great disability rep. some sweet romance. captivating plotline. adorable found family. overall, a win!
this book, guys, this book - this is how you do fantasy worldbuilding. it was phenomenal, truly! i cannot emphasise enough the stunning and incredibly rich mythology and magic system that Kaner wove into this masterful story. despite this book beginning after the conclusion of a dramatic and devastating war, i never felt confused or questioned whether i had missed a prequel, because Kaner successfully avoided info-dumping while laying down the foundation to a fascinating new world, and for that alone deserves a prize.
another incredibly strong point to this book was the characters. our main MAIN character, Kissen, was kickass and strong without being unbelievable and two-dimensional. her personality was abrupt and rude but not cruel, and it was also understandable, because my girl needed a break.
"The people with the sharpest edges sometimes hid the deepest wounds."
our other main characters were equally fascinating, i wasn't quite as invested in them as i was in Kissen, but Inara was such a sweetheart. and i certainly felt strongly about Skedi...
i'm quickly losing motivation for this review, but anyway IT WAS REALLY GOOD. stunning worldbuilding. beautifully written main characters. casual queer rep. great disability rep. some sweet romance. captivating plotline. adorable found family. overall, a win!
April 17, 2023
This is the first instalment in the Godkiller series.
Skedi is a god of white lies. He has somehow found himself attached to an orphaned noble woman, fleeing from those would see her follow in her family's footsteps, and a godkiller, who fears and distrusts him in equal measure. The two women could not be more unalike and yet must learn to bond in order to save each other, and for Skedi to find his escape and true purpose.
Whilst this outline is thrilling and was the source of my immediate investment in this book, the characters quickly took over as my main attraction to this novel. I found, in some small parts, for the plot pacing to lag or for events to begin to feel repetitive. I couldn't really care less when I was so emotionally invested in the well-being for the central characters, however.
Some were snarky and sassy, others empathetic and vulnerable. Their differences made them a motley crew and all the more beloved, to me, because of it. There were many exciting discoveries to be made about who they really were or what events had arisen in their pasts to make them the individuals they were in the book's present day and I really enjoyed exploring these aspects as their current mission also played out.
I received a copy of this book in exchange for an honest review. Thank you to the author, Hannah Kaner, and the publisher, Harper Voyager, for this opportunity.
Skedi is a god of white lies. He has somehow found himself attached to an orphaned noble woman, fleeing from those would see her follow in her family's footsteps, and a godkiller, who fears and distrusts him in equal measure. The two women could not be more unalike and yet must learn to bond in order to save each other, and for Skedi to find his escape and true purpose.
Whilst this outline is thrilling and was the source of my immediate investment in this book, the characters quickly took over as my main attraction to this novel. I found, in some small parts, for the plot pacing to lag or for events to begin to feel repetitive. I couldn't really care less when I was so emotionally invested in the well-being for the central characters, however.
Some were snarky and sassy, others empathetic and vulnerable. Their differences made them a motley crew and all the more beloved, to me, because of it. There were many exciting discoveries to be made about who they really were or what events had arisen in their pasts to make them the individuals they were in the book's present day and I really enjoyed exploring these aspects as their current mission also played out.
I received a copy of this book in exchange for an honest review. Thank you to the author, Hannah Kaner, and the publisher, Harper Voyager, for this opportunity.
January 12, 2024
2,5
Kompletnie nie potrafiłam wgryźć się w tę historię. Sam początek zapowiadał się świetnie, był trochę mroczny, tajemniczy, ale niestety całe clue książki zostało w mojej opinii zbyt szybko odkryte.
Liczyłam na świetną przygodową książkę, a dostałam mozolną wędrówkę bohaterów.
Może to kwestia mojego nastawienia do tej książki i zbyt dużych oczekiwań, ale kurde strasznie się zawiodłam.
Plusy:
Początek, postać Elogasta ale też na początku, ciekawa koncepcja na świat i bogów i to chyba niestety tyle.
Kompletnie nie potrafiłam wgryźć się w tę historię. Sam początek zapowiadał się świetnie, był trochę mroczny, tajemniczy, ale niestety całe clue książki zostało w mojej opinii zbyt szybko odkryte.
Liczyłam na świetną przygodową książkę, a dostałam mozolną wędrówkę bohaterów.
Może to kwestia mojego nastawienia do tej książki i zbyt dużych oczekiwań, ale kurde strasznie się zawiodłam.
Plusy:
Początek, postać Elogasta ale też na początku, ciekawa koncepcja na świat i bogów i to chyba niestety tyle.
November 22, 2023
You are worth more than you think. You are still alive; make something of it. Of life, not death.
I really enjoyed this book; in my opinion, it hasn't received the attention it deserves. To be completely honest, the plot wasn't groundbreaking, but it was exceptionally well written, and I found the main characters quite relatable.
Kissen is a god killer; her entire family was sacrificed to a god when she was a child, and she was spared only because her father made a deal with a god. She has sworn to kill every god. One day, she encounters a young noble girl with a god linked to her. Kissen cannot kill the god without harming the girl. When the girl's family is assassinated, they embark on a journey to find a god who can help them break the link.
Meanwhile, a former knight who had previously served in the king's court receives a visit from the king, who requests a final favor. As they meet, they don't trust each other at first, but over time, they realize they're stronger together. Despite their initial doubts, they all end up heading to the same place, each with their own reasons.
but at least, at the very least, he now had someone to fight alongside, though he would not in a thousand years have suspected it would be a god, a godkiller, and a child.
This is a start for doulogy and I am much looking forward to the second installment.
January 9, 2023
“People make gods, and, for better or worse, gods make people. We show each other for what we truly are. Yearning beings, desperate for love, power, safety”
Godkiller by Hannah Kaner is a dark, gritty and highly immersive debut. This is a tale where gods and mortals collide, where myth and legends are brought to life, where having faith could get you killed. The power of belief is strong, worship can bring peace to many but believing in Gods can be deadly. To seek a God's favour, to have their light shine upon you, is to pay a high price.
Our story follows Kissen, a godkiller. Kissen’s childhood was filled with tragedy, one which has left her with scars that will never fully heal. Haunted by memories and filled with a constant simmering anger, Kissen devotes her life to killing gods, and she’s pretty damn good at it. Yet when she chances upon a young noble child in a tavern, she sets forth on a quest to free her from a god Kissen cannot kill. Inara Craier is bound to Skediceth, the god of white lies, and should they try to part from one another they would both die. Kissen cannot allow another child to die at the hands of a god. Then there is Elogast, once the King’s knight who fought to destroy shrines and kill gods in the great God War, yet in the horrific aftermath Elo put down his sword and to escape his nightmares turned his hand to baking. Elo longs for a quiet, simple life, but when King Arren, once his closest friend, sends him on a mission to save his life and the kingdom, he is forced to return to the city of gods, Blenraden, the city he helped bring to ruin.
“The people with the sharpest edges sometimes hid the deepest wounds.”
The opening pages of Godkiller set up a world where the king has outlawed the worship of gods, and the people are forced to hide their faith and whisper prayers in secret. Much to Kissen’s annoyance, as prayers allow gods to manifest, and though she earns coin as a Godkiller, for good reasons she hates all gods vehemently and would rather they didn’t exist at all. Kissen’s an interesting character, she is strong-willed, resilient and though she has had a disability since childhood, it has never slowed her down one bit. Whilst I loved all that about her, and Kaner really does explore fantastic disability representation through her character, I did find that Kissen could often be too aggressive. She was snappish when there was no need to be and her ‘take-no-shit’ attitude unfortunately presented her as somewhat immature. However, if you love feisty characters, then you will love Kissen.
In contrast to Kissen, we have Elogast, our knight turned baker. Immediately we see Elo is kind, gentle but he is also traumatised by his past. Throughout the novel we see that he is suffering from PTSD, the battles he has fought have left their emotional scars and knowing this we realise just how much strength, loyalty it took for him to help King Arren. These are the kind of characters I am fond of, ones who find the strength to face their personal demons and ones who have a firm sense of honour. However, my most beloved characters were Inara and her tiny god Skediceth. Though Inara is young, she shows as much resilience and courage as Kissen. She knows she’s the daughter of a powerful noble house, her mother has taught her well and she always strives to act accordingly. I loved her bond with Skedi, how this connection allows her to see people’s emotions through colours and how she could always sense if they were lying. Skedi’s form is a cross between a hare and a deer with wings and antlers, always changing his size to become noticeable or stay hidden. Though I found Skedi adorable, I also liked that he was the god of white lies and that power made his character rather untrustworthy throughout.
“Mortals were a riot of thoughts, and gods could see the colours they made, twisting the air about them with their more powerful emotions.
Each person's colours were different, bright, manipulable. Skedi could tell a liar from a lover, a joker from a fraud.”
I found Kaner’s portrayal of Gods captivating throughout. These are not invisible gods which the people blindly pray to, oh no, these gods can be summoned, they can physically manifest, and they can be bargained with. Kaner takes great care to show two sides: one where gods offer comfort and hope to those facing desperate times, and one where gods feed off people’s pain and their suffering, and greedily lust to grow more powerful through their prayers. Thus showing why gods of old and new fought against each other and divided the lands between those who still held belief and those who feared the gods.
Godkiller is a fiery debut set in a brutal, unforgiving world. It’s a story of courage and survival, of faith and greed. The ending is explosive, with a rather shocking twist, one which left me anticipating what will come next.
ARC provided by Susan at Harper Voyager, thank you for the copy! All quotes used are taken from an ARC and are subject to change upon publication.
Godkiller by Hannah Kaner is a dark, gritty and highly immersive debut. This is a tale where gods and mortals collide, where myth and legends are brought to life, where having faith could get you killed. The power of belief is strong, worship can bring peace to many but believing in Gods can be deadly. To seek a God's favour, to have their light shine upon you, is to pay a high price.
Our story follows Kissen, a godkiller. Kissen’s childhood was filled with tragedy, one which has left her with scars that will never fully heal. Haunted by memories and filled with a constant simmering anger, Kissen devotes her life to killing gods, and she’s pretty damn good at it. Yet when she chances upon a young noble child in a tavern, she sets forth on a quest to free her from a god Kissen cannot kill. Inara Craier is bound to Skediceth, the god of white lies, and should they try to part from one another they would both die. Kissen cannot allow another child to die at the hands of a god. Then there is Elogast, once the King’s knight who fought to destroy shrines and kill gods in the great God War, yet in the horrific aftermath Elo put down his sword and to escape his nightmares turned his hand to baking. Elo longs for a quiet, simple life, but when King Arren, once his closest friend, sends him on a mission to save his life and the kingdom, he is forced to return to the city of gods, Blenraden, the city he helped bring to ruin.
“The people with the sharpest edges sometimes hid the deepest wounds.”
The opening pages of Godkiller set up a world where the king has outlawed the worship of gods, and the people are forced to hide their faith and whisper prayers in secret. Much to Kissen’s annoyance, as prayers allow gods to manifest, and though she earns coin as a Godkiller, for good reasons she hates all gods vehemently and would rather they didn’t exist at all. Kissen’s an interesting character, she is strong-willed, resilient and though she has had a disability since childhood, it has never slowed her down one bit. Whilst I loved all that about her, and Kaner really does explore fantastic disability representation through her character, I did find that Kissen could often be too aggressive. She was snappish when there was no need to be and her ‘take-no-shit’ attitude unfortunately presented her as somewhat immature. However, if you love feisty characters, then you will love Kissen.
In contrast to Kissen, we have Elogast, our knight turned baker. Immediately we see Elo is kind, gentle but he is also traumatised by his past. Throughout the novel we see that he is suffering from PTSD, the battles he has fought have left their emotional scars and knowing this we realise just how much strength, loyalty it took for him to help King Arren. These are the kind of characters I am fond of, ones who find the strength to face their personal demons and ones who have a firm sense of honour. However, my most beloved characters were Inara and her tiny god Skediceth. Though Inara is young, she shows as much resilience and courage as Kissen. She knows she’s the daughter of a powerful noble house, her mother has taught her well and she always strives to act accordingly. I loved her bond with Skedi, how this connection allows her to see people’s emotions through colours and how she could always sense if they were lying. Skedi’s form is a cross between a hare and a deer with wings and antlers, always changing his size to become noticeable or stay hidden. Though I found Skedi adorable, I also liked that he was the god of white lies and that power made his character rather untrustworthy throughout.
“Mortals were a riot of thoughts, and gods could see the colours they made, twisting the air about them with their more powerful emotions.
Each person's colours were different, bright, manipulable. Skedi could tell a liar from a lover, a joker from a fraud.”
I found Kaner’s portrayal of Gods captivating throughout. These are not invisible gods which the people blindly pray to, oh no, these gods can be summoned, they can physically manifest, and they can be bargained with. Kaner takes great care to show two sides: one where gods offer comfort and hope to those facing desperate times, and one where gods feed off people’s pain and their suffering, and greedily lust to grow more powerful through their prayers. Thus showing why gods of old and new fought against each other and divided the lands between those who still held belief and those who feared the gods.
Godkiller is a fiery debut set in a brutal, unforgiving world. It’s a story of courage and survival, of faith and greed. The ending is explosive, with a rather shocking twist, one which left me anticipating what will come next.
ARC provided by Susan at Harper Voyager, thank you for the copy! All quotes used are taken from an ARC and are subject to change upon publication.
March 23, 2024
Качественото фентъзи устоява на капризния, секунден пазарен интерес, ако носи послания и концепции. За моя радост това заглавие е от този тип, а не от сензационно ориентираните еднодневки с пикантен микс от насилие, дидактика, умишлено насадена инфантилност у героите и нанесени по стандартен рецептурник политически коректни обрати в сюжета (неприемливи по рецептурника обрати не са позволени и не се случват).
Богоборството (от Прометей и Тома Неверни насам) е онази нишка в човешката история, която е довела до най-много войни и клади за изповядващите го. Когато една вяра се сведе до циментирана религия, а религията се сведе до бюрократично и властово управляемо идолопоконничество и уютно за страхливите душички суеверие, значи има проблем. Проблем, с който човечеството си живее и днес, но за разлика от миналото поне има по-голям избор от пътища и комбинации. Това не е малко. Различията имат някакъв “мегдан” за проява. А знанието е по-достъпно.
Тук Хана Кейнър е хванала бика за рогата. Мидрен е бил изпепелен три години по-рано от ужасяваща война между хора и богове. Боговете, подхранени от човешкия ламтеж за власт и богатство, са станали неумолими. А подвластните им хора - опасни за останалите си събратя. В резултат древният град Бленрейдън днес е куп полузакърпени руини, а из царството шестват убийци на богове и се задава нова гражданска война. Но макар и победени, боговете все още са там, дърпайки струните на навика, комфорта, суеверието, нуждата от сляпо упование в нещо по-висше. И все още изпълняват желания, но никога безплатно.
Цената е винаги в ущърб на просителите на божествено благоволение. И без да знаят, че са се устремили към такова, се пресичат пътищата на четиримата герои. Кисен е наемник и убийца на богове с ужасяващо минало. Елогаст се опитва да изкупи минали грехове с покаяние и спокоен живот. Инара се опитва да открие пътя си в света извън задушаващата закрила на властната си майка. А Скедисет е на пръв поглед безобиден мъничък бог на благородните лъжи, който иска да оцелее във враждебен към боговете свят…и ако може да си намери мъничко свое светилище, където да пол��чава скромни приношения.
Образите са силни и плътни, дори и к��атко появилите се, действието като цяло нито се влачи, нито препуска. Атмосферата е осезаема, въздухът буквално вибрира с проблемите и ежедневието на този измислен средновековен свят. Много ми хареса самото светоизграждане, свежо е, макар на моменти Кейнър да прекалява със съсредоточаването на твърде много бои на едно място. Типичен пример е образът на Кисен - поне една от характерните и черти можеше да бъде спестена, без сюжетът да изгуби нещо. Ако ще и проклетият златен зъб, например! Също така краят дойде малко забързан, но пък се оказа митологично зрел��щен, и сега ще се наложи да хукна към втората част.
Наистина свежа глътка въздух е липсата на вече дежурните и досадни мотиви с вещици, вампири, магьосници, дракони и от сорта. Тук играта се води на епично ниво, в стил “Залезът на боговете” по скандинавски (но не само, не само!), и определено не е приключила в тази първа част.
4,5⭐️ - о, ще си закръгля нагоре, с твърде голям кеф я изчетох
———
▶️ Цитати:
⚔️“Беше по-трудно да унищожиш бог, отколкото да го създадеш.”
⚔️“…хората не сe променят само защото си им казал.”
⚔️“Затова на хората са им нужни благородни лъжи, нали? За да ги защитят от истина, която би причинила болка.”
⚔️“Хората…се нуждаят от богове. […] Отчаяно ги търсят, за да се спасят от ежедневието си.”
⚔️“Боговете не приемат добре забравата.”
⚔️“Хората създават боговете и за добро или лошо, боговете променят хората.”
Богоборството (от Прометей и Тома Неверни насам) е онази нишка в човешката история, която е довела до най-много войни и клади за изповядващите го. Когато една вяра се сведе до циментирана религия, а религията се сведе до бюрократично и властово управляемо идолопоконничество и уютно за страхливите душички суеверие, значи има проблем. Проблем, с който човечеството си живее и днес, но за разлика от миналото поне има по-голям избор от пътища и комбинации. Това не е малко. Различията имат някакъв “мегдан” за проява. А знанието е по-достъпно.
Тук Хана Кейнър е хванала бика за рогата. Мидрен е бил изпепелен три години по-рано от ужасяваща война между хора и богове. Боговете, подхранени от човешкия ламтеж за власт и богатство, са станали неумолими. А подвластните им хора - опасни за останалите си събратя. В резултат древният град Бленрейдън днес е куп полузакърпени руини, а из царството шестват убийци на богове и се задава нова гражданска война. Но макар и победени, боговете все още са там, дърпайки струните на навика, комфорта, суеверието, нуждата от сляпо упование в нещо по-висше. И все още изпълняват желания, но никога безплатно.
Цената е винаги в ущърб на просителите на божествено благоволение. И без да знаят, че са се устремили към такова, се пресичат пътищата на четиримата герои. Кисен е наемник и убийца на богове с ужасяващо минало. Елогаст се опитва да изкупи минали грехове с покаяние и спокоен живот. Инара се опитва да открие пътя си в света извън задушаващата закрила на властната си майка. А Скедисет е на пръв поглед безобиден мъничък бог на благородните лъжи, който иска да оцелее във враждебен към боговете свят…и ако може да си намери мъничко свое светилище, където да пол��чава скромни приношения.
Образите са силни и плътни, дори и к��атко появилите се, действието като цяло нито се влачи, нито препуска. Атмосферата е осезаема, въздухът буквално вибрира с проблемите и ежедневието на този измислен средновековен свят. Много ми хареса самото светоизграждане, свежо е, макар на моменти Кейнър да прекалява със съсредоточаването на твърде много бои на едно място. Типичен пример е образът на Кисен - поне една от характерните и черти можеше да бъде спестена, без сюжетът да изгуби нещо. Ако ще и проклетият златен зъб, например! Също така краят дойде малко забързан, но пък се оказа митологично зрел��щен, и сега ще се наложи да хукна към втората част.
Наистина свежа глътка въздух е липсата на вече дежурните и досадни мотиви с вещици, вампири, магьосници, дракони и от сорта. Тук играта се води на епично ниво, в стил “Залезът на боговете” по скандинавски (но не само, не само!), и определено не е приключила в тази първа част.
4,5⭐️ - о, ще си закръгля нагоре, с твърде голям кеф я изчетох
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▶️ Цитати:
⚔️“Беше по-трудно да унищожиш бог, отколкото да го създадеш.”
⚔️“…хората не сe променят само защото си им казал.”
⚔️“Затова на хората са им нужни благородни лъжи, нали? За да ги защитят от истина, която би причинила болка.”
⚔️“Хората…се нуждаят от богове. […] Отчаяно ги търсят, за да се спасят от ежедневието си.”
⚔️“Боговете не приемат добре забравата.”
⚔️“Хората създават боговете и за добро или лошо, боговете променят хората.”
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