Siddhant Adlakha
Siddhant Adlakha is a film critic and entertainment journalist originally from Mumbai. He currently resides in New York, and is a member of the New York Film Critics Circle.
By Siddhant Adlakha
'Eden' review: Ron Howard's island drama is numbingly dull, and ugly as sin
Despite great performances from Jude Law and Ana de Armas, the survival thriller offers few actual thrills.
'Hard Truths' review: Mike Leigh explores deep-seated anguish through darkly funny realism
Marianne Jean-Baptiste delivers a knockout performance as a woman on the verge of oblivion.
'Pavements' review: A slanted, enchanting documentary-biopic-prank
Alex Ross Perry takes the concert film and the music biopic to strange and hilarious heights.
'April' review: A visceral Georgian abortion drama
Déa Kulumbegashvili's sophomore feature, about a brave obstetrician, is riveting and disturbing.
'Look Into My Eyes' review: A24's doc breathes meaning into psychics
A self-reflexive film that yields catharsis, whether or not you believe its psychic subjects.
'The Brutalist' review: A modern American masterpiece
Brady Corbet crafts a towering achievement about immigrants, architecture, and Jewish identity.
'Baby Invasion' review: Harmony Korine's hypnotic, gaming-inspired nightmare
A film that zeroes in on how life is gamified, and people are dehumanized online.
'The Order' review: Jude Law goes freak mode while chasing neo-Nazis
The true story of a white supremacist cult allows "Assassin's Creed" director Justin Kurzel to fine-tune his approach.
'Maria' review: Angelina Jolie sets an opera biopic ablaze
A towering, career-defining performance from a woman who knows the spotlight all too well.
Slingshot review: Casey Affleck's sci-fi comeback fumbles
It's "Interstellar" without the blight or the sense of cosmic mystery.
Should you sign up for Hulu? Our film critics weigh in.
Tiers and bundles as far as the eye can see.
'Good One' review: A tense-father daughter hike tests the bonds of trust
India Donaldson's feature debut is a thrilling, low-key drama about a queer teenager and two divorced dads.
'Cuckoo' review: Hunter Schafer soars in kooky body horror gem
Dan Stevens is horror's favorite wild card.
'Trap' review: A wildly entertaining father-daughter thriller
M. Night Shyamalan's latest is a ludicrous romp filled with surprising sentimentality.
How 'Deadpool and Wolverine' fits into the X-Men movies' messy timeline
The series' labyrinthine continuity will clash with the MCU in "Deadpool & Wolverine."
'Sing Sing' review: Colman Domingo delivers in prison-set friendship drama
A24 offers a powerful work of community storytelling.
'Longlegs' review: Nicolas Cage may be brilliant, but this horror-thriller is bizarre in the wrong way
Osgood Perkins and Maika Monroe team up for a sinister serial killer tale.
'In A Violent Nature' has the year's most intense ending. Here's what it means.
The enrapturing, slow-burn slasher builds to an unexpected vice grip.
'Kill' review: A unique, relentlessly violent Indian action banger
Nikhil Nagesh Bhat's Bollywood unicorn is everything "Monkey Man" should have been, and more.
'Daddio' review: A blasé drama set during the worst cab ride of your life
A one-scene, one-location, one-note film about a "daddy" we never see.
'Fancy Dance' review: A plain drama that excels thanks to its incredible Native cast
Lily Gladstone and Isabel Deroy-Olson turn in masterful performances as an aunt and niece on the run.
'Sacramento' review: An anxious millennial bro trip that mostly works
Michael Angarano's sophomore comedy captures the travails of modern fatherhood.
'I Saw the TV Glow' review: Queer horror has a new arthouse masterpiece
Jane Schoenbrun's latest Sundance entry is a unique, overwhelming piece of avant-garde cinema.
'Tuesday' review: An annoying fairy tale that will make you yearn for Death's sweet embrace
A24's surreal drama is a visually distracting, tonally inconsistent mess.
'Hit Man' review: Richard Linklater delivers the year's most killer comedy
Glen Powell continues his rise to stardom as a real fake assassin.
