In a Nutshell: A graphic novel about a socially anxious character who learns how to be comfortable in her own skin. Great potential, below average exeIn a Nutshell: A graphic novel about a socially anxious character who learns how to be comfortable in her own skin. Great potential, below average execution.
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Twenty-three-year old Yan has been looking for a job unsuccessfully, with her social anxiety coming in the way of her confidence. One day, she decides to enrol at a new baking club, where she meets fellow baking enthusiasts who all seem more confident and capable than her. Can Yan learn how to ignore the doubts her mind throws her way, and focus on the positives of life with the help of her new friends?
In a Nutshell: A middle-grade graphic novel about a girl who wants to dance but isn’t allowed to. A sweet story, but needed more depth. The exploratioIn a Nutshell: A middle-grade graphic novel about a girl who wants to dance but isn’t allowed to. A sweet story, but needed more depth. The exploration is too surface-level, even for a middle-grade read.
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After moving, Ellie struggles to find friends in her new class. Her only buddy is Chloe, her bestie from before. Ellie’s mom suggests that she join a sports team to make friends, but try as she may, Ellie isn’t made for sports. But when she sees a ballet movie and later a ballet performance, the idea of training in ballet sparks in her head. But Mom doesn’t consider ballet a sport. Will Ellie be able to fulfil her dream of becoming a ballerina? (You know the answer to that one!)
This graphic novel was originally published in Italian in 2021 under the title ‘Elettra’. This English translation was published in October 2023.
As I enjoy graphic novels and middle grade fiction, that cutie on the cover ensured that I would grab this book as soon as I could. At the surface level, the story is outstanding. However, the execution left me with mixed feelings. For most of the book, we get a lot of the whats but hardly any whys.
We know that Ellie’s family has shifted to a new house, which is why she has joined a new school. But why is her father in another city? How come Chloe (who is such an awesome character, btw!! I loved her!) is in the same new school as her? How does she know Chloe (Cousin? Mom’s friend’s daughter? Old school friend? Old neighbour?) How can Ellie and her brother visit their father so often if he is in another city? Are the parents separated or merely working in different locations? Multiple questions that are left unanswered.
Ellie’s passion is dance, but her mom adamantly refuses to consider ballet training, instead forcing her daughter to try out a great variety of sports to see what she enjoyed. While this is sadly realistic for many children, we never know why Ellie’s mother dislikes dance so much. This gap in our knowhow is a major issue as it is the foundation of the entire book. Her own husband, Ellie’s father, is a musician, so is that a factor in her resistance towards dance? No idea. Strangely, Ellie doesn’t ask her mother ‘Why?” except at the very end. Can you believe a child not asking “But why?” when something is denied them? The turnaround in the mother’s opinion is also abrupt, with her going from No to Yes within 3-4 panels.
The cover and the title suggest that ballet gets a prime position in the plot. But most of the scenes don’t even have ballet, directly or indirectly. The story is more about what Ellie does before she finally gets to ballet. Her forced attempts at various sports feel repetitive after a point. There are some minor plot arcs that don’t contribute to the overall story. We also have the typical school bully track; no novelty in it at all. I wish the story had been more focussed.
The translation seemed a bit iffy in places, though I am not sure if it is the translation that goofed up or the writing itself. The plot flow also seemed to have few gaps. The transition between scenes isn’t smooth, further felt because of the lack of chapter markings/title. There is also much passage of time over the course of the story, which is hinted at subtly through the change in seasonal outfits. Not sure how many middle-graders will realise the long timespan of the story as there are no major time clues provided.
There are some themes that I genuinely liked in this graphic novel. The resistance to sports (as a non-sporty person throughout my life, I felt Ellie’s pain during PE!), the passion for an art form, the need for regular practice, and the importance of pursuing what you love to do instead of what you have to do. But it also contained several ideas I don’t like seeing in MG fiction: kids lying to their parents, parents being dominant and aggressive without any reason provided, mother and father having no communication, and the crush on a classmate. What bugged me the most is that Ellie’s dad knew of her dancing dreams, but instead of speaking to her mom directly and sorting out the issue, he encourages Ellie to dance, thereby defying her mother. There’s no conversation shown between the parents at all.
The art is adorable. Ellie’s eyes are so big and expressive! I loved those long gravity-defying ponytails. Chloe was a doll! I simply adored her chubby cheeks and fancy hairstyles. It was also refreshing to see a plus-sized child character being drawn without any comments about her weight. There’s also a pigeon who seems to have its own parallel narrative in the background.
Basically, I did like the intent and the illustrations of this book, but I would have enjoyed it far better had the characters been sketched with greater depth and had the plot not had so many logical gaps. Ellie is cute, and Chloe is cuter still, but they don’t help in saving the meandrous and slow-moving plot.
2.5 stars.
My thanks to Marble Press for a complimentary copy of “Ellie in First Position”. This review is voluntary and contains my honest opinion about the book. Sorry this didn’t work out better.
In a Nutshell: A children’s graphic novel about two classmates who learn how to work together. Cute for the target age group. Nice life lessons as welIn a Nutshell: A children’s graphic novel about two classmates who learn how to work together. Cute for the target age group. Nice life lessons as well. Learnt some interesting facts too along the way.
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After moving with his family to ‘New Stork City’, Puffin is excited to be in a fancy new school in ‘Brookloon’. However, he soon realises that the buddy assigned to him, Penguin, is the coolest and busiest kid in school, always in demand and loved by everyone. Feeling ignored, Puffin hatches his own plan to make friends and joins the stage crew of the drama club. But even the best of plans comes with glitches, and Puffin learns that enthusiasm doesn’t lead to automatic success.
In a Nutshell: An adorable sequel that takes Garlic’s story into an unexpected dimension. Enjoyed it just as much as the first graphic novel. Works asIn a Nutshell: An adorable sequel that takes Garlic’s story into an unexpected dimension. Enjoyed it just as much as the first graphic novel. Works as a standalone but better if read in series order. Great for middle-graders, fun for all.
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Garlic, Carrot and the other veggies are still at work in Witch Agnes’ garden when Garlic discovers an unwelcome change: her hands have begun to resemble human hands. The Count and Witch Agnes try to reassure her that it is a natural development, Garlic isn’t so sure. Changes are never good, right?
My review will be almost the same as that of the first book because my feelings are almost exactly the same!
In a Nutshell: A sweet middle-grade graphic novel featuring anthropomorphic vegetables, a witch, and a vampire. Great story, cute illustrations, nice In a Nutshell: A sweet middle-grade graphic novel featuring anthropomorphic vegetables, a witch, and a vampire. Great story, cute illustrations, nice themes, lovely ending. Much recommended!
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Garlic likes to work in the vegetable garden along with Carrot and the other vegetables. However, she is very uncertain of herself and constantly battles self-doubt and anxiety. Even Carrot’s encouraging words and the kind witch Agnes’ encouragement don’t help. When the vegetable village learns that a vampire has moved into the nearby castle, they all agree that Garlic is the best *person* to drive him away as vampires hate garlic. However, Garlic herself isn’t sure if she has what it takes to do such a brave thing. But can she let her friends down?
In a Nutshell: A cute little collection of comics that will warm your heart and bring a smile to your face. If you know Wawawiwa comics, you know whatIn a Nutshell: A cute little collection of comics that will warm your heart and bring a smile to your face. If you know Wawawiwa comics, you know what to expect. A great gifting option.
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I’ve been a fan of Wawawiwa comics since many years now. Author Andrés J. Colmenares, who is a self-taught illustrator from Colombia, describes his work as a "visual hug" [Cue: the title of this compilation!] and he is absolutely right. The art is always cute and the content is always endearing.
The main feature about these comics is that they personify not just animals but also objects that we would never think of in a anthropomorphised way. Think toothpaste tubes, avocados, cola cans, the planets, balloons, body organs, and so on with human sentiments – ridiculously funny, but Colmenares manages to make them sweet.
This latest collection contains some of the most liked comics from Wawawiwa’s Instagram page. At about 200 pages, this is much longer than Colmenares’ earlier Wawawiwa compilation, ‘When Sharks Attack With Kindness’, which had about 128 pages. Both the books are adorably uplifting!
I had already seen many of these comics before, but they are so heartwarming that a repeat read never hurts. Some of the strips are funny, some are thought-provoking, and some are just ‘awww’-inducing. While the animal-based ones are my favourite, all are delightful.
Most of the strips have a fresh feeling, with only a few seeming a bit repetitive. At the same time, I wish there had been a few new comics also in the set. If a reader can see the same content browsing through the Wawawiwa site or the Instagram page, why would they buy the book?
The illustrations are exactly as you can see on the cover – kawaii-style cute!
This needn’t be a book you read from start to end. You can just flip to any random page and get your dose of a daily smile.
Much recommended. As a wonderful combination of heart and humour, this would make for a wholesome gift to loved ones of any age, to family as well as friends and colleagues.
4.25 stars.
My thanks to Andrews McMeel Publishing for providing the DRC of “A Great Big Visual Hug” via NetGalley. This review is voluntary and contains my honest opinion about the book.
In a Nutshell: An impactful OwnVoices graphic novel highlighting toxic parenting and intergenerational trauma, through the narratives of a granddaughtIn a Nutshell: An impactful OwnVoices graphic novel highlighting toxic parenting and intergenerational trauma, through the narratives of a granddaughter, a mother, and a daughter. Loved the triple timeline approach, each with its own powerful point to make. But some more elaboration could have elevated this story even further.
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2000. Toronto. Roz is a typical teen, nerding out on alien fiction, evaluating her college options, and looking forward to the prom. But as she is plus-sized, her body weight is her constant worry, exacerbated by her mother’s demands that she eat less. When her estranged grandmother arrives unexpectedly, the relationship between the trio is further weakened. The plotline is mainly focussed on Roz, but there are two other timelines – 1972 Hong Kong and 1954 Guangdong – detailing her mother’s and her grandmother’s backstories respectively.
In a Nutshell: A middle-grade graphic novel about two lion dancers who realise the value of team spirit. Excellent information on lion dancing. Great In a Nutshell: A middle-grade graphic novel about two lion dancers who realise the value of team spirit. Excellent information on lion dancing. Great lessons on working as a team. Good characters. Straightforward story. Wonderful illustrations. Recommended.
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Wei had always dreamt of becoming a champion lion dancer just like his dad. He enjoyed training as the ’lion head’, with his best friend Hung performing as the ‘lion tail.’ However, after Wei’s dad suddenly passed away, the friendship as well as the dream shattered. Now, two years later, Wei is stuck in a rut of frustration. Though great in studies, he has no talent for any sport. When he discovers the existence of a junior lion dance training group nearby, he reignites his old passion. The only problem is that Hung is also part of this group. Now Wei and Hung need to overpower their animosity and learn to work together as a team.
In a Nutshell: The title doesn’t do this justice. It is so much more than a typical “Learn to Draw” book. Much recommended to aspiring comic artists aIn a Nutshell: The title doesn’t do this justice. It is so much more than a typical “Learn to Draw” book. Much recommended to aspiring comic artists and CPC fans. (This is a biased review because I adore the CPC series.)
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I used to be fond of drawing in my younger days, but have long given up on the hobby due to time constraints. However, I didn’t grab this title to reignite my passion for artwork. Rather, I pounced upon it because I am a newly-minted super fan of the ‘Cursed Princess Club’ graphic novel series, which I read earlier this year on Webtoon and consider one of the best graphic novels, ever!
I thought it would take me about 10 minutes to breeze through this book. After all, how much time does it take to look at instructions on drawing? I was so wrong! In reality, it took me over an hour to complete, because the content was fascinating, and so much more than I had anticipated.
The book begins with an introduction to the Cursed Princess Club. There’s a little interview with the author (She’s self-taught!!!) where she speaks about her inspiration for the series. Next, we meet the main cast of the series: the Pastel Kingdom siblings, the Plaid Kingdom siblings, and some members of the CPC itself, including my favourite Prez. (Laverne fans, don’t fret; her majestic greatness is also a part of this book.) This character introduction offers us a brief bio about their personalities and the HEX colour codes for their distinctive anatomical features such as their hair, eyes and skin – a great help for digital artists..
Once the author details out the tools required for sketching whether in paper or digitally, she begins with the tutorial for sketching the characters. And my, is she thorough or what! Height charts, head dimensions, eye traits, bodily attributes, facial expressions, posture: every important aspect of sketching the character accurately is covered. She also includes the characters’ fashion preferences so that you can sketch them in their favourite outfits. The drawing tips are perfect for teens and above; they might be a bit too tricky for younger artists, though they too can certainly give this a go.
Once the character-specific instructions are done (this covers a range of the main characters, though not all), the book ends with tips on how to make your own webtoon series. This will be of great assistance to aspiring digital creators.
One thing I really enjoyed was learning about the subtleties involved in each character’s face. While reading graphic novels, we know that characters have a singular look. But this book demonstrated the extent of thought that goes into even supposedly basic character components such as eye shapes. I hadn’t even realised the distinctiveness of the eyes when I was reading the comics, probably because I had been struggling for time and had to complete the whole set in 4 days flat. Truly, my awe for the author has increased further after reading this book.
While I have no intention of following up on her detailed instructions and trying my hand at sketching any time soon, my younger daughter, who is more artistic, is very inspired by these techniques. She is determined to try out LambCat’s tips for drawing CPC characters as soon as she gets a chance. Even if she isn’t successful, I think the book has done its job by stirring up the passion needed to attempt something so complex.
All in all, an amazingly enlightening tutorial that far surpassed my expectations. It is informative without being overwhelming.
Definitely recommended to aspiring comic artists, and to fans of the Cursed Princess Club series. (If you haven’t read the graphic novels or the Webtoon series yet, do note that this ‘Learn to Draw’ book contains minor spoilers related to the characters’ backstories.)
5 sparkly stars as bright as Prince Jamie!
My thanks to Quarto Publishing Group and NetGalley for the DRC of “Learn to Draw Cursed Princess Club”. This review is voluntary and contains my honest opinion about the book.
In a Nutshell: A middle-grade graphic novel about a girl who is haunted by her inner demons while also dealing with the anxiety of starting at a new sIn a Nutshell: A middle-grade graphic novel about a girl who is haunted by her inner demons while also dealing with the anxiety of starting at a new school. Explores many complex themes about mental health in this age group. Quite a nice book; no major complaints.
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For quite some time, ten-year-old Olivia Tong has been ‘haunted’ by the shadowy Viola, who is a personification of Olivia’s anxiety. Now, with her joining a new school, Viola’s judgemental remarks are further messing up Olivia’s nerves. She finds relief only when she indulges in her favourite activities such as reading, sketching, and cooking with her mom. Even her new friendships at school are somewhat helpful. But when the pressure from home as well as school starts building up, Viola grows more menacing than ever. Will Olivia learn how to handle her?
In a Nutshell: A purr-fect book for all cat lovers, though the ending is somewhat bittersweet. Much recommended!
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I grabbed In a Nutshell: A purr-fect book for all cat lovers, though the ending is somewhat bittersweet. Much recommended!
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I grabbed this graphic comic book for the title (Love the use of “Woe!” as a substitute meow!), the cat on the cover (I adore dogs, but cats come a close second), and the author (loved her graphic memoir: Kid Gloves: Nine Months of Careful Chaos) In other words, I didn’t read the blurb and totally judged the potential of the book based on these superficial factors. And guess what?! This time, it worked!
I have not had the pleasure of reading Knisley’s online Linney comics as I am rarely aware of web-based comics. But apparently, this is a hardcover edition containing all Linney comics, collected in a single book for the very first time.
Linney was adopted by the family at an older age, so she came preloaded with catty attitude. She knows that her requirements are foremost, and the humans exist merely to service her demands. I love how Linney is given a somewhat royal tone, so every time a speech bubble comes in her first-person perspective, she sounds just as condescending and snooty as cats would if they could talk.
You don’t need to be an ailurophile to enjoy this book, though being one would certainly help you understand Linney’s behaviour even more. The author’s fondness for Linney is very clear, as is her understanding of the cat’s personality. Be it Linney’s thoughts or emotions or actions, the author seems to have captured everything with perfection.
The author's preschooler son also makes a regular appearance in the book, raising the cuteness factor exponentially. There is also a friendly dog whose enthusiasm for Linney is as hilarious as Linney’s repugnance for him.
Most of the story is cute and funny, but the ending is somewhat bittersweet. This doesn’t reduce the impact of the book as there is a foreshadowing of what’s to come in the introductory note as well as repeated references to Linney’s being an older cat. But it is still sad to read. I can’t imagine how the author dug up the mental fortitude to pen that section; it must have been so painful. I hope she found healing by sketching it.
As the above might lead to some tears while reading, I am glad the book doesn’t end at that point, but proceeds to a finish with a happier memory.
The illustrations are quite simple, but funny and totally apt for the book. As the author rightly says, cats have no predefined shape, so you don’t draw a cat, but you draw the personality of a cat. Goes without saying that the author has nailed Linney’s royal personality in every sketch.
The only thing I am not sure about is why this is labelled a teen book. While there is nothing age-inappropriate in the story, the content is universal and will appeal to every cat lover. At the same time, the ending might be a little upsetting to some sensitive kids. I would rather label this a generic/adult graphic novel than as a children’s or teen’s title.
A teeny complaint: I wish a photo of the actual Linney had been included at the end of the book.
This book was read jointly with the two not-so-little readers at home and the three of us loved it equally. We laughed heartily at Linney’s pompous dialogues and her antics, and had a sad smile on our faces at the end.
Definitely recommended to all cat parents, pet parents, and animal lovers and to those who enjoy funny animal books.
4.5 stars, gladly rounding up.
My thanks to Random House Graphic and NetGalley for the DRC of “Woe: A Housecat's Story of Despair”. This review is voluntary and contains my honest opinion about the book.
In a Nutshell: A horror graphic novel filled with anthropomorphic animals and questionable moral compasses. (More ‘Dexter’ than ‘Zootopia’!) Gripping,In a Nutshell: A horror graphic novel filled with anthropomorphic animals and questionable moral compasses. (More ‘Dexter’ than ‘Zootopia’!) Gripping, chilling, creepy! Definitely not for the faint-hearted. Loved the plot and the character development. Appreciated the complex exploration of ethics. Recommended but not to all.
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Samantha Strong is a brown bear who has spent most of her life in the small town of Woodbrook, where everyone knows everyone else and everything about them. At least, that’s what the townsfolk think. But Samantha has a dark secret. Though she is a law-abiding hardware-store owner, she is also a serial killer with one golden rule: Don’t murder the locals. She chooses her target from a big city just beyond the forest. After all, the city is full of potential victims and no one will miss one person in the crowd. All these years, her modus operandi has worked perfectly. But now, there’s a problem. A Woodbrook local has been murdered brutally. Samantha is wild at the thought of some other killer upsetting the status quo. With Sheriff Patterson (literally) barking up the wrong tree, Samantha knows that it is up to her to hunt her rival before she is caught for the murders she didn’t commit, or even for the ones she did.
This graphic novel is a compilation of the six comics of ‘Beneath the Trees’, the critically acclaimed indie series. This edition has the complete story, no cliffhangers. (Thank heavens!)
It is strange to read a book filled with animals, most of them drawn in a cutesy art style and in lovely light pastels, and then to realise that this isn’t a sweet animal fable but the story of a psychopath (Or two!) My mind is still reeling from the aftereffects of this bizarre juxtaposition.
The core plot is brilliant. The story does exactly what a horror-thriller should, keeping us glued to the pages and horrified at the psyche of the murderers, which allows them to commit brutality without any qualms. There is no justification provided for why Samantha kills; she just wants to. This was the toughest part for me to accept - casual killings done just for the sake of it. Very disturbing!
The murders are as brutal as you can imagine, and a bit more. Think Dexter, but with a bear. The strange part is that when the second killer comes into the picture, the proceedings become more brutal, thereby ending up making Samantha look saner. While reading, we know we can’t support Samantha but nor can we support the other killer. Imagine reading a plot where you don’t know whom to root for – the protagonist (who is more of an antihero) or the antagonist (who is working against the antihero but still isn’t a hero.) Mindboggling!
The setting adds to the eerie vibes, with its messed-up lifestyle more like organised chaos. Anthropomorphic bears interacting with actual bears in the forest as if they were two separate species? A butchery where there are slaughtered pig heads on offer though there are pig citizens as well? Humanised animals having ordinary animal pets? Curiouser and curiouser!
All the characters are anthropomorphic animals of various species, so seeing them with human features and human flaws is utterly weird. I also loved the depiction of the townspeople’s fear and apprehension when they hear of a killer on the loose. The change in the town’s atmosphere is palpable through the graphics. The writing captures the small-town pulse excellently.
I read this along with my elder daughter, and both of us were somewhat grossed out by the proceedings, albeit for different reasons. She was more affected by the lack of morality while I was more predictably affected by the butchery. In fact, both of us were feeling so claustrophobic that we took a break after the fourth comic just to start breathing a bit easier. This just shows how successful the book was in its *execution*. [Pun intended.] There were some scenes that caused us to burst into laughter as well, but a part of me thinks it was more hysterical laughter out of nervousness than a genuine fun guffaw.
The ending might generate different reactions among different readers, but considering the inherent contradiction in the storyline, I was prepared for it and satisfied with it. Don’t look for closure, though. You will be confused about whether to heave a sigh of relief or continue to bite your fingernails.
The two main reasons I am not going higher in my rating are: 1. It was a bit too discomposing for my taste. 2. I’d had loved to see more clarity on the rationale of the second killer. The whys aren’t so convincing.
The illustrations complement the plot well, though it’s somewhat unsettling to see light pastels for such a dark story. The anthropomorphic animals are drawn with somewhat human expressions while the actual animals are sketched more true-to-type. This creates a neat distinction between the townspeople and the ‘animals’. The murder scenes are quite grisly – I watched them from between my fingers. (I think it is the killing of and by animals that affected me so much. I have never had any problem reading graphic novels with brutal human murders.) Many panels contain hidden clues in the background, so make sure you don’t race through just the text bubbles. I loved the font style, with Samantha’s inner thoughts coming in a different typeface.
All in all, the graphic novel has a screwed-up yet captivating storyline with excellent illustrations and many points to ponder upon. This is a debut series, so I am mighty impressed at how streamlined the plot development is. I am definitely going to keep an eye out for the future works by this author, even if it means that I’ll be reading his comics with my hands over my eyes.
Much recommended to horror/thriller lovers who are also graphic novel aficionados. This is one of those brilliant books that I’ll promote enthusiastically to all the right readers, but will never read it myself again.
4.25 stars.
My thanks to IDW Publishing for providing the DRC of “Beneath the Trees Where Nobody Sees” via Edelweiss+. This review is voluntary and contains my honest opinion about the book.
This over-hyped graphic novel series is turning out to be a huge disappointment.
This second graphic novel covers episodes 26-49 from the Webtoon seriThis over-hyped graphic novel series is turning out to be a huge disappointment.
This second graphic novel covers episodes 26-49 from the Webtoon series. Total episodes: 285. (280, if you don't include the extra content.)
❀ No consistency in character development right from the start. Persephone is still a befuddling character. Hades has turned into a major red flag, except for his love of dogs.
❀ We get a good glimpse of Cerberus, Hades’ three-headed dog, in this section. The canine motivation helped somewhat.
❀ The plot is replete with toxic relationships. Why the heck are people going gaga over this?
❀ Lots of typos. I ignored a couple of mistakes in the initial set but the frequency is greater now. I don’t know if the graphic novels also have the typos, but to see these many spelling errors and missing words in a published digital edition is annoying.
❀ Appreciate the innovativeness of the contemporary twist, with Olympus being ultra-modern but earth still being in the classic era.
❀ Feeling very sorry for Minthe. But she seems like a character with will, so I am curious to see how her arc develops.
❀ The graphics are okay. Same complaints as last time. This isn’t my kind of art. Sexy poses while talking casually look so weird. Then again, art is subjective, so this might work for others.
❀ The budding relationship between Hades and Persephone is simultaneously too cutesy and too shallow to feel genuine.
❀ There's constant emphasis on how Persephone is just a teenager and yet that doesn't stop Hades from propositioning her. The age-gap problem turns a hundred times weirder with this!
❀ Would have been easy to read as a contemporary (toxic) romance ignoring all the original Greek myth titbits, except that regular references to age and immortality and “godly” jobs don’t let us forget the original canon.
Verdict: I still don’t get the hype. So far, this is nothing but a collection of toxic relationships. I know that Greek Mythology is also a collection of mostly toxic relationships, but it doesn’t hide the toxicity with a veneer of “tweeness.” This romanticising of negative tropes is irritating.
I bid goodbye to the series with this. No way I can handle 230+ more episodes of this.
Yet another Webtoon read. I’ll share a proper review only once done with the final book. Until then, just penning some random thoughts on each graphicYet another Webtoon read. I’ll share a proper review only once done with the final book. Until then, just penning some random thoughts on each graphic novel. (As is evident below, I can’t be brief even when I am penning random thoughts.)
This first graphic novel covers episodes 1-25 from the Webtoon series. Total episodes: 285. (280, if you don't include the extra content.)
❀ A graphic retelling of the story of Hades and Persephone with a contemporary twist.
❀ Better if you have some basic familiarity with the original characters because introductions aren’t present often.
❀ Balance of seriousness and humour. But the content is as sexist as you would expect from Greek Mythology.
❀ Oddly funny to see the Greek “gods” gallivanting about with smartphones and fancy cars and partying in clubs.
❀ Hades looks promising. As yet, undecided about Persephone. Her portrayal isn’t consistent, randomly shifting between shy and overconfident, and also between virginal and provocative.
❀ Insta-love. *eye roll.*
❀ Age-gap relationship. And when I say ‘gap’, I mean ‘gaaaaaaaaaaap’. *my poor eyes still rolling.*
❀ Didn’t expect a sexual assault so early in the story. (Should have known better. Greek Mythology – Sigh…) It was handled as sensitively as is possible for a Greek myth retelling, but it was still hard to read.
❀ Not at all fond of the art style. A bit too overt for my taste in hues as well as physicality. The anatomy of the female characters seems needlessly sexualised, which is further exacerbated by their stance.
❀ This is aimed at teens and young adults, and that fact is giving me the ick. The story is clearly romanticising some abhorrent tropes. I hope youngsters reading it realise that there’s nothing romantic about *most* couples of Greek mythology, no matter what retellings claim.
Verdict: I don’t get the hype. The plot has only just begun, so too soon to confirm anything concrete. Obviously, I can’t expect a feminist story considering the original source. I can only hope it keeps the creepiness to the minimum because so far, it’s quite cringe-worthy. No matter what, I don’t think I’ll be a fan of the artwork. I’ll have to grit my teeth through the illustrations of the remaining episodes. (Unless I simply abandon the series out of extreme annoyance.)
In a Nutshell: A middle-grade graphic novel combining entertainment as well as value-addition. The title isn’t an exact indicator of the content, but In a Nutshell: A middle-grade graphic novel combining entertainment as well as value-addition. The title isn’t an exact indicator of the content, but don’t let this turn you away. Strongly recommended to the target age group.
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When Adèle hits puberty, the last thing she expects is the arrival of a new skill: the ability to interact with ghosts. No one had told her that she comes from a long line of mediums. Her grandmother isn’t happy that Adèle has inherited the family gift, but Adèle’s elder sister Helen encourages her to explore the gift and decide for herself. The interactions seem okay at first, but soon Adèle learns that the ghosts are trying to get in touch with her for an important reason.
In a Nutshell: An OwnVoices graphic novel telling us about the Nepali Civil War and its impact on innocent lives. I appreciate the intent and the effoIn a Nutshell: An OwnVoices graphic novel telling us about the Nepali Civil War and its impact on innocent lives. I appreciate the intent and the effort, especially as this is an indie work. However, the book needs finetuning to deliver a greater impact. Informative but to a superficial level.
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Plot Preview:
2003. Young Tara lives with her family in a small village in the foothills of the Himalayas. Her father is a farmer, and her mother, elder brother and younger sister help with the multitude of chores typical on a small farm. The “People’s War” instigated by the Maoists had already begun in 1996, but the lives of those in the hinterland was largely untouched by the war until then. However, soon both factions come knocking at their door with various demands, and the lives of all the family members change forever, especially after Sudeep, Tara’s elder brother, is taken by the rebels. The story is narrated retrospectively in Tara’s perspective from 2009.
Nepal is the immediate neighbour of India, sandwiched between India and China, with the Himalayas passing between the Sino-Nepal border. In my school years, I knew of it only as the country where Mount Everest is situated. I had not been aware of the political situation of Nepal until the year 2001 when the then-King Birendra and his entire family were massacred at the hands of his son Prince Dipendra, who then turned the gun on himself, and was in coma for three days, during which he was still the de-facto king until his death made a surviving uncle inherit the throne. It was a story too crazy to seem real. Even then, I hadn’t heard about a civil war. So when I saw this graphic novel, I knew I had to give it a try.
The book begins with a brief note on Nepal and its geographical and cultural diversity. While I liked the information (So surprised to see this small nation have more than 100 ethnicities and 90 languages!), the introduction could have done much better by informing us of the socio-political situation in Nepal and the events that led to the civil war. There’s no mention of the reasons behind the conflict in this note, in the book, and in the author’s parting note.
Next up comes a comprehensive characters’ list. This is erroneously titled “Major Characters” when it actually compiles every single character from the story with a one-liner caption introducing them. Minor characters such as those who appear only on a single page could have easily been left out from this list. But the biggest issue for me was that the captions reveal major plot spoilers, including character deaths that occur in the final section. So disappointing!
Tara narrates the story from 2009, but she begins her reminiscences from 2003. The civil war started in 1996. So we don’t get any idea about what led to the rebellion and what happened in that period of eight years. The focus stays on Tara’s family, and as she is just a teenager when the incidents affecting her family occurred, we get to see what happened but get no analysis of why it happened. The overall effect is hence very shallow. Simply knowing the whats of history without the whys is useless.
The lack of depth is not just in terms of actual facts but also in terms of plot points. Sudeep is a crucial character as his experience after his kidnapping would have offered more first-hand insight into rebel thinking. But we simply don’t get to hear his side of the story. At one point, Tara’s parents leave their children with some relatives and stay in the capital for an extended period to seek information about their son. How do these poor farmers sustain themselves in a city for such a long time without any source of income? No information.
All this doesn’t deny the sadness of the plot and of what happens to an innocent family because of some misguided rebels. Political upheavals affect everyone, even families that are far away from central locations or, as in this case, a poor farming family whose only material wealth is their transistor radio.
The book ends with a glossary of Nepali words, which, to my exasperation, I discovered only after I completed the whole book. When the list of characters was at the start, the glossary also should have been at the start! It took me ages to realise that “Luri” wasn’t the name of a different character but a form of addressing a thin girl, and hence a pet name for Tara.
The simplistic story flow might have worked well for older middle-graders and young teens, had it not been for one shocking scene where a character attempts to hang themselves to death. This should have come with a trigger warning at the start as it’s quite troubling to see. Then again, we already know the character’s future thanks to the story being narrated in retrospect, so the suspense about whether the character survives the suicide attempt is also spoilt prematurely.
Somehow, a sixth sense told me that the art wouldn’t be to my taste, and sadly, that spidey-radar turned out to be accurate. It is not just that the art style is simplistic, befitting a children’s story than an adult graphic novel. But the nuances that make a graphic novel striking are missing. The colouring style is too straightforward. The captions don’t always match the panels, sometimes coming before or after the particular action occurs in the illustrations. The facial expressions seem a bit off at times, not matching the tone of the lines. Some of the characters are sketched in the same outfits throughout, even though the story takes place over years. That said, art is subjective, so this feedback won’t be applicable to all readers.
This book was originally conceived as a trilogy, and the first volume was released in 2023. However, the author subsequently decided to release this complete version in a single book. I think this is a good call, because the story is too brief to merit three separate volumes, and at just 120-odd pages, can easily be read at a go. The three chapters in this book flow well from each other. However, the QR-code adverts in between the chapters were distracting and annoying. This content should have been at the end of the book.
All in all, I expected to learn a lot more from the story than I actually did. I admire the sincere efforts put into bringing this OwnVoices story about a rebellion that we have barely heard about to the public eye, but perhaps a little tweaking would have helped it deliver a greater impact.
As I have specified before in my nonfiction/semi-fiction reviews, my ratings are always for the content and not for the intent. I find myself torn over this rating as I want to support South-Asian and indie literature, but if I still don’t know what exactly led to and conspired during the Nepali Civil War, the book didn’t meet its purpose.
To readers looking for a simplified narration of a historical event and to those seeking to embrace diverse literature from the smaller nations of the world, this could be a good starting point.
2 stars.
My thanks to Restart Publishing, LLC and NetGalley for the DRC of “Justice: A Tale of the Nepali Civil War”. This review is voluntary and contains my honest opinion about the book. Sorry this didn’t work out better.
In a Nutshell: By far, among the best graphic novels (series) I have read. An astounding combination of plot, characters, social issues, and art. ThisIn a Nutshell: By far, among the best graphic novels (series) I have read. An astounding combination of plot, characters, social issues, and art. This review is for the ENTIRE fourth season and not specifically for this graphic novel.
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NOTE: I'm reading this book on the WEBTOON app, but as Goodreads doesn't have that option, I'll be updating my progress against the graphic novel entries. The first two graphic novels corresponded with the first two seasons of the webcomic. However, from the third book onwards, the paths diverge. This unreleased fourth volume of the graphic novel series is based on episodes 78 to 93 of the webcomic, which means season three (which ends with episode 106) is still going on the physical books. My review, however, is for the entire fourth and final season, so it will go far beyond the content of this graphic novel.
The plot continues from the events of the third season, and should NOT be read as a standalone work. No plot preview, as I don’t want to go into spoilers.
All feedback from the first three books is applicable for this one as well. I have already spoken about the characters and the themes in my earlier reviews. As this is the final season, I shall focus on the overall plot development and execution.
First off, anyone who thinks that this is a straightforward story with a linear plot and suitable only for young girls is SO wrong! There are various subtracks in the storyline, partly connected to the characters and partly connected to the group they belong to. So the basic plot demarcation is the Pastel Kingdom, the Plaid Kingdom, and the Cursed Princess Club. Then you have the character-oriented subplots, such as the “princels” (note the word play with 'incels') who love to hate not just women but also Blaine and all he stands for, elder children such as Blaine and Calpernia who are stressed out by the role they need to play as future rulers, or even shy Gwen who is so comfortable in her own skin until someone calls her ‘ugly” and destroys her self-image, literally. The story arcs span romance, humour, satire, fairy tale, mystery, dark fantasy, coming of age, and in the finale, even a thriller.
This was the longest season, not just in terms of number of episodes but also wrt the length of each episode. The start of the season is a bit complicated as there is so much going on. Keeping track of everything is tricky, though the author does help with many clues and reminders of past incidents. I was a bit afraid that my rating for this would drop a little as the detailing was going at a slower pace. But once the events from all the arcs began to come together, it was mind-blowing!
What a nail-biting finish this was! I laughed, I cried, I yelled at the characters, and I rooted for (some of) them with all my heart! It was an amazing ending that ties every single thread of the plot neatly without going into clichés or OTT rainbow finales. There’s no cliffhanger, and no forced coupling.
I think the story ended at a good place, and there is no need of (or a hint of) any sequel or extension. But it should be apparent that if any new CPC story does come out, I will definitely read it.
I have praised the book enough through these reviews. As this is the final review of my CPC experience, I want to shower praises on the author:
In a Nutshell: Still going full-strength! Still recommended as heartily! The subplots are getting deeper now, and the episodes are correspondingly getIn a Nutshell: Still going full-strength! Still recommended as heartily! The subplots are getting deeper now, and the episodes are correspondingly getting longer. This review is for the ENTIRE third season and not specifically for this graphic novel.
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NOTE: I'm reading this book on the WEBTOON app, but as Goodreads doesn't have that option, I'll be updating my progress against the graphic novel entries. The first two graphic novels corresponded with the first two seasons of the webcomic. However, from this book onwards, the paths diverge. This third volume of the graphic novel series is based on episodes 62 to 77 of the webcomic. However, season three ends at episode 106. My review is for the entire third season, so it will go far beyond the content of this graphic novel.
The plot continues from the events of the second season, and should NOT be read as a standalone work. No plot preview, as I don’t want to go into spoilers.
All the feedback I wrote in my review for the two books is valid for this third book as well. The first review highlighted the key themes while the second review spoke of my favourite characters. In this review, I shall focus on some of the special features that elevate the plot from the good to the outstanding.
In a Nutshell: As excellent as the first season in content, art, and themes. An amazing book for challenging those stereotypes that you have and thoseIn a Nutshell: As excellent as the first season in content, art, and themes. An amazing book for challenging those stereotypes that you have and those that you don’t even know you have. Can’t recommend this highly enough! Not just to teens but to everyone who would enjoy a story that looks like fluff but is absolutely not it.
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NOTE: I'm reading this book on the WEBTOON app, but as Goodreads doesn't have that option, I'll be updating my progress against the graphic novel entries. This second volume of the graphic novel series is based on season 2 (episodes 30-61, plus four bonus shorts) of the webcomic.
The plot continues from the events of the first season, and should NOT be read as a standalone work. No plot preview, as I don’t want to go into spoilers.
All the feedback I wrote in my review for the first book is valid for this second book as well. In the first review, I focussed on the themes. In this, I’ll talk about some of my favourite characters and why they are so impactful. Each of these characters has something to teach us.
✨ Gwen: The youngest princess of the Pastel Kingdom dealing with low self-confidence and mental health issues. Has plenty of love for others, but none for herself.
✨ Maria and Lorena: Gwen’s older sisters who are exceptional beauties but are portrayed to be so much more than their appearance. They are Gwen’s biggest champions along with Jamie, and with their well-rounded personality, shatter the usual unidimensional detailing of beautiful girls in typical princess stories.
✨ Jamie: The only prince of the Pastel Kingdom, and always valued for his looks and for what he can offer as a food critic, than for his other traits. Uses his talent honestly, without bothering about others’ opinions.
✨ Frederick: The youngest prince of the Plaid Kingdom. Overshadowed in every way by his two elder brothers, he is trying to stand up for himself, but realises that change is neither easy nor instant.
✨ King Jack: A loving father who takes his ‘protective parent’ persona too far. Proves how helicopter parenting suffocates children.
✨ Prez: The president of the Cursed Princess Club, who uses her past to improve not just her future but that of many others. Shows the beauty of working for others.
✨ The other princesses (and prince) of the CPC: Each with their own quirks, and yet so supportive and accepting of each other. Demonstrate how true friendship is balanced rather than blind.
✨ Laverne the llama: Should be the model for L’Oreal because she knows “she’s worth it” and doesn’t settle for less.
Basically, no one and nothing in the book is stereotypical. So many a time, I felt my mind jumping to cliched perceptions about a character, only to have the plot set me right.
The storyline is amazingly intricate, and each subplot questions our notions and challenges many social perceptions. I love how beautifully it highlighted the importance of self-love and familial support.
I am so glad teens today have access to such a brilliant series, but I wish some older readers would also pick this up. Many of us need to be more openminded about people and situations, and this book offers this lesson brilliantly, along with many other life lessons.
Kudos to the creator of this webcomic! I am truly impressed. Till season 1, I was reading this for my daughter. Now, I am reading it for myself.
Strongly recommended to one and all. This is one of those YA works that has appeal beyond the target age group.
4.5 stars.
My thanks to the WEBTOON app for this free access to the story!
In a Nutshell: A well-crafted storyline combined with attractive graphics. The title doesn’t indicate how intricate and intelligent the storyline is, In a Nutshell: A well-crafted storyline combined with attractive graphics. The title doesn’t indicate how intricate and intelligent the storyline is, so my reading experience went much beyond my expectations. Great for all graphic novel lovers. Looking forward to the rest of the series.
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Plot Preview:
Teenaged princesses Maria (18), Lorena (17), and Gwendolyn (16), live with their brother Jamie (also 16) and their overprotective father, the King of Pastel Kingdom. Maria and Lorena are everything you would expect from typical Disney princesses, but Gwendolyn is not so blessed physically. When she overhears her potential fiancé calling her ugly, Gwen runs into the forest, only to stumble into some members of the ‘Cursed Princess Club’. And luckily for Gwen, these are exactly the people Gwen needs to tell her that life is more than looks.
NOTE: I'm reading this book on the WEBTOON app, but as Goodreads doesn't have that option, I'll be updating my progress against the graphic novel entries. This first volume is based on season 1 (episodes 1-29) of the webcomic.
Many of you might glance at that title and the cover, and dismiss this as a flippant princess story for youngsters. I confess, I was also in the same boat. The only reason I grabbed this was that my daughter insisted on my reading it. Boy oh boy, was I wrong in my assumption! ‘Never judge a book by the cover’ is almost always true, but especially so in this case.
The story starts in the usual ‘princess story’ way that made me wonder why I was compelled to pick this up so urgently. But once Gwendolyn stumbles her way into the Cursed Princess Club, the plot development amps up to a masterful level.
Here are some themes/topics you will find in this first volume of the graphic novel series: