Lukasz

“Marissa Theodora took out her journal, put it on her lap so Mr. Alva would not see. She penciled thoughts as they came. ‘Picture the classroom plunged into dark,’ she wrote. A touchable darkness, like the fur of a black cat. A thick fog of ink. You can move through it; just not quickly. Can’t shout through it; only talk in low soft tones.’ She frowned. Why ‘plunged into dark’? Why not ‘opened’? Darkness was already everywhere. Under the floor, between the walls. Up in space and below the earth. Everyone’s pockets were full of Dark. Our heads? Stuffed with the stuff. Close your eyelids and roll your eyes inward, and gaze into the cavern of your skull. Behold: your secret vault of Dark. Marissa considered writing that. Decided not. It sounded gloomy, even creepy.”
― Raymond St. Elmo, In Theory, it Works

“His face was a mask, showing no emotion. It was all locked within, and perhaps that was a freedom of the mask…the ability to show the world a false face, while holding all the torment deep inside, to show the world in essence a false person, a construct of circumstance.”
― Robert R. McCammon, Freedom of the Mask

“Math is poetry, kid,” she growled. “Math is sex in the head. All that work of making your mind stroke the
numbers? It’s a natural series of touches you already know by instinct. Once you get over your inhibitions, you
can sit in class or lie in bed and practice formulae and sums, caress the equation till you find the climax of an
elegant solution.”
― Raymond St. Elmo, In Theory, it Works

“Why?"

A great question had been asked, Matthew thought. The ultimate question, which might be asked only by explorers who would not return to share their knowledge of a new world.”
― Robert R. McCammon, Speaks the Nightbird