Teresa's Reviews > Satchmo: My Life in New Orleans

Satchmo by Louis Armstrong
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really liked it

Armstrong uses the word 'cute' a lot to describe something, so I don't think he'd mind me using the word 'cute' to describe this book. It's written in a conversational style, as if he's talking to his reader; he even goes on tangents before always coming back to his original thought. He also uses some slang (some of which he explains) which adds to its 'period' feel.

He's a generous man, very grateful to his musical forebears and those who gave him his first breaks. And while he doesn't gloss over the poverty and roughness of his neighborhood and its way-of-life, and the prejudice he encounters throughout that life, he never fails to point out and praise those who were gracious, helpful, and his friends -- though perhaps he couldn't have been more descriptive anyway: the book was published in 1954 after all.

This book is most fascinating, I think, as a glimpse into a city and culture that has both changed and stayed the same. It seems that what Armstrong most loved and missed about New Orleans when he was away from it (the food, the people, the music in the streets, the food, the fun, his neighborhood, oh, and the food!), are the same things N.O. exiles miss today.
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Reading Progress

October 20, 2010 – Shelved
Started Reading
October 23, 2010 – Finished Reading

Comments Showing 1-11 of 11 (11 new)

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message 1: by Cynthia (new)

Cynthia This looks good. Have you read Neate's 'twelve bar blues'? Its about the birth of blues in NO and a young Armstrong is included. It has a lot of spirit.


message 2: by Cynthia (new)

Cynthia Oh and it has flashbacks to Africa and how it influenced the blues.


Teresa Cynthia wrote: "This looks good. Have you read Neate's 'twelve bar blues'? Its about the birth of blues in NO and a young Armstrong is included. It has a lot of spirit."

No, I haven't, though I've heard of it. I'll keep it mind.


message 4: by Cynthia (new)

Cynthia He sounds so genuine or am I reading too much in your words?


Teresa Cynthia wrote: "He sounds so genuine or am I reading too much in your words?"

You are not reading too much into my words. He's even more genuine than I probably made him sound. His book is delightful.


message 6: by K.D. (last edited Oct 27, 2010 04:11PM) (new)

K.D. Absolutely Louis Armstrong of What A Wonderful World? My goodness, he is my favorite! I like it when the author seems to be talking to me! Is this a kind of book that will make you remember his tunes while reading? I should have this!

Great review, T! My jealous you have already read my fave musician of all times. His song, this song, is my first choice in karaoke bars (whenever I get asked to sing). It is like my personal anthem ha ha!


Teresa K.D. wrote: "Is this a kind of book that will make you remember his tunes while reading?"

Well, no, because it's mostly about his life before he became famous, but if you like his song that much, you'd probably like this book, as you'll see the spirit of the man behind the song.

You'd also be jealous, K.D., of the discussion I attended at the library last night of this book and of the man. It was wonderful! :) The moderator, who is an archivist at a university library in N.O., had slides to show, as well as playing Armstrong's "A Kiss to Build a Dream On" and "We've Got All the Time in the World" for us.

An older man attending told us a great story of seeing Armstrong play with his band in 1949 when he came back to N.O. for a visit.


message 8: by Cynthia (new)

Cynthia Apropos of nothing I once met Aaron Copeland when he came to our U to direct us. He was a very nice man.....though not a great conductor. I love his work though.


Teresa Cynthia wrote: "Apropos of nothing I once met Aaron Copeland when he came to our U to direct us. He was a very nice man.....though not a great conductor. I love his work though."

I have a CD of some of his works, but I don't really know much about him.


message 10: by K.D. (new)

K.D. Absolutely Thanks, T. I will be watching out for this book!


message 11: by Maria (new)

Maria Why wasn't Copeland a good conductor?


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