100 reviews
Impressively inventive work from Pemberton and Shearsmith
Inside No. 9 is the brain child of Steve Pemberton and Reece Shearsmith, the writer/actors party responsible for The League of Gentlemen, which I think is one of the best British TV comedies ever. With this new series, they retain the comedy with horror undercurrents basic idea but with each separate episode being a standalone teleplay. All stories occur in a place with the address no. 9. The format is such that the action in each instalment never moves from the one location. It reflects that these have been made on a pretty tight budget but despite this the writing is good and the cast does include several respected actors such as Katherine Parkinson, Denis Lawson and Gemma Arteton; Pemberton and Shearsmith themselves are of course brilliant character actors themselves and appear throughout the series too.
Season One:
Sardines – in a large country house, a game of sardines is played, resulting in everyone ending up in a wardrobe in one of the bedrooms. This is a claustrophobic opener.
Tom & Gerri – a man enters a downward spiral when he befriends a mysterious tramp. This episode is the best of the series. A genuinely dark tale.
A Quiet Night In – a couple of bugling burglars try to steal a painting from a luxury home. This is I guess the experimental episode. It plays out effectively like a silent movie.
Last Gasp – a pop star dies while making a home visit to a sick girl, his entourage and the family then squabble over a balloon which holds his dying breath. This is the weakest episode, with a definite lack of material.
The Understudy – an acting understudy eventually assumes centre stage but at a price. This one is an interesting atmospheric tale.
The Harrowing – a teenage girl is hired to house sit but it appears that there are scary things going on in this home. This is the most clearly horror influenced segment. It has interesting things going for it but it doesn't really amount to as much as it could.
Overall, the first season is good but not a great one. As a comedy it's really not all that funny, surprisingly so when you take into account just how hilarious The League of Gentlemen was. But to be fair, I don't honestly think they were going for laughs a lot of the time, quite often it seemed like it was the dark tone that was the main idea. Ultimately pretty uneven but certainly an interesting bit of work though.
Season Two:
La Couchette - a group of passengers share a Trans Europe sleeper carriage in a train where something very bad happens in the night. A good start to season two that benefits from some fine comic performances from a good cast of TV familiars. This one is quite a bit more obviously funny than most in the series.
The 12 Days of Christine - twelve key days in the life of a woman called Christine. I reckon that this has to go down as the best episode in all of 'Inside No. 9'. In fact, this is one of the best bits of television I can remember seeing for a long while. In half an hour, this fantastically constructed episode conveys a huge amount of genuine emotion in an interesting and original way. Sheridan Smith is quite brilliant here also.
The Trial of Elizabeth Gadge - two witch finders arrive at a village in order to interrogate a woman accused of witch-craft. The influence of the 17th century horror films of the British film studio Tigon is very much in evidence. A little more straightforward than most in season two, yet very satisfying all the same.
Cold Comfort - a new volunteer worker at a Samaritans phone line experiences a series of unpleasant events. Once again this is an episode that shows huge invention on the part of its creators. Shot from a permanent split-screen that shows the views of three static in-house cameras, the story is expertly told and uses this restriction to its benefit even if the final pay-off is perhaps slightly under-par.
Nana's Party - events at a family birthday party go from bad to worse. This one is typified by lots of psychological tensions maximised by a set of oddball characters that don't seem to know how to socially interact.
Séance Time - a bad tempered TV prankster gets more than he bargained for during a mock séance he set up. Like the final episode of season one, this is another that goes for a horror styling in a much more overt manner. Once again it works well, as a result of some strong acting, even if it isn't ultimately the best work of the series.
In summary, season two was a blinder and, for my money, noticeably stronger that season one. I think Shearsmith and Pemberton have really got into their stride here and there really aren't any weak episodes in this second batch at all. The level of invention is highly impressive and the quality overall is very high indeed.
Season One:
Sardines – in a large country house, a game of sardines is played, resulting in everyone ending up in a wardrobe in one of the bedrooms. This is a claustrophobic opener.
Tom & Gerri – a man enters a downward spiral when he befriends a mysterious tramp. This episode is the best of the series. A genuinely dark tale.
A Quiet Night In – a couple of bugling burglars try to steal a painting from a luxury home. This is I guess the experimental episode. It plays out effectively like a silent movie.
Last Gasp – a pop star dies while making a home visit to a sick girl, his entourage and the family then squabble over a balloon which holds his dying breath. This is the weakest episode, with a definite lack of material.
The Understudy – an acting understudy eventually assumes centre stage but at a price. This one is an interesting atmospheric tale.
The Harrowing – a teenage girl is hired to house sit but it appears that there are scary things going on in this home. This is the most clearly horror influenced segment. It has interesting things going for it but it doesn't really amount to as much as it could.
Overall, the first season is good but not a great one. As a comedy it's really not all that funny, surprisingly so when you take into account just how hilarious The League of Gentlemen was. But to be fair, I don't honestly think they were going for laughs a lot of the time, quite often it seemed like it was the dark tone that was the main idea. Ultimately pretty uneven but certainly an interesting bit of work though.
Season Two:
La Couchette - a group of passengers share a Trans Europe sleeper carriage in a train where something very bad happens in the night. A good start to season two that benefits from some fine comic performances from a good cast of TV familiars. This one is quite a bit more obviously funny than most in the series.
The 12 Days of Christine - twelve key days in the life of a woman called Christine. I reckon that this has to go down as the best episode in all of 'Inside No. 9'. In fact, this is one of the best bits of television I can remember seeing for a long while. In half an hour, this fantastically constructed episode conveys a huge amount of genuine emotion in an interesting and original way. Sheridan Smith is quite brilliant here also.
The Trial of Elizabeth Gadge - two witch finders arrive at a village in order to interrogate a woman accused of witch-craft. The influence of the 17th century horror films of the British film studio Tigon is very much in evidence. A little more straightforward than most in season two, yet very satisfying all the same.
Cold Comfort - a new volunteer worker at a Samaritans phone line experiences a series of unpleasant events. Once again this is an episode that shows huge invention on the part of its creators. Shot from a permanent split-screen that shows the views of three static in-house cameras, the story is expertly told and uses this restriction to its benefit even if the final pay-off is perhaps slightly under-par.
Nana's Party - events at a family birthday party go from bad to worse. This one is typified by lots of psychological tensions maximised by a set of oddball characters that don't seem to know how to socially interact.
Séance Time - a bad tempered TV prankster gets more than he bargained for during a mock séance he set up. Like the final episode of season one, this is another that goes for a horror styling in a much more overt manner. Once again it works well, as a result of some strong acting, even if it isn't ultimately the best work of the series.
In summary, season two was a blinder and, for my money, noticeably stronger that season one. I think Shearsmith and Pemberton have really got into their stride here and there really aren't any weak episodes in this second batch at all. The level of invention is highly impressive and the quality overall is very high indeed.
- Red-Barracuda
- Jun 17, 2014
- Permalink
Dark & twisty. Love Reece.
While I'm not a "League of Gentlemen" fan; I loved Reece's performance in "A Field in England." Therefore I was prepared to give "No 9." a go. This series has an impressive line up of guest stars from Katherine Parkinson to Tamsin Greig. Each episode is a mini-play set in a different location. I especially liked the creepy mansion in the final one. The stories contain twists, humour & horror. Only one of them ("The Last Gasp") disappointed me. The make-up and costumes for Reece & Steve are great. "Sardines" has a terrific end to hook viewers in. "A Quiet Night In" is full of surprises. "Tom & Gerri", my favourite, is a compelling moral tale. "The Understudy" examines the price of success. "The Harrowing" is traditional horror with a scene stealing role for Reece. I look forward to a second series.
A masterclass in dark humour
When asked if the Voyager space probe should carry an audio recording of J. S. Bach's music, Carl Sagan (or possibly Freeman Dyson) supposedly replied: "That would just be showing off." If we assume aliens have any concept of dark humour and visual storytelling, the same could be said about this series.
The first three episodes are absolute masterpieces of their respective (quite different) styles, which is even more impressive when you realise they were all written and directed by the same people.
Episode 4 is probably the weakest of the first series, but episode 5 is fairly solid and the finale goes back to near perfection, manipulating the audience's assumptions to deliver a surprise even after we've learned to expect it.
The second series can't quite live up to the first. There are a few stylistic highlights (especially the 2nd and 4th episodes) and a few laughs (especially in episode 3), but the plots are more disjointed, the twists more predictable, the direction blander, the endings less satisfying. Even the order of the episodes somehow feels "wrong". It's still better than 99% of what's on TV, and definitely worth watching, but it won't humiliate alien film-makers as thoroughly as the previous season.
The first three episodes are absolute masterpieces of their respective (quite different) styles, which is even more impressive when you realise they were all written and directed by the same people.
Episode 4 is probably the weakest of the first series, but episode 5 is fairly solid and the finale goes back to near perfection, manipulating the audience's assumptions to deliver a surprise even after we've learned to expect it.
The second series can't quite live up to the first. There are a few stylistic highlights (especially the 2nd and 4th episodes) and a few laughs (especially in episode 3), but the plots are more disjointed, the twists more predictable, the direction blander, the endings less satisfying. Even the order of the episodes somehow feels "wrong". It's still better than 99% of what's on TV, and definitely worth watching, but it won't humiliate alien film-makers as thoroughly as the previous season.
- delnegro-IMDb
- May 4, 2015
- Permalink
Dark, Funny, Brilliant!
Absolutely, one of the best shows I've seen in years. The only show that has good twists that neither my girlfriend nor I ever see coming. Amazing dark British humor at its best. Needs to expand its fan base into the US and Canada even more. Put it on BBC America and/or one of the streaming services. Some of my favorite episodes are: 12 Days Of Christine, A Quiet Night In, Tom & Gerri, The Harrowing, The Trial Of Elizabeth Gadge, La Couchette. Hopefully, the show has many more seasons to come. I can say for sure that this is one of the few programs that truly leaves me shocked. At the end of many episodes, I am left staring at the screen, with my mouth agape. I really cannot get enough of this brilliant show! More people need to become as obsessed with this show as I have become!
Inside number nine - utterly creepy and compelling!
I have always found everything Steve Pemberton and Reece Sheersmith have written and performed in together total mesmerising. Their stories are highly original and imaginative. All their characters are thoroughly amusing, sometimes poignant and usually down right odd! I love stories with a twist, and so far the tales in this series have not disappointed, they get you thinking and are full of anticipation, Steve and Reece, please keep writing together! I loved The League of Gentlemen and Psychoville and this is well on par with that. They appear to be influenced by the horror genre and their individual episodes are reminiscent of The Twiighlight Zone only more sophisticated. Their acting is so convincing and they can easily portray all the crazy characters without going over the top. Supported by some well known faces, it is interesting to see the interaction between the actors. In my eyes these guys can do no wrong! Can't fault the series so far!
- roccowarwick
- Feb 18, 2014
- Permalink
One of the very best.
It is a wonderful show, which shows variety, imagination, creativity, humour and fiendish cleverness. One of the charms of Inside No.9 is not knowing what you're going to get, slapstick, car humour, sadness, joy, wit, the only thing you're sure of is the use of number nine.
Series 5 has just started, Deadline seemed a very long time ago. Many amazing episodes, Twelve days of Christine is still my favourite, and one of the best thirty minutes of tv ever made, exquisite in every single way. A Quiet Night in and Riddle of the Sphinx are also magical, Once Removed is one of the most imaginative things I've ever seen, wonderful episode.
They've managed to keep it original, intriguing and unique, I can't wait to see what comes next.
It's one of those shows that you can watch several times and see new things, such is the sheer brilliance of the writing.
Not many are better than this. I love it. 10/10
Series 5 has just started, Deadline seemed a very long time ago. Many amazing episodes, Twelve days of Christine is still my favourite, and one of the best thirty minutes of tv ever made, exquisite in every single way. A Quiet Night in and Riddle of the Sphinx are also magical, Once Removed is one of the most imaginative things I've ever seen, wonderful episode.
They've managed to keep it original, intriguing and unique, I can't wait to see what comes next.
It's one of those shows that you can watch several times and see new things, such is the sheer brilliance of the writing.
Not many are better than this. I love it. 10/10
- Sleepin_Dragon
- Feb 2, 2020
- Permalink
Simply unbeatable.
Ever since watching the first 3 seasons of Black Mirror I felt an empty gap in my free time for a gripping anthology series, I expected I wouldn't be able to find anything as captivating, enjoyable and damn scary as the prior series... until I scrolled onto Inside No. 9.
Now I will admit I came into this quite late (Between series 3 and 4) but I felt driven to watch this back to back for a couple days. The entirety of all seasons have the most impeccable writing and direction I have ever seen in a low budget television show. Each episode comes with a different genre to the last that follows the common tropes of said genre. However the real pay off for each episode is the dark twist that relates to either the characters, location or narrative... or all three. This provides an excellent re-watch value that gives the series its impressive hook.
Although each episode has its own characteristic element that makes it fantastic, each season still contains episodes that are so impeccable that it requires a second watch to fully appreciate it.
Within season one, my personal favourite was Episode 2, A Quiet Night In. This episode is a brilliant creation of a small heist drama, however the brilliant element of the episode is how there is no exposition spoken throughout the episode. How Pemberton and Shearsmith interact using only body language builds an impressive comedic element of the episode, this allows for our expectations of the episodes final act to be turned on their heads.
Season 2 contains one of, if not the most outstanding episode of not just Inside No. 9, but British TV as a whole. Episode 2, The 12 Days of Christine follows Christine as she goes through what appears to be her day to day life. Upon the first watch, most of the little details go by without the viewer taking much notice (This is common throughout Inside No. 9!) it's not until the final part of the show where it all comes together. This episode drew the biggest emotional impact from myself throughout all of Inside No. 9. The ending, that was built up to in all the little details of the episode, delivers a heart stopping twist that will bring a tear to even the strongest of hearts. This episode should be hailed as a holy text and studied in schools for the rest of time. I cannot explain how perfect the writing to this episode is. Overall, season two was a dramatic increase from season one, possibly due to a higher budget or Steve Pemberton and Reece Shearsmith being allowed to reach their creative limits.
Season 3 seemed to be the season Pembeeton and Shearsmith decided to create multiple different genres in the season. It ranges from a comedy over a restaurant bill to a director reviewing an old 80's movie. My personal favourite was episode 3, The Riddle of the Spinx. Something about this episode drove me to watch it 3 or 4 times, showing each of my family members with a giddy feeling in my belly. The plot to this episode is entirely written into a cryptic crossword, every twist, every move, every characters roll is derived by what the crossword says. I feel everything is in this episode. Even Shakespeare has a mention in this episode. Although this episode is not as emotionally captivating as the 12 days of Christine in season 2. I believe the cryptic writing of this episode is the strongest of all seasons.
Finally I come onto season 4. For me this season had a fantastic first 3 episodes, but the plot of the final 3 drop in comparison to the first half. Episode 1, Zanzibar, is an episode that is fully written in iambic pentameter. The episode follows the packed floor of number 9 in the British Hotel Zanzibar. The acting from the two writers Rory Kinnear and all the cast is fantastic. It feels as the most enjoyable to watch episode for me as all the exposition rolls along like a song. I don't want to explain any of the plot as I feel this episode is best to go into blind, but all I will say is 'Spaghetti Bolognese'.
Overall, Inside No. 9 is, what I believe, the best writing a human can create. Each episode is as good as the last (excluding certain episodes) and each episode is so easy to watch and take in. If you like television, you will love this. Every person I have shown this to has watched the entire series within a few weeks of me showing them. So I hope you will give this fantastic show a watch, it deserves all the attention Black Mirror has received and more!
10/10.
Now I will admit I came into this quite late (Between series 3 and 4) but I felt driven to watch this back to back for a couple days. The entirety of all seasons have the most impeccable writing and direction I have ever seen in a low budget television show. Each episode comes with a different genre to the last that follows the common tropes of said genre. However the real pay off for each episode is the dark twist that relates to either the characters, location or narrative... or all three. This provides an excellent re-watch value that gives the series its impressive hook.
Although each episode has its own characteristic element that makes it fantastic, each season still contains episodes that are so impeccable that it requires a second watch to fully appreciate it.
Within season one, my personal favourite was Episode 2, A Quiet Night In. This episode is a brilliant creation of a small heist drama, however the brilliant element of the episode is how there is no exposition spoken throughout the episode. How Pemberton and Shearsmith interact using only body language builds an impressive comedic element of the episode, this allows for our expectations of the episodes final act to be turned on their heads.
Season 2 contains one of, if not the most outstanding episode of not just Inside No. 9, but British TV as a whole. Episode 2, The 12 Days of Christine follows Christine as she goes through what appears to be her day to day life. Upon the first watch, most of the little details go by without the viewer taking much notice (This is common throughout Inside No. 9!) it's not until the final part of the show where it all comes together. This episode drew the biggest emotional impact from myself throughout all of Inside No. 9. The ending, that was built up to in all the little details of the episode, delivers a heart stopping twist that will bring a tear to even the strongest of hearts. This episode should be hailed as a holy text and studied in schools for the rest of time. I cannot explain how perfect the writing to this episode is. Overall, season two was a dramatic increase from season one, possibly due to a higher budget or Steve Pemberton and Reece Shearsmith being allowed to reach their creative limits.
Season 3 seemed to be the season Pembeeton and Shearsmith decided to create multiple different genres in the season. It ranges from a comedy over a restaurant bill to a director reviewing an old 80's movie. My personal favourite was episode 3, The Riddle of the Spinx. Something about this episode drove me to watch it 3 or 4 times, showing each of my family members with a giddy feeling in my belly. The plot to this episode is entirely written into a cryptic crossword, every twist, every move, every characters roll is derived by what the crossword says. I feel everything is in this episode. Even Shakespeare has a mention in this episode. Although this episode is not as emotionally captivating as the 12 days of Christine in season 2. I believe the cryptic writing of this episode is the strongest of all seasons.
Finally I come onto season 4. For me this season had a fantastic first 3 episodes, but the plot of the final 3 drop in comparison to the first half. Episode 1, Zanzibar, is an episode that is fully written in iambic pentameter. The episode follows the packed floor of number 9 in the British Hotel Zanzibar. The acting from the two writers Rory Kinnear and all the cast is fantastic. It feels as the most enjoyable to watch episode for me as all the exposition rolls along like a song. I don't want to explain any of the plot as I feel this episode is best to go into blind, but all I will say is 'Spaghetti Bolognese'.
Overall, Inside No. 9 is, what I believe, the best writing a human can create. Each episode is as good as the last (excluding certain episodes) and each episode is so easy to watch and take in. If you like television, you will love this. Every person I have shown this to has watched the entire series within a few weeks of me showing them. So I hope you will give this fantastic show a watch, it deserves all the attention Black Mirror has received and more!
10/10.
- KalStradling
- Jul 23, 2019
- Permalink
Absolutely Brilliant
Every episode has a different storyline, each one extremely well written, keeping you guessing until the very end. In no way can you predict what is going to happen in any of the episodes.
The best black comedy series I've ever seen, well worthy of a 10 star rating.
- green_kerry
- Mar 11, 2018
- Permalink
Inside No 9 .....A Classic
This is the funniest half hour I have had watching TV for a long time , it started with slapstick ,turned to hilarious comedy with the two hapless burglars ,and then came the bedroom /bathroom scene ,this was worthy of the best of any of David Jason's scenes in Fools and Horses ,I had to pause the programme to wipe away the tears of laughter. No sooner had the hilarity ended then we had a moment of high drama followed by more comedy with the dumb salesman and then the grand finale which took me completely by surprise . The plot twisted and turned and was brilliantly written and acted . I can't wait for the next Inside No 9.
- harry-skye
- Feb 13, 2014
- Permalink
Only the Brits could pull off this masterpiece
As a Yank I've always admired The Brits ability to mold a great tv series. But Inside No. 9 is off the charts. Great scripting and even greater acting. A classic.
- a-alexander119
- Jun 24, 2021
- Permalink
Another master class in dark humour from Shearsmith and Pemberton
Having been a fan of the League of Gentlemen I have closely followed the careers of Gettis,Shearsmith and Pemberton. All have had various success. But it's with Inside number 9 which gives Reece Shearsmith and Steve Pemberton the perfect opportunity to showcase there wonderful talent for mixing the macabre with humour. Each show is a one off with the only connection as the title says is the number nine. It's fair to say some ideas work better than others but on the whole the vast majority are hugely enjoyable and very entertaining. 10/10
- peterrichboy
- Jan 22, 2018
- Permalink
One of the best shows of our time
Inside No 9 is another creation from Steve Pemberton and Reece Shearsmith who together had created Psychoville and were a huge part in creating The League of Gentlemen, two very good dark humour comedy shows with less then a decade between them and three years after Psychoville had ended Inside No 9 was born.
The best way to describe Inside No 9 is by calling it an anthology show with loads of horror, drama and comedy in it whilst being set in or around a number 9. Each episode has it's own story and they are usually creative, original and interesting which for half an hour per episode is very good.
Most of the episodes are amazing works of art whilst some others may not have what the others do to be great, but with it being an anthology show is good because if you do not like one episode you may like another.
The stories of this show are very good as you could have an episode about people playing sardines in a wardrobe, a witch trial or even an episode about an art exhibit. If this show lacks in one area it will more then likely make up for it somewhere else.
It is best not to say too much about this show as it can be easily spoiled, so if you think you will like this show give it a try the worst that can happen is that you will lose about half an hour, but if it goes well you will have a new show to watch.
If you like The League of Gentlemen or Psychoville there is a very high chance you will like this and also if you like dark humour you will probably love this show. Remember this is my opinion not yours, have a good one :)
The best way to describe Inside No 9 is by calling it an anthology show with loads of horror, drama and comedy in it whilst being set in or around a number 9. Each episode has it's own story and they are usually creative, original and interesting which for half an hour per episode is very good.
Most of the episodes are amazing works of art whilst some others may not have what the others do to be great, but with it being an anthology show is good because if you do not like one episode you may like another.
The stories of this show are very good as you could have an episode about people playing sardines in a wardrobe, a witch trial or even an episode about an art exhibit. If this show lacks in one area it will more then likely make up for it somewhere else.
It is best not to say too much about this show as it can be easily spoiled, so if you think you will like this show give it a try the worst that can happen is that you will lose about half an hour, but if it goes well you will have a new show to watch.
If you like The League of Gentlemen or Psychoville there is a very high chance you will like this and also if you like dark humour you will probably love this show. Remember this is my opinion not yours, have a good one :)
- StellarDread3
- Apr 11, 2017
- Permalink
Spotty but entertaining
When the episode is good, it's the best! When it's not, it can be tedious. Pick and choose for yourself for optimal viewing :)
Perhaps the cultural translation is part of it.
- patricia-haertlein
- Dec 4, 2021
- Permalink
If I could give two different ratings...
.. I'd give 8 stars for the first two series and 5 for the rest. This series really ran out of steam for me from series 3 onwards. The first two series were excellent, full of surprises and good storylines, where from series 3 there was an overall feeling of 'aren't we clever'? and the stories became secondary.
- rocknrelics
- Apr 24, 2020
- Permalink
They've still got it!!!!
I've just finished watching season eight and I'm absolutely blown away! I can't think of one other series, that number 1 ever reached this summit of entertainment or possessed this level of razor sharp edge, unbelievably clever storylines or kept me on the edge of my seat. I know that was a terribly long sentence but I'm excited. These days it seems like almost any program or film I watch; I immediately say, "Oh, let me guess, this character did it or this happens next". I'm usually right, everything old is new again we've been there done that; not with Reece Shearsmith and Steve Pemberton. They are the most absolute writers of ORIGINAL comedy and horror and they keep the content incredibly clever and suspenseful. They think of every detail. I'm thrilled every year to see new content. Every episode is a 10 out of 10. I'll think about them for DAYS! I even re-watch them because I find detail, that I missed, on the 1st watch.
Tales of the Unexpected? Almost...
But a lot better in many respects. With only one episode left this has been an interesting ride.
Shearsmith & Pemberton work/write very well together and their pedigree is indisputable. Some of the twists could have been less telegraphed but overall the quality of the work is high and evident and its diversity will find fans amongst most viewers.
What works well is the casting done afresh for each episode (other than Pemberton and Shearsmith who are chameleons.) It shares the love and lends separation between tales. A mix of big hitters and new blood can make the writing shine.
I confess that Sardines was making me impatient at first - the mortifying awkwardness of Ian for example - but when we finally are given the reason for "Stinky" John's aversion to soap and the darkness really begins to gather it becomes compelling.
Tom and Gerri was a really sterling tale. The twist was neatly concealed and delivered with a sting. Gemma Arterton was a great choice for Gerri with that rare combination of flawless beauty and earthiness that is the golden rock to which Tom's life is moored. The pathetic figure of Migg was so woebegone that it made the thing work - who couldn't feel sympathy for such a bedraggled battered figure? So when things turn sinister it feels like a betrayal.
Last Gasp fell a little flat for me though Tamsin Grieg added a frisson with salty language and a heartless character. The Understudy was fun, particularly Pemberton's drunken thespianic rants and the twist another kicker.
Overall a splendid work. I sincerely hope these gentlemen can produce more like this because contemporary television needs all the help it can get.
--- update 2020 Feb 18 ---
Just recently caught up (as far as Zanzibar, more on that in a moment) and ... I see that I rated it 9/10 six years ago?
I'm older and wiser now so: 10/10 and holding fast.
I'll avoid spoilers but Zanzibar: being a big fan of Upstart Crow, to cast Helen Monks was delicious. (As I mentioned in another review of an In#9 episode "A Quiet Night In" in the use of Oona Chaplin for a largely silent comedy was a graceful nod. I've surely missed a hundred hidden homages and nods to past writers and works embedded in these little gems, a fine excuse for a few more viewings.)
To produce work of such consistently high quality, presented each time with a deep scoop of diverse plot (worthy of a mescaline trip) topped with fresh sprinkles of guest talent and wrapped in excellent production are what makes these series shine so very brightly.
I'm so proud that we have the supremely talented Misters P & S and that they have a voice.
(doffs hat)
Shearsmith & Pemberton work/write very well together and their pedigree is indisputable. Some of the twists could have been less telegraphed but overall the quality of the work is high and evident and its diversity will find fans amongst most viewers.
What works well is the casting done afresh for each episode (other than Pemberton and Shearsmith who are chameleons.) It shares the love and lends separation between tales. A mix of big hitters and new blood can make the writing shine.
I confess that Sardines was making me impatient at first - the mortifying awkwardness of Ian for example - but when we finally are given the reason for "Stinky" John's aversion to soap and the darkness really begins to gather it becomes compelling.
Tom and Gerri was a really sterling tale. The twist was neatly concealed and delivered with a sting. Gemma Arterton was a great choice for Gerri with that rare combination of flawless beauty and earthiness that is the golden rock to which Tom's life is moored. The pathetic figure of Migg was so woebegone that it made the thing work - who couldn't feel sympathy for such a bedraggled battered figure? So when things turn sinister it feels like a betrayal.
Last Gasp fell a little flat for me though Tamsin Grieg added a frisson with salty language and a heartless character. The Understudy was fun, particularly Pemberton's drunken thespianic rants and the twist another kicker.
Overall a splendid work. I sincerely hope these gentlemen can produce more like this because contemporary television needs all the help it can get.
--- update 2020 Feb 18 ---
Just recently caught up (as far as Zanzibar, more on that in a moment) and ... I see that I rated it 9/10 six years ago?
I'm older and wiser now so: 10/10 and holding fast.
I'll avoid spoilers but Zanzibar: being a big fan of Upstart Crow, to cast Helen Monks was delicious. (As I mentioned in another review of an In#9 episode "A Quiet Night In" in the use of Oona Chaplin for a largely silent comedy was a graceful nod. I've surely missed a hundred hidden homages and nods to past writers and works embedded in these little gems, a fine excuse for a few more viewings.)
To produce work of such consistently high quality, presented each time with a deep scoop of diverse plot (worthy of a mescaline trip) topped with fresh sprinkles of guest talent and wrapped in excellent production are what makes these series shine so very brightly.
I'm so proud that we have the supremely talented Misters P & S and that they have a voice.
(doffs hat)
Some incredible stories
A modern twist on (those of us old enough to remember) Tales of the Unexpected. Shearsmith and Pemberton take us into the dark recesses of their minds to produce unique 30 minute episodes containing individual, unrelated stories. Sometimes funny, sometimes dark and sometimes shocking, many great guest stars contribute to the fantastic storytelling. While a few episodes can be forgettable, the vast majority are incredible and gripping pieces of television at it's best. Standout episode for me is "The 12 Days of Christine".
Certainly THE BEST SHOW EVER on my list.
Yes, it is short, and yes, I don't think it's long enough to make me satisfied every time. This is a really good show if you just sit down, be patient, watch it, and think. Steve and Reece are my favorite and two of the most talented producers and writers I know. Really want to support this show. Don't make it stop.
- zwang-86368
- Jan 15, 2018
- Permalink
Perfect
Created by Reece Shearsmith and Steve Pemberton, Inside No. 9 brings back the two's familiar dark comedy in what I think is the best execution of it yet. Each episode brings a new tale of some new room or building No. 9 and the dark, chilling, or malevolent twists contained inside. Starring both Shearsmith and Pemberton prominently in nearly every episode, the series is again quite dark, but it is probably the most tame version compared to their previous works in The League of Gentlemen and Psychoville, the former of which I quite liked but the latter I never finished. Each of these two's acting is just as good as their wit, and honestly the performances all around are great, the characters in each story are written so well. Laughed a great bit, phenomenal show. If you laugh at dark things and enjoy shorter independent stories then I would highly recommend.
- coles_notes
- Jun 25, 2023
- Permalink
Every single episode is a mini masterpiece!
I mean, the second I knew who was involved, I knew I was in for a treat, what with being a massive fan since League of Gentlemen and just about anything they've done since.
So it's to no surprise, that this is expertly written, acted, directed, costumed, the works. I love the fact that none of the episodes are connected to each other, not even in genre most of the time, not that it matters upon a rewatch, because there's not a single skippable episode, they're each equally original and brilliant, as they are darkly hilarious and genuinely harrowing, a handful of which will even move you to tears.
What is a surprise, however, is how they keep up the quality in every aspect after so many episodes. Every single one is a mini masterpiece!
Hands down, without a shadow of a doubt, one of the best series ever to grace our TVs which is refreshing to see when lately, everything just seems like a copy of a copy of a copy.
So it's to no surprise, that this is expertly written, acted, directed, costumed, the works. I love the fact that none of the episodes are connected to each other, not even in genre most of the time, not that it matters upon a rewatch, because there's not a single skippable episode, they're each equally original and brilliant, as they are darkly hilarious and genuinely harrowing, a handful of which will even move you to tears.
What is a surprise, however, is how they keep up the quality in every aspect after so many episodes. Every single one is a mini masterpiece!
Hands down, without a shadow of a doubt, one of the best series ever to grace our TVs which is refreshing to see when lately, everything just seems like a copy of a copy of a copy.
- theloveofartgibraltar
- May 15, 2024
- Permalink
From the very first episode "Sardines" I was hooked 🙈
Ahhh twisted , dark , hilarious characters. This show has it all !!! You're missing out .
Steve and Reece so talented ,to constantly write and produce these 30 mins of pure magic .
The first episode of eagerly awaited 9th season was outstanding.
There really is no end to the conjuring of characters and plots between these two .
No9 is coming to an end but it will remain my ultimate favourite tv watch ever .
If you want to bing watch a load of cleverly written and well thought out short stories , with amazing characters....this is the one to watch! I guarantee you will be addicted. 👌👌👌👌👌👌👌
Steve and Reece so talented ,to constantly write and produce these 30 mins of pure magic .
The first episode of eagerly awaited 9th season was outstanding.
There really is no end to the conjuring of characters and plots between these two .
No9 is coming to an end but it will remain my ultimate favourite tv watch ever .
If you want to bing watch a load of cleverly written and well thought out short stories , with amazing characters....this is the one to watch! I guarantee you will be addicted. 👌👌👌👌👌👌👌
Another name for happiness: Inside No. 9
Each episode is independent from the other, 29 minutes long, comedy, black comedy, dramatic, scary, mysterious and enjoyable to watch British TV series.
If you have nothing to watch or want to watch something that is guaranteed to be liked, watch two episodes in a row. It will surely interest you. I feel sad that I'm moving towards the end every time I consume an episode. Pemberton and Shearsmith became like family. I'm looking forward to seeing what they'll look like in each episode. They really show amazing changes and acting.
I am not someone who has the patience to watch TV series that have integrity and get longer and longer. I love this kind of series. In other words, a topic should be covered in one chapter. Pemberton and Shearsmith do a great job with the rest of the cast. I'm glad I came across it and found it. I can't differentiate between them because I liked this episode very much. But episode 2 x 2 (The 12 Days of Christine) was a pretty dramatic episode.
I definitely recommend it.
If you have nothing to watch or want to watch something that is guaranteed to be liked, watch two episodes in a row. It will surely interest you. I feel sad that I'm moving towards the end every time I consume an episode. Pemberton and Shearsmith became like family. I'm looking forward to seeing what they'll look like in each episode. They really show amazing changes and acting.
I am not someone who has the patience to watch TV series that have integrity and get longer and longer. I love this kind of series. In other words, a topic should be covered in one chapter. Pemberton and Shearsmith do a great job with the rest of the cast. I'm glad I came across it and found it. I can't differentiate between them because I liked this episode very much. But episode 2 x 2 (The 12 Days of Christine) was a pretty dramatic episode.
I definitely recommend it.
- olcayozfirat
- Feb 21, 2024
- Permalink
Everything from 2/10 to 9/10.......
As you can probably guess from my heading, this show for me is very hit and miss. When it gets it right, it is almost genius, but alas, some episodes really do fall well flat. I think they would've been better taking a page from the Cleese/Booth book of writing (they wrote Fawlty Towers)- less episodes, more quality. Every single episode of FT is pure gold, but there are only a few of 'em..!
I still have a few episodes of S5 to watch, but funnily enough, I still find the best one to be Episode 1 of Season 1..... incredible twist that just blew me away - dark, twisted, but so funny.
Anyway, they are all on iPlayer to enjoy, and they are only about 30 minutes a pop, so give it a go.... if you like your humour very twisted and very adult (definitely not for the kids!) then you'll probably love Inside No.9. And if you are a fan of League of Gentlemen/ Psychoville, you'll love it, for sure!
I still have a few episodes of S5 to watch, but funnily enough, I still find the best one to be Episode 1 of Season 1..... incredible twist that just blew me away - dark, twisted, but so funny.
Anyway, they are all on iPlayer to enjoy, and they are only about 30 minutes a pop, so give it a go.... if you like your humour very twisted and very adult (definitely not for the kids!) then you'll probably love Inside No.9. And if you are a fan of League of Gentlemen/ Psychoville, you'll love it, for sure!
Well,it's funnier than"Inside No.10"...........................
- ianlouisiana
- Feb 6, 2014
- Permalink
Not for me
I can see the appeal here, and it's pretty well done for what it is. But for me, it's suffering through a boring story the entire show to get a twist and the payoff at the very end of the episode. Clever, but not funny or interesting enough throughout to make it worth it. Every episode I wanted to turn it off halfway through, but thought, "I've come this far, I might as well push through to get to the payoff." And while the payoff is great, if they could have made the rest of the story more interesting or funny this could have been a gem.