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1958325015
| 9781958325018
| B0BWSBWHP5
| 4.02
| 90
| 2021
| Oct 04, 2023
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it was ok
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In a Nutshell: A middle-grade graphic novel about a girl who wants to dance but isn’t allowed to. A sweet story, but needed more depth. The exploratio
In a Nutshell: A middle-grade graphic novel about a girl who wants to dance but isn’t allowed to. A sweet story, but needed more depth. The exploration is too surface-level, even for a middle-grade read. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Plot Preview: After moving, Ellie struggles to find friends in her new class. Her only buddy is Chloe, her bestie from before. Ellie’s mom suggests that she join a sports team to make friends, but try as she may, Ellie isn’t made for sports. But when she sees a ballet movie and later a ballet performance, the idea of training in ballet sparks in her head. But Mom doesn’t consider ballet a sport. Will Ellie be able to fulfil her dream of becoming a ballerina? (You know the answer to that one!) This graphic novel was originally published in Italian in 2021 under the title ‘Elettra’. This English translation was published in October 2023. As I enjoy graphic novels and middle grade fiction, that cutie on the cover ensured that I would grab this book as soon as I could. At the surface level, the story is outstanding. However, the execution left me with mixed feelings. For most of the book, we get a lot of the whats but hardly any whys. We know that Ellie’s family has shifted to a new house, which is why she has joined a new school. But why is her father in another city? How come Chloe (who is such an awesome character, btw!! I loved her!) is in the same new school as her? How does she know Chloe (Cousin? Mom’s friend’s daughter? Old school friend? Old neighbour?) How can Ellie and her brother visit their father so often if he is in another city? Are the parents separated or merely working in different locations? Multiple questions that are left unanswered. Ellie’s passion is dance, but her mom adamantly refuses to consider ballet training, instead forcing her daughter to try out a great variety of sports to see what she enjoyed. While this is sadly realistic for many children, we never know why Ellie’s mother dislikes dance so much. This gap in our knowhow is a major issue as it is the foundation of the entire book. Her own husband, Ellie’s father, is a musician, so is that a factor in her resistance towards dance? No idea. Strangely, Ellie doesn’t ask her mother ‘Why?” except at the very end. Can you believe a child not asking “But why?” when something is denied them? The turnaround in the mother’s opinion is also abrupt, with her going from No to Yes within 3-4 panels. The cover and the title suggest that ballet gets a prime position in the plot. But most of the scenes don’t even have ballet, directly or indirectly. The story is more about what Ellie does before she finally gets to ballet. Her forced attempts at various sports feel repetitive after a point. There are some minor plot arcs that don’t contribute to the overall story. We also have the typical school bully track; no novelty in it at all. I wish the story had been more focussed. The translation seemed a bit iffy in places, though I am not sure if it is the translation that goofed up or the writing itself. The plot flow also seemed to have few gaps. The transition between scenes isn’t smooth, further felt because of the lack of chapter markings/title. There is also much passage of time over the course of the story, which is hinted at subtly through the change in seasonal outfits. Not sure how many middle-graders will realise the long timespan of the story as there are no major time clues provided. There are some themes that I genuinely liked in this graphic novel. The resistance to sports (as a non-sporty person throughout my life, I felt Ellie’s pain during PE!), the passion for an art form, the need for regular practice, and the importance of pursuing what you love to do instead of what you have to do. But it also contained several ideas I don’t like seeing in MG fiction: kids lying to their parents, parents being dominant and aggressive without any reason provided, mother and father having no communication, and the crush on a classmate. What bugged me the most is that Ellie’s dad knew of her dancing dreams, but instead of speaking to her mom directly and sorting out the issue, he encourages Ellie to dance, thereby defying her mother. There’s no conversation shown between the parents at all. The art is adorable. Ellie’s eyes are so big and expressive! I loved those long gravity-defying ponytails. Chloe was a doll! I simply adored her chubby cheeks and fancy hairstyles. It was also refreshing to see a plus-sized child character being drawn without any comments about her weight. There’s also a pigeon who seems to have its own parallel narrative in the background. Basically, I did like the intent and the illustrations of this book, but I would have enjoyed it far better had the characters been sketched with greater depth and had the plot not had so many logical gaps. Ellie is cute, and Chloe is cuter still, but they don’t help in saving the meandrous and slow-moving plot. 2.5 stars. My thanks to Marble Press for a complimentary copy of “Ellie in First Position”. This review is voluntary and contains my honest opinion about the book. Sorry this didn’t work out better. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Connect with me through: My Blog || The StoryGraph || Instagram || X/Twitter || Facebook || ...more |
Notes are private!
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1
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Sep 23, 2024
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Sep 28, 2024
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Sep 15, 2024
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Kindle Edition
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1399052853
| 9781399052856
| 1399052853
| 3.77
| 35
| unknown
| Nov 30, 2024
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liked it
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In a Nutshell: A seasonal analysis of FRIENDS, and the other sitcoms and shows before and during the “golden age”. The focus is not just on sitcoms, t
In a Nutshell: A seasonal analysis of FRIENDS, and the other sitcoms and shows before and during the “golden age”. The focus is not just on sitcoms, the feedback is not just positive, and the approach is more like a hindsight-analysis with 2024-glasses on. I'm a FRIENDS superfan, so some (actually, most!) of this review comes from biased eyes. Take it with a pinch of salt! ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ As a FRIENDS fanatic, I have watched the show umpteen times, I can still watch any episode any day in any random order without any confusion, and I can even quote lines from multiple episodes. So when I saw this title listed on NetGalley, my reaction obviously was, “Could I BE more excited?” The execution of the book, however, has left me with mixed feelings. FRIENDS is not the only hit sitcom of its time, but it's probably the only one that still has a loyal fanbase not just from its original viewership but also among the younger generation, thanks to OTT channels. Because of the latter factor, it has also been subject to intense modern scrutiny, and isn’t always able to match current inclusivity standards. The book covers all this and more. The content provides not just a generic analysis of FRIENDS but also a season-by-season assessment. It even has an in-depth evaluation of the changing dynamics of shows over the last three decades on television, and the impact of the entry of OTT channels and the modified viewership habits on TV shows. You don’t require a comprehensive knowledge of American sitcoms to grasp the analytics provided. My knowhow is limited to iconic sitcoms from the “golden era” such as Seinfeld, Frasier, 3rd Rock from the Sun, Everyday Loves Raymond, Dharma and Greg, and That 70s Show. While the book covers many more shows (sitcoms and more), I didn’t find myself struggling to comprehend the information. Each chapter is cleverly titled in the FRIENDS episode title format: “The One Where/With...”. There is also some smart chapter numbering, with chapters one to ten corresponding to seasons one to ten, even though there are fourteen chapters in all. The book starts off quite well. The initial two chapters (which highlight the then status quo of TV viewership and the early sitcoms that paved the way towards FRIENDS) set the right foundation for the book. Even the first chapter, that highlighted Season One and how the cast and the rest of the team came together, is superb. FRIENDS fans might already know many of the details, but this book provides them in a structured way. Things start going downhill from the second chapter onwards, when the focus shifts more towards a clinical approach, with loads of data about other shows, TV ratings, network positions, and so on. This becomes too tedious after a point. The FRIENDS-related information is intriguing, what with a proper exploration of each season’s focal point, the dynamics of the six friends, and the season finale. However, the rest of the data dulls the impact of the FRIENDS content. As a FRIENDS fan, I was interested in knowing more about the show and its competition, but not in such a dry manner. What bugged me the most during the season-focussed chapters was the constant criticism about how FRIENDS hasn’t aged well. Yes, we fans know that it doesn’t completely pass muster in today’s world. But if a programme has to be analysed, it has to be seen not from NetFlix-generation opinions but from the original 90s viewpoint. When FRIENDS was produced, its creators wouldn’t have thought, “Hmmm, let’s ensure that we can satisfy the viewers watching our show thirty years hence.” The show was made for the people of the 1990s by people of the 1990s, and was partly based on the (white) creators’ post-college experiences. As David Schwimmer said in a 2020 interview to ‘The Guardian’, “A lot of the problem today in so many areas is that so little is taken in context. You have to look at it from the point of view of what the show was trying to do at the time.” That said, FRIENDS still broke the mould by showing a lesbian relationship & wedding (Carol & Susan), having a Black actor (Aisha Tyler as Charlie) and a POC actor (Lauren Tom as Julie) in a key role – nine and seven episodes respectively – AND having a transgender character (Chandler’s dad Helena Handbasket, though the casting of Kathleen Turner in this role is somewhat questionable.) The other shows of the era didn't do any of this, with the only prominent exception being Will & Grace and its two homosexual main characters, though one of them – Sean Hayes’ character Jack McFarland – was an extremely camp portrayal of a gay man. Why call it the golden age of the sitcom era and then go to bash the show for things the entire television business was guilty of? I disagree with the author that calling something "of the era" is a lazy way of justifying it. No, calling something “of the era” is a way of acknowledging that we know there were mistakes made in the past, that the work doesn’t hold to modern standards, and that we shouldn’t repeat those errors in future. It indicates that this knowledge has come to us in hindsight, and hence we need to learn from those mistakes, not castigate those who were reflecting prevalent social trends and the systemic racism without even realising it. (Aren’t shows guilty of the same even today, though awareness is so much greater? You think the storyline of Raj Koothrappali of The Big Bang Theory is a genuine Indian representation? Think again! I’d rather not have our representation on shows than to have such stereotypes perpetuated.) Some of the points of criticism were just silly. Like saying that the use of pagers and answering machines places FRIENDS firmly in that era. Of course, it does! You think modern audiences don't realise that it's a thirty-year-old show? There has been so much technology that has come and even gone in the interim, so tech shouldn't be used to judge the timelessness of any show! Almost every show is OF ITS ERA when it comes to technology, and this cannot be used as a shortcoming. The proceedings improve to a great extent from Chapter Ten (focussed on Season Ten) onwards. The tone in these final three chapters is more enthusiastic and nostalgic, and reminded me of why I had opted for the book in the first place. If only that same impartial and wistful approach had been retained throughout the book, this would have been an easy winner. There are some photos at the end of the book, but all of them are stock pictures that are easily available on the internet. I found nothing striking, innovative, or memorable in the chosen photos. All in all, the nerd in me did like the analysis of the TV trends and the final three chapters were exactly what I wanted, but the FRIENDS fan in me was mostly disappointed with the remaining writing choices. With such a title, I would have appreciated seeing a bit more warmth and enthusiasm and a little less data and unwarranted criticism throughout. FRIENDS is celebrating the 30th anniversary this year, marking three decades since the pilot episode aired on September 22, 1994. In such a momentous month, I’d rather have read something that celebrated its longevity than reproved it for not doing better. I am not sure whom to recommend this book to, as non-FRIENDS-fans won’t be interested in this kind of topic, and FRIENDS fans won’t be that happy with it. I guess it might work for those who are interested in studying TV trends as the insights on this specific topic are engaging enough. 2.5 stars, rounding up for FRIENDS. My thanks to Pen & Sword for providing the DRC of “Friends and the Golden Age of the Sitcom” via NetGalley. This review is voluntary and contains my honest opinion about the book. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Connect with me through: My Blog || The StoryGraph || Instagram || X/Twitter || Facebook || ...more |
Notes are private!
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1
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Aug 23, 2024
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Sep 03, 2024
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Aug 06, 2024
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Hardcover
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1662512880
| 9781662512889
| B0BXQ3488J
| 3.82
| 1,283
| unknown
| Apr 27, 2023
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liked it
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In a Nutshell: A short story that tells us more about Poppy, one of the minor characters in the novel, ‘The Ways We Hide’. Works perfectly as a standa
In a Nutshell: A short story that tells us more about Poppy, one of the minor characters in the novel, ‘The Ways We Hide’. Works perfectly as a standalone. The story has some interesting themes, but I would have like a greater exploration of certain emotions and a limited range of topics. Decent as a one-time read. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Plot Preview: 1962, Virginia. Ever since the news highlighted some potential danger to the US through the USSR and Cuba, Poppy has been left unsure of her pregnancy. She wonders not just whether it is the right time to bring a child into the world, but also whether certain events from her past make her the right person to be a mother. As the story progresses, she realises that unless she faces the past, she cannot prepare herself for the future. This is the second standalone story in the 'Good Intentions’ series, described on Amazon as “a riveting collection of stories about the instincts, fears, and fierce love inherent in motherhood.” The introductory note by the author reveals how she came up with the decision to write Poppy’s Story. Until I read this note, I had no idea that Poppy was a minor character in the author’s WWII novel, ‘The Ways We Hide’, a book I have read but only remember vaguely. Thankfully, the story is a standalone, and though there are allusions to Fenna Vos, the main character from the novel, there is no gap in understanding the events of this story even without knowing who Fenna is. I liked Poppy’s character, especially her portrayal as a teacher and her struggle to accept some events from the past. However, as she takes so long to ponder over an important decision, a substantial portion of the story feels very repetitive in its exploration of her thoughts. Moreover, the story took on too much. I don’t want to reveal much beyond the missile uncertainty, but there seemed to be a wide array of things troubling Poppy, and this overload of topics killed the importance of each individual issue. One hurdle in connecting with Poppy came from my side. I have no idea about the “Cuban Missile Crisis” of 1962, and the story doesn’t offer any details except the bare minimum. (Not that I blame it – it is just a short story of 44 pages, after all.) Perhaps those who are aware of the events of 1962 will be able to understand the environment Poppy lives in and the reason for her reaction. I did, however, connect slightly better with her fears about the impending motherhood. The world always seems a scary place when you think of bringing a baby into it, so it was interesting to see how Poppy grappled between her past trauma and her present confusion to ensure her future peace of mind. Then again, did I feel emotionally impacted by Poppy’s fears? No. Somehow, the writing keeps her distanced from us. Poppy’s husband Everett could have been an interesting character, but we barely get to know him. The story is, as the title suggests, Poppy’s, and Poppy’s alone. But certain more details about their married life and Everett’s general nature would have helped us understand why she was so unwilling to trust him with her news. It couldn’t have been just that one reason. All in all, a decent story with some good themes, but it doesn’t pack as big an emotional punch as I had hoped for. It might have worked better had I connected more with Poppy. If you read this, I hope you do. It’s free, so there’s nothing to lose at least in the financial sense. 2.5 stars. This standalone story is a part of the ‘Good Intentions’ collection, and is currently available free to Amazon Prime subscribers. This collection is not going well for me so far. Fingers crossed for the next story! All the remaining stories have strong ratings on GR, so I do have hope. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Connect with me through: My Blog || The StoryGraph || Instagram || X/Twitter || Facebook || ...more |
Notes are private!
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1
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Jul 11, 2024
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Jul 16, 2024
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Jul 11, 2024
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Kindle Edition
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B0CQPKQBD9
| 3.97
| 247
| Apr 23, 2024
| Jul 23, 2024
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liked it
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In a Nutshell: A historical fiction based on the actual Rhinelander vs. Rhinelander case of 1925. I loved the historical details, but some writing cho
In a Nutshell: A historical fiction based on the actual Rhinelander vs. Rhinelander case of 1925. I loved the historical details, but some writing choices didn’t work for me. Don’t expect a legal drama because of the title and blurb, else you will be disappointed. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Plot Preview: 1924. New York. Alice Jones, born to working class English immigrants, believes that she has found true love with the wealthy real-estate scion Leonard ‘Kip’ Rhinelander, four years her junior. Alice considers herself “white”, so when, after their elopement, Kip’s parents threaten to cut him off from his inheritance for marrying a coloured woman, Alice is stunned. As events continue to spiral, Alice finds herself in a court battle against her new husband. I was not aware of the Rhinelander vs. Rhinelander case, so when I saw the blurb mention that this book is based on a pathbreaking legal case, I had to go for it. However, I have mixed feelings about the execution. It was enlightening to read about people’s thinking and social attitudes in 1920s New York, especially their attitude towards coloured people. In fact, some of it is so outrageous that it might have felt far-fetched if this were ordinary historical fiction rather than being a story based on facts. The author’s research into the trial and the 1920s setting is visible. I had assumed this to be a story of a Black/mixed race woman ‘passing’ as white because of her lighter skin tone. So I was surprised to see that Alice, and her entire family (her white mom, her mixed-race dad, and her two sisters), thought of themselves as ‘white’ (after all, the girls had ‘barely a drop of coloured blood’ in them), and they didn’t even consider the idea that they were ‘passing.’ This brought an unexpected dimension to the book. After all, it cannot be called a novel of "passing" as the family isn’t technically “passing”. Now to the flip side. Roberta’s timeline begins excellently with a clear intro about her ambition and spunky attitude. However, her role in the story is mainly to ask questions to Alice, who then provides answers and fills in the gaps left by the 1920s timeline. There is barely anything about Roberta’s life, and except for one passing mention of the Pearl Harbor attacks, nothing about the events of 1943 except what concerns Alice. It is a timeline curiously bereft of descriptions and era-setting. The character development is quite flat. The writing is clearly tilted in favour of Alice, even before we hear Kip’s thoughts or Roberta’s inquiry. Alice isn’t a likeable character, so it is tough to sympathise with her situation. But even this complexity is presented in a fairly shallow approach that tells us the whats but doesn’t dig into the psyche of the whys. Roberta’s opinion of Alice swings randomly from supporter to opponent. Kip never becomes a well-defined character, though his role was vital. The secondary characters are even more vaguely sketched. Some of these issues could have been sorted had the writing been in third person. As Roberta and Alice both are in their early twenties in their respective timelines, their thoughts and actions have a strong YA feel to them. This might not bother readers who enjoy YA, but I found their repetitive thoughts, lengthy inner monologues, and self-centred approach towards life somewhat annoying. The details of the physical intimacy were a bit beyond what I prefer in historical fiction. As I read this as a historical legal drama and not a historical romance, this content annoyed me. The biggest disappointment to me is the complete lack of courtroom scenes. For a book based on a real-life trial and with a title mentioning the word ‘Trial’, I had expected a nail-biting legal drama. However, the trial stays conspicuously off the page. We hear the development of the case and all related proceedings through later conversations between the key characters, and a few times, from small excerpts of newspaper articles that appear before a few chapters. The title itself is misleading. The trial referred to by the titular "Trial" begins only around the 70% mark. There are actually two trials, one in each timeline, but we don’t see the glimpse of the inside of the court in either, so this doesn’t make any difference to our experience. The blurb is also inaccurate, as it assigns reporter Marvel Cunningham a prominent role, though she is just one of the secondary characters. As we learn all key plot developments through the dialogues, and both perspectives are written in first person, we effectively get a whole load of first-person rambling. Even introductions of new characters are done through odd dialogues that leave us wondering why they are giving out their bio in between an interaction. Also, because of this writing decision, the passage of time within each narrative isn’t always clear. ...more |
Notes are private!
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1
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Jul 25, 2024
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Jul 29, 2024
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Jul 09, 2024
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Audiobook
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1662512899
| 9781662512896
| B0BXQ5KD54
| 3.62
| 1,788
| unknown
| Apr 27, 2023
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liked it
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In a Nutshell: A short story about a mother and daughter ready to begin the next phase of their lives. Interesting from start to end, but it never fee
In a Nutshell: A short story about a mother and daughter ready to begin the next phase of their lives. Interesting from start to end, but it never feels mind-blowing. End result: meh. A one-time read. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Plot Preview: Charlie’s mom Sandra is a successful magician who has been entertaining audiences for decades. Her special act is when she levitates in air, with no one able to understand how she defies gravity. After all these years in New York, Sandra has now approached Charlie with a bombshell: she is moving to Santa Fe. The timing couldn’t have been worse, as Charlie herself is expecting, and the house where she lives with her husband is still not done with renovations. This is the first standalone story in the 'Good Intentions’ series, described on Amazon as “a riveting collection of stories about the instincts, fears, and fierce love inherent in motherhood.” There are many good things about this story. The plot is steady from start to end. The characters are also interesting, what with one magician who has her secrets, one daughter who is apprehensive about the future , one husband who stays calm even in times of stress, and one contractor who seems to be least bothered about his commitments. The plot progression is good, and while there is no settled ending, it is still a decent one. Despite all this, I was not that impressed. The story leaves unanswered many things related to characters and their decisions in the past and the present. So somehow, there’s a feeling of incompleteness even after the story is complete. I wish that at least Sandra’s secret to “flying” successfully had been revealed, but like a true magician, she doesn’t spill the beans on her technique. As she was a first-time to-be-grandma, I was surprised how she chose the sixth month of her daughter’s pregnancy to leave the city she had been in all her life. Granted, she has the right to her own life, but surely there should have been some expression of regret for not being there for such a momentous occasion – the birth of her first grandchild. All in all, this is a decent tale, but not impactful. It had tremendous promise, but it just didn’t meet the potential. Works for a one-time read. At just 25 pages, it won’t take much of your time, and it won’t even stay in your head for a long time. 2.5 stars. This standalone story is a part of the ‘Good Intentions’ collection, and is currently available free to Amazon Prime subscribers. Kudos to the cover artist! This entire story series has stunning cover art. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Connect with me through: My Blog || The StoryGraph || Instagram || X/Twitter || Facebook || ...more |
Notes are private!
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1
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Jun 26, 2024
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Jun 28, 2024
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Jun 26, 2024
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Kindle Edition
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1448128498
| 9781448128495
| 1448128498
| 3.82
| 1,999
| Dec 27, 1999
| Nov 17, 2011
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it was ok
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In a Nutshell: A long short story focussed on an elderly couple whose life changes after the wife is admitted to hospice care (possibly for Alzheimer’
In a Nutshell: A long short story focussed on an elderly couple whose life changes after the wife is admitted to hospice care (possibly for Alzheimer’s) after almost fifty years of marriage. Good writing, unlikable narrator, overload of tropes, flat ending. Not a good start to my exploration of Alice Munro’s works. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Plot Preview: After almost fifty years of marriage, Grant has to let go of his wife Fiona when her memory issues lead to her being admitted to hospice care. When Grant goes to visit her after the mandatary one-month adjustment period, he is dismayed to find that Fiona is emotionally attached to another patient. As Grant ponders over their decades together, he realises what he needs to do to win back Fiona’s affections. If the above makes you think that it is a story of love, you are not right. It is a story of hypocrisy. This work explores the complications of human relationships, especially in the face of a challenge such as a devastating medical diagnosis. It presents a complex exploration of love, whether demanded, anticipated, or provided. As this was my first Alice Munro story, I had had high hopes considering her stalwart reputation in short fiction. But I wasn’t blown away by this tale, which is really surprising as it promised to be emotionally intense. I think a part of the reason is that the characters didn’t endear themselves to me, despite their circumstances. Grant is especially annoying in the way he comments on women and their bodies without even realising his objectification. Typical of so many people of his generation! As the story comes from his third person perspective, it was tougher to connect with the proceedings as he seemed to ask for sympathy without deserving it. How can one sympathize with such a manipulative character, even when his machinations are subtle? Another reason is that I am not fond of the infidelity trope, whether it is justified or not. And it is even more annoying when the infidelity is casually swept aside without any emotional evaluation. The ending probably meant to be impressive but was just meh to me. A couple of my friends found it heartwarming, but I am stumped at that claim. Maybe I did miss something! Basically, the writing style is good, but the characters are not appealing, the plot development is lacklustre, and the scene transitions are abrupt. The title is a derivation from a children’s campfire song "The Bear Went Over the Mountain", which talks of a bear climbing a mountain with determination, only to find disappointment on the other side. Our bear in this case is Grant, who, at seventy years of age, has already climbed “over” the mountain, and still not happy with what he has, is constantly looking for and hoping for more. A decent story if you want to try out this author’s writing, though I have no idea if it is among her acclaimed works or not. It’s free, so it’s not like you would lose anything. Frankly speaking, I was hoping for way better. 2.5 stars. This story originally appeared in the December 27, 1999 issue of The New Yorker. You can read it online from this link: https://www.newyorker.com/magazine/20... It was also published in the collection named Hateship, Friendship, Courtship, Loveship, Marriage: Stories. This story has been adapted into an Oscar-nominated movie titled ‘Away From Her’, but I haven’t watched it, nor do I intend to. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Connect with me through: My Blog || The StoryGraph || Instagram || X/Twitter || Facebook || ...more |
Notes are private!
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1
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Jun 13, 2024
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Jun 17, 2024
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Jun 13, 2024
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Kindle Edition
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1529038332
| 9781529038330
| B0CH8J3TXF
| 4.00
| 23
| unknown
| Mar 21, 2024
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it was ok
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In a Nutshell: A middle-grade fantasy supposedly based on a Bengali folklore. The story had great promise, but the execution left me bored. Really dis
In a Nutshell: A middle-grade fantasy supposedly based on a Bengali folklore. The story had great promise, but the execution left me bored. Really disappointed, because I had had great expectations from this one. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Plot Preview: Aya, whose age we find out much later in the book as being ten years old, adores the night sky and the stars. So when there’s news of a meteor shower, she makes plans along with her best friend Naznen to go up the nearby hill and watch the spectacle first at hand at midnight, even after her mother’s express command telling her not to leave her bed. Unexpectedly, Aya is struck by a star, and seems to have come away unscathed. Until some weird powers begin to manifest. Few middle-grade folklore-based fantasies are based in South Asia, even though this region is ripe with fantastical stories. So when I saw this one, I knew I HAD to grab it. My intrigue was further enhanced by the mention of its being a “fairy tale based on a Bengali folklore.” The author is a British Muslim of Bangladeshi heritage, so my excitement at seeing an OwnVoices story set in this region was even higher. Sadly, my experience didn’t match up. Bookish Yays: ...more |
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1
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May 23, 2024
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May 28, 2024
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Apr 08, 2024
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Kindle Edition
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1250344794
| 9781250344793
| unknown
| 4.14
| 76,204
| Jun 11, 2024
| Jun 11, 2024
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liked it
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In a Nutshell: A fun romcom with an entertaining premise, but mixed feelings about the lead characters as they are so toxic. Liked the secondary chara
In a Nutshell: A fun romcom with an entertaining premise, but mixed feelings about the lead characters as they are so toxic. Liked the secondary characters much better than the main pair. The first half is much stronger than the second half. Slightly outlier review coming up. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Plot Preview: As Emma Wheeler is the sole caretaker for her dad, she has willingly put aside her dreams of becoming a screenwriter for more than a decade. But when her friend and agent calls her with the opportunity of a lifetime, and a chance to work with her idol, acclaimed screenwriter Charlie Yates, Emma cannot resist. With her younger sister Sylvie stepping into the carer’s role, Emma flies to Los Angeles, hoping for the chance of a lifetime to convert into a memorable work experience. What she didn’t expect is that Charlie Yates didn’t even know about her arrival, and is adamant that he doesn’t work with amateurs. Never mind that the romcom script he wrote was garbage. After all, that script is just a filler to get another pet project greenlit, a project far more important than romcoms. Emma, of course, can’t accept this. Die-hard fan or not, she will not allow anyone to tell her that romcoms are useless, or to mess with the only career-transforming opportunity she has received in ages. Bookish Yays: ...more |
Notes are private!
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1
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Jun 13, 2024
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Jun 15, 2024
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Apr 05, 2024
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Audiobook
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B0CT95681G
| 3.76
| 17
| unknown
| Mar 22, 2024
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liked it
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In a Nutshell: A middle-grade mystery-fantasy about a girl who has an “embarrassing superpower”. The mystery part gets greater focus, so don’t expect
In a Nutshell: A middle-grade mystery-fantasy about a girl who has an “embarrassing superpower”. The mystery part gets greater focus, so don’t expect a typical superhero story. I liked the idea more than the implementation, but looks like I am the only one so far who has outlier feelings. This might work better for younger middle-graders. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Plot Preview: Ten-year-old Lili Gray is struggling to deal with an embarrassing new development in her life. (No spoilers! Sssh!) To add to her worries, her dad has gone missing, and she is sure that her stepmother Bella is behind his disappearance. Other than her friend Alejandro (aka Ale), she has no one to turn to for support. Then she discovers a long-lost uncle. Can she seek his aid to find out where her father is? Can she also figure out how to deal with her mortifying ability? Kids enjoy potty humour, and in that aspect, this book does well. I don’t want to reveal the superpower outright, but kids are sure to delight in the discovery. (Parents, be prepared to make/hear some funny noises if reading this story together.) Lili as a protagonist left me with mixed feelings. Her love for her dad is clear, as is her sadness about being the victim of taunts and bullying. But the irony is that she too doesn’t give Bella a fair chance. I didn’t get why she was willing to trust two strangers (a police officer and a newly-discovered uncle) than someone she has seen her dad trust and love. Lili’s main problem seems to be that of miscommunication; she has a tendency of jumping to conclusions without considering all the facts. I liked Bella’s character, and I wish she would have got a better deal in the book. The friendship between Lili and Ale is interesting. Ale is the typical smart geek who can create anything he sets his mind to, so he works as a good counterfoil to the more impulsive Lili. That said, the two of them rarely seem their age. The premise is imaginative enough to be fun. But the main hurdle for me is that the book focusses much on the whats and doesn’t explore the whys. Lili’s deep-rooted antagonism for Bella doesn’t seem to spring from any reason except that she is the new stepmother. No further details provided. Lili’s mom died two years ago. How? No idea. What were Lili’s feelings when her father met Bella and decided to remarry? No idea. Why does Lili trust an uncle she hasn’t even met so far? No idea. Who were Ale’s parents, and why are they nowhere in the story, even when Lili goes to Ale’s house so many times? No idea. The effect therefore was somewhat flat as I didn’t experience any character development, despite the characters having the potential to be interesting. Of course, kids probably won’t bother this much about character development. Thankfully, the stepmother arc is resolved on the positive side, else I would have had a bigger issue with this for sending out the wrong message to kids. I hope children who read this realise that that assumptions based on hearsay and stereotypes are never reliable. It is almost always better to communicate with the adults in your life than to trust outsiders you don’t know. I have some unanswered queries about Lili’s new superhero outfit, for which also the book doesn’t explain the hows and whys. Without entering into spoiler mode, all I can ask is: How are Lili’s stockings more durable than her trousers? IYKYK. A substantial part of the book is more like a journey of self-discovery . The superhero action is restricted to the final scenes. This works better as a mystery story than as a superhero book. The scenes would translate well to screen, with lots of comic gags and action potential. But on paper, they don’t end up as impactful. A shoutout to the cover art of the book – it is stunning! All in all, I am not entirely happy with the way this went, though I can see the potential of the storyline. I do love middle-grade fiction, but some middle-grade books work only for the age group. I hope this is one of them. Looking at the other reviews so far, I am the only one with mixed feelings. So please go through the other opinions and take a call. Maybe if this book is read without overthinking, it could work better. 2.5 stars, rounding up in the hope of its being a better fit for the right age group. My thanks to author Ada Loewe and BookSirens for the DRC of “Lili Gray and the World's Most Embarrassing Superpower”. This review is voluntary and contains my honest opinion about the book. The digital version of this book is currently available free to Kindle Unlimited subscribers. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Connect with me through: My Blog || The StoryGraph || Instagram || X/Twitter || Facebook || ...more |
Notes are private!
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1
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Mar 22, 2024
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Mar 24, 2024
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Feb 19, 2024
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Kindle Edition
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1804540196
| 9781804540190
| B0CHYHCHCF
| 4.18
| 1,130
| Aug 01, 2024
| Feb 15, 2024
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liked it
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In a Nutshell: There are some beautiful moments herein, but on the whole, it was a mixed read for me. If you are prepared for a whole load of suspensi
In a Nutshell: There are some beautiful moments herein, but on the whole, it was a mixed read for me. If you are prepared for a whole load of suspension of disbelief, this will work better for you. And if you enjoy cutesy + emotional books, this might even be a winner. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Plot Preview: Somerset. When Amelia is found unconscious with no discernible pulse on the mudflats outside her home, it is almost a miracle that she survives. When her younger sister Lexi rushes over from New York, she finds Amelia in the hospital but with false memories of being happily married to someone named Sam. Neither Lexi nor their mother have any knowledge of a ‘Sam’ in Amelia’s life. Bookish Yays: ...more |
Notes are private!
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1
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Feb 11, 2024
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Feb 17, 2024
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Feb 08, 2024
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Kindle Edition
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1785130552
| 9781785130557
| B0CKL2D3DN
| 3.89
| 4,518
| unknown
| Feb 15, 2024
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it was ok
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In a Nutshell: A book that is too realistic to be likeable as it has plenty of judgemental characters who care only about their own life and have no e
In a Nutshell: A book that is too realistic to be likeable as it has plenty of judgemental characters who care only about their own life and have no ethics at all. I am conflicted in my opinion because while I see the accuracy of the portrayal of such characters, I am not sure if such a book fits well in the feel-good genre. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Plot Preview: After a bitter divorce from her cheating husband Rob, Beth is looking for a fresh start. Unfortunately, with her limited funds, all she can afford is an old, unkempt cottage on the outskirts. Her children Olivia (7) and Jacob (5) aren’t impressed with the house, and are frank about their opinion. The title is a little bit misleading because the story is not ABOUT the lost letters of Evelyn Wright, but about what happens in Beth’s life once the letters are found. The story is mostly Beth’s, and therein lies the trouble. I remember what Jane Austen had said about her most infamous protagonist, Emma: “I'm going to take a heroine whom no one but myself will much like.” Yeah, well, I wonder if Ms. Swatman thought the same while creating Beth. Because if she did, she certainly succeeded! But if she meant for us to root for Beth, tough chance! Usually in such stories, where one half of the couple has cheated and the other is bitter, it is easy to sympathise with the spouse who has been caught unawares by the infidelity. In this case though, I could sympathise with neither Beth nor Rob. They both are such annoying and self-centred characters that I felt sorry for their kids at being caught in between the mess. Are there couple like this in real life, fighting through divorces acrimoniously and shaming each other in front of their children? Of course, there are. Does that make reading about them in a fictional novel easier? Nope! Initially, I attributed Beth’s aggression at her anger over being left with the raw end of the deal. Rob got the house as well as a new woman, while Beth had to start her life all over again with two young children. She had every right to be angry! But soon, Beth took some decisions that didn’t sit well with me. Becoming an agony aunt and advising people over major personal problems without any professional qualification, using the old Evelyn columns and moulding their advice to new issues, talking about some of the problems shared privately to her ‘Evelyn’ email id with her new friend Catherine and Charlie, discussing Catherine’s private matter with Charlie without her knowledge – all are major red flags. But the biggest irritant was when she engaged in an illicit relationship with a married man, after she herself had suffered because of her husband’s infidelity – ridiculous! Again, do such women exist? Of course, they do! But so much reality doesn’t suit what is essentially escape-from-reality fiction. I’d have expected such behaviour from characters in a literary fiction exploring the depths of human murkiness. A well-written literary novel would have handled the emotional and moral aspects of this plotline far better, while not resorting to commercial melodrama. So I am not questioning the authenticity of the character portrayal; I am just saying that I didn’t expect such frustrating characters in the women’s fiction genre. The only four characters who work well in this book are Catherine – who is too forgiving for her own good, the two children Olivia and Jacob – who aren’t afraid to speak up, and Natalie – a surprise addition to this list as she is the woman who slept with the married Rob. I don’t think I have ever included a marriage wrecker among the better characters of a novel, which shows how horrible the rest are. Evelyn’s magazine column seems interesting, and as many chapters begin with one of her letters, we get a glimpse of her outspoken advice as well as some outdated thinking, thanks to the letters being from the 1950s. The quest for Evelyn has its charm, but I wish we could have heard more from Evelyn herself. Some interlude chapters containing her perspective from the past would have worked wonders. Evelyn’s arc contains a mystery, but this “mystery” is a trope slowly becoming so common in this genre that it doesn’t even feel like a mystery anymore! I wish this particular “secret” wouldn’t be so overused; it will lose its impact soon. The only good thing in this story is its realistic depiction of what a bitter divorce does to children. It is painful to read, and sadly, not entirely fictional. I had loved this author’s ‘How to Save a Life’, but the two books I read after that – ‘A Love to Last a Lifetime’ and ‘The World Outside My Window’ – were a mixed bag and a dud, respectively. The rating trend is not improving much, which is really disappointing. All in all, is this a bad book? Not really. But is it an enjoyable book? Not at all. If you treat this as a story showing all that is wrong with humans AND you can enjoy books with characters whose ethics are non-existent most of the way AND don’t mind some OTT drama, this will work better for you. But to typical women’s fiction readers who are looking for a light or feel-good story, I’d not recommend this at all. 2.5 stars. My thanks to Boldwood Books and NetGalley for the DRC of “The Lost Letters of Evelyn Wright”. This review is voluntary and contains my honest opinion about the book. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Connect with me through: My Blog || The StoryGraph || Instagram || X/Twitter || Facebook || ...more |
Notes are private!
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1
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Mar 09, 2024
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Mar 12, 2024
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Jan 19, 2024
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Kindle Edition
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1761332627
| 9781761332623
| B0C1ZBRKH1
| 4.60
| 42
| unknown
| Apr 09, 2023
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liked it
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In a Nutshell: Bit of a misleading title. Most of the book is not about the birthday but about how much the child is loved and treasured. Gets a tad t
In a Nutshell: Bit of a misleading title. Most of the book is not about the birthday but about how much the child is loved and treasured. Gets a tad too cheesy. Outstanding illustrations though. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Because I loved this author’s ‘I Will Always Be Proud of You’, I decided to try this book, even though his second book, ‘I Will Always Love You’, left me with mixed feelings. Unfortunately, this one also is a mixed bag, albeit for very different reasons. The book is written in first person, and is addressed by the adult narrator to the child whose birthday is soon coming up. The text is in simple rhythmic prose, in the classic ABCB rhyming pattern. Thus, reading this book aloud works well because of the balanced meter. However, the content is not like what I had expected. I thought the birthday will be the focal point, and that the entire writing would revolve around the special day and what it might bring. But the birthday is actually the climax of the book. Until then, what we get is hopeful thinking about the child’s future and love-filled affirmations towards the child. This would have been great, had the lines not been so cheesy. I think it went a bit overboard on the "my love" factor, with some of the lines sounding more romantic than parental because of the word choices. My main problem is that the lines and sentiments are very similar to the content of Book Two. Only the ending is different. This creates a lot of déjà vu when you read the books one after the other. There shouldn’t be so much of redundancy between two standalone books of the same series. The illustrations are mind-blowing – no surprises here. To be honest, the main reason I pick up the picture books by this author is the outstanding illustrations. Every page is filled with joy! The sketches are inclusive in most ways, except that fat rep is missing yet again, with all the human characters being thin. There are five famous people incorporated within the illustrations. But as their sketches are based on when they were younger, it's impossible to recognise them. (What made it even tougher for me was that I hadn’t even heard of any except one of the famous people.) The final section of the book reveals the names and achievements of these people. There are also some special dogs in the illustrations, with their breeds specified at the end. These are really cute, as dogs always are! Overall, a decent book but with restricted appeal as it works best only as a birthday gift. Then again, the title does hint at this factor. I just wish the book had more individuality rather than being a rehash of the second book. 2.5 stars, rounding up for the illustrations. My thanks to Picco Puppy and Edelweiss+ for the DRC of “I Wish You A Happy Birthday”. This review is voluntary and contains my honest opinion about the book. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Connect with me through: My Blog || The StoryGraph || Instagram || X/Twitter || Facebook || ...more |
Notes are private!
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1
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not set
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not set
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Jan 15, 2024
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Kindle Edition
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B0BWH9V515
| 4.14
| 35
| Jun 15, 2023
| Jun 15, 2023
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it was ok
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In a Nutshell: I wanted this collection to work for me. But it just didn’t. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ This short story collection contains 28 storie In a Nutshell: I wanted this collection to work for me. But it just didn’t. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ This short story collection contains 28 stories that are quite diverse from each other. They cover a variety of genres (crime, horror, dystopian, sci-fi, mystery…), periods (historical, contemporary, futuristic), lengths (with the shortest story being just a page long), and character perspectives (first, second and third person.) As such, the stories don’t feel repetitive. This should have made the stories work well for me. But somehow, the writing style didn’t suit my taste. The plots were too meandering for my liking, with sometimes there being no logical connection between the start and the finish. At times, the ending was too abrupt. Many stories were quite conversation-dominated, a stylistic choice that never works for me. The stories are supposedly “steeped in Spanish culture and tradition.” I might be too dense in this regard, given my lack of familiarity with all thing Spanish, so I could hardly make out anything cultural in the stories. The title seems to promise twists, and there are twists present in the end for many of the stories. But most of these were foreseeable and hence not surprising to me. I think a part of me expected more darkness from this collection, partly because of the titular crows. The darkness is present only in bits and spurts. That said, I must give the stories credit for being quite imaginative. Many of the premises were mind-blowingly creative. If only the implementation had worked better for me! The stories have been translated from Spanish (the author is of Venezuelan origin), but nowhere could I detect a linguistic hurdle and the writing flowed smoothly. Kudos to the translator! As always, I rated the stories individually. However, most of them ended up with a midway or lower rating. No story reached even the 4-star mark. As such, my overall experience was just average and I cannot pick any story as a memorable one. The closest to the top were ‘Crow Salad’ and ‘Two Rocking Chairs’, with 3.5 stars each. Most readers seem to have enjoyed this collecting, so either I was the wrong reader for this, or I picked it up at the wrong time. So please go through the other reviews before you take a call on this book. 2.4 stars, based on the average of my ratings for each of the stories. My thanks to BooksGoSocial and NetGalley for the DRC of “Twisted Crows: Spanish-Infused Short Stories”. This review is voluntary and contains my honest opinion about the book. Sorry this didn’t work out better. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Connect with me through: My Blog || The StoryGraph || Instagram || X/Twitter || Facebook || ...more |
Notes are private!
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1
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Dec 16, 2023
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Dec 21, 2023
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Dec 16, 2023
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Kindle Edition
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B0CLKZSGCP
| 3.82
| 44
| unknown
| Nov 05, 2023
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it was ok
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In a Nutshell: A contemporary drama focussing on the emotional trauma of a young girl. Authentic in psychological portrayal, thanks to the author’s ba
In a Nutshell: A contemporary drama focussing on the emotional trauma of a young girl. Authentic in psychological portrayal, thanks to the author’s background. The rest however, is a mixed bag. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Story Synopsis: Daisy Bowen-Jones is a teenager you would love to hate – a rude bully with several bad habits. She has been expelled from school, and her family – comprising her mom Estelle, grandma Dorothy, and uncle Ben – are concerned about her. But Daisy knows that she may not have a long life. Her genetics ensure that the disease her father had is definitely going to affect her too some day. Daisy’s family is behind her to get genetic screening done, but Daisy stays adamantly away. Things begin to change a little when Daisy is forced by her grandma to work in a care home, looking after dementia patients. But with several family secrets now tumbling out, Daisy is still a long way from recovery. I had loved this author’s ‘Surviving Her’. She is a practising clinical psychologist, and puts her knowledge to good use in making her characters seem vulnerable and real. She also does not use the disease just for namesake, but actually shows the physiological and psychological effects of living with such life-threatening diseases. This tendency of hers is visible in the current book too. The rest however is not that impactful for me. Bookish Yays: ...more |
Notes are private!
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1
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Dec 16, 2023
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Dec 18, 2023
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Dec 16, 2023
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Kindle Edition
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B0CLGMP121
| 4.56
| 39
| unknown
| Oct 19, 2023
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it was ok
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In a Nutshell: A collection of slice-of-life stories set in India. As with most story collections, some stories worked, some didn’t. The reader in me
In a Nutshell: A collection of slice-of-life stories set in India. As with most story collections, some stories worked, some didn’t. The reader in me found it decent. The Indian in me is a bit disappointed. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ This collection has ten stories set mostly in contemporary India, though not necessarily in urban India. There is no specified or apparent theme to the tales, but one thing they have in common is that they all feature a protagonist living through a major life-altering event: sometimes positive, mostly negative. The ten stories are disparate from each other in setting, characters, and plot. Many stories are set during the covid-19 pandemic, and the helplessness and melancholia of those days seeps into the plot. The protagonists are also varied. Thus the tales don’t feel repetitive at least in terms of content. These are more on the lines of slice-of-life narratives. The endings aren’t exactly abrupt, but they didn’t leave me satisfied as they left too much to the imagination. This collection has stories set in India but is to be released in the US. As such, I wanted it to present a picture of India that is not commonly seen in the Western literary world. The collection meets this expectation to a certain extent. The stories span people from varying societal levels, ranging from the migrant worker to the upper class. However, while we get to see the people, we don’t really get to see the place in most of the stories. Nothing in the writing helped me to picture the location for most of the stories. And this is when I am from India, and know many of the indicated locations. How exactly is a Westerner supposed to visualise the setting without the atmosphere being brought to life by the text? I was also puzzled by the lack of data-based references in many stories. One story is a partial retelling of a mythological battle. The names of the mythological characters aren’t explained. If I hadn’t known the original epic, I wouldn’t have even realised that it was a retelling. Another story has one of India’s greatest rivers – the Ganga – at the heart of the plot. But the story doesn’t mention its name even once. For most of the stories, the location isn’t specified, thereby potentially setting them anywhere within the country, which isn’t really practical for a country with such a vast range of everything! The writing style is simple, a bit too straightforward at times. At times, the dialogues seem artificial, like people might talk in soap operas but not in realistic fiction. There are a few Indian words, but there’s no glossary. (Not that I needed one, but the target audience will.) As always, I rated the stories individually. And the result was pretty much a mixed bag. The range of ratings went from 1 star to 4 stars, making it a very uneven read for me. These were my favourites: ...more |
Notes are private!
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1
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Dec 14, 2023
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Dec 16, 2023
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Dec 10, 2023
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Kindle Edition
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B0CJC9QRX6
| 4.00
| 1
| unknown
| Sep 18, 2023
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In a Nutshell: A futuristic retelling of the classic short story, ‘The Yellow Wallpaper’. Started well, but as it progressed, it left me confused and
In a Nutshell: A futuristic retelling of the classic short story, ‘The Yellow Wallpaper’. Started well, but as it progressed, it left me confused and disappointed. Needs much editing. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Story Synopsis: Emily and her husband John have just moved into a futuristic “smart home”. John is quite enthusiastic about the new residence, but Emily feels an immediate sense of unease and can’t settle in comfort. The digital wallpaper, with its constantly shifting and mesmerising patterns, is especially responsible for making Emily feel like she’s being watched, even haunted by some artificial presence. John is insistent that the house is perfectly fine and that it is Emily’s mental health that is questionable. Will Emily’s increasing obsession with the wallpaper and her paranoia alleviate with time? Many of us might have read the classic short story, ‘The Yellow Wallpaper’ by Charlotte Perkins Gilman. It highlights how a combination of post-partum depression and the controversial “rest cure” resulted in the narrator’s deep-dive into a strange psychosis. This indie novella takes the essence of the same premise but gives it a futuristic twist. Some of it works, some needs a bit more fine-tuning. On the positive side, I love the techie twist given to the original. The concept of a digital wallpaper that uses hallucinatory art to play with the mind of its target is stunning. Emily’s pareidolia is also put to good use. The story is a psychological suspense, and in that sense, it works well. I am still not sure of the borders between Emily’s reality and her delusions. So many scenes left me muddled about whether they actually occurred or were just imagined by Emily in her intensified psych state. It felt like the author was going beyond her character and toying with my mind as well. Creepy! In many ways, this debut work is as bizarre as the original, with the ending being equally abrupt. However, a part of me feels that the third-person narrative voice is one reason why I wasn’t as affected by Emily’s turmoils, as by Gilman’s unnamed narrator with her surreal first person perspective in ‘The Yellow Wallpaper’. The story is divided in ten chapters. Such divisions aren’t common in short fiction, but they usually work well for establishing a change of scene. This time though, a few chapters seemed to begin with a kind of recap of what had already occurred. I am not sure if this story was originally written for some kind of an episodic release, but if it is to be read as a single short story, these redundancies must be removed. In fact, the whole story needs a firm round of editing to fix the continuity gaps and cull out the repetitions. Many scenes and lines create déjà vu. The time jumps are too long and too frequent, and sometimes, don’t make sense. The chapter titles also act as spoilers. There are so many questions left unanswered. I can understand some things not being clarified to intensify the psychological impact on the reader, but here, the questions far outnumber the explanations. Why did the tech not work on John? Why didn't Emily leave him after learning his intent? How did she not know her doctor husband’s medical specialisation? No idea. The Goodreads blurb reveals a lot more about the characters than is present in the story. Like, I didn’t even know Emily was a tech journalist until I reread the blurb. But this background doesn’t make sense in the context of the story, where she seems to be a Luddite. All in all, the content shows tremendous imagination, and attempts to go deeper into how mental manipulations occur through technology. The story tries hard to follow the flow of the original classic, while still incorporating enough novelties. The sincerity with which this tale has been nourished cannot be doubted. But earnestness can go only so far. Until the writing issues are fixed and the overall flow tightened, the story won’t satisfy at the same level as the classic. It’s a valiant attempt, though. One last point of feedback. The sober-looking cover doesn't suit this work. It needs to feel more psychedelic, more out-of-the-box to match the eccentricity of the tale. 2.5 stars. My thanks to author Anna Maeve for providing me with a complimentary copy of “The Digital Wallpaper”. This review is voluntary and contains my honest opinion about the book. This book is currently available free to Kindle Unlimited subscribers. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Connect with me through: My Blog | The StoryGraph | Instagram | Facebook | Twitter ...more |
Notes are private!
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1
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Nov 06, 2023
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Nov 10, 2023
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Nov 06, 2023
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Kindle Edition
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166250439X
| 9781662504396
| B0BTJCXNHS
| 4.19
| 10,028
| Dec 05, 2023
| Dec 05, 2023
|
liked it
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In a Nutshell: Outlier opinion. I liked the concept of the book. Offers thought-provoking situations and important themes. Too much of social commenta
In a Nutshell: Outlier opinion. I liked the concept of the book. Offers thought-provoking situations and important themes. Too much of social commentary, though. Great for book clubs. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Story Synopsis: Sloot, Utah/Arizona border. Fifty-eight-year-old Norma volunteers with the local Search-and-Rescue team, using her horse and her two hounds to locate missing persons. On one such occasion, she finds a nineteen-year-old girl named Jill, reported missing by her boyfriend. However, Jill begs Norma not to reveal to anyone her whereabouts as she is terrified of her boyfriend Jake and was trying to run away from him when she lost her way. Against her gut feel, Norma decides to adhere to Jill’s request and helps her back to her parents’ house in California. Bookish Yays: ...more |
Notes are private!
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1
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Dec 03, 2023
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Dec 06, 2023
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Oct 26, 2023
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Kindle Edition
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1962830012
| 9781962830010
| 1962830012
| 4.40
| 15
| unknown
| Oct 10, 2023
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it was ok
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In a Nutshell: An interesting mix of short-length mysteries. Some good tales herein, but the writing was too basic and meandering for my taste. ~~~~~~ In a Nutshell: An interesting mix of short-length mysteries. Some good tales herein, but the writing was too basic and meandering for my taste. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ This is a collection of thirteen short stories, all from varied mystery subgenres. There is no author’s note introducing the theme of the stories, but the Goodreads blurb and the title offer enough of a hint about the content. Every story is divided across multiple chapters and even includes an epilogue, though this is quite a short book at a little over 200 pages. Every tale has a male character in the central role, with women playing mostly typical parts. The first six stories are standalone tales, delving into the psychology of human nature and how motivations affect behaviour. The remaining seven stories are linked investigative mysteries with one character in common: Tom Reynolds, a crime reporter for a Boston newspaper. I liked the first set of six stories a lot more than the Tom Reynolds compilation. One reason for this is that I am not a cosy mystery fan, and the seven linked stories were more cosy in style. Moreover, the initial set offered better variety across characters and situations; the latter felt repetitive and was overloaded with characters. The ‘truth’ in the title is used literally in the first set, where each of the six tales ends with a kind of truth. This isn’t necessarily a moral, more like an observation or sometimes, a piece of advice. Nothing really earth-shattering about these ‘truths’, so though it was a novel idea, it didn’t impress me much. While the stories offered an interesting array of mysteries, the writing style let me down. The prose is overly simplistic, with no frills or flourishes. No vivid descriptions of places. No atmosphere. This was the minor problem. The major problem was the penning style, which felt quite amateurish. Characters are introduced by their backstory being written in a single para than by letting us learn details about them through the plot itself. Tenses go back and forth between past and present, sometimes within the same sentence. The narrative perspective goes hopping from character to character without any reason. One of the stories reveals a part of the mystery in the title itself! There’s a whole load of telling and meandering. Characters are referred to by first name as well as last name randomly, thereby needing you to remember the full name of all key characters. Thus, though the stories were fairly entertaining, reading them was a strenuous and confusing exercise. If you are not the kind of reader to obsess over grammar and style, you won’t be bothered by the above. I don’t mind simple writing – some of the best stories in the world are written in the simplest of vocabulary. But there is a difference between simple and basic writing, and this book falls into the basic category. All the writing issues can be fixed by a round (or more) of stringent editing. Indie authors should realise that human editors exist for a reason. (On an aside, this is the third indie book I have read in November itself that suffers from such major editing issues. It’s very disappointing because until October, I have had a fabulous run with indie offerings. November seems hell-bent on spoiling this streak. I hope this doesn’t continue.) As always, I rated the stories individually. But the writing deflected me from immersing myself into the stories, and as such, none of them blew me away. The best two tales for me were ‘Pickles Can Kill You’ and ‘The Candidate’, with 3.5 stars each. All in all, if you aren't the kind of reader who gets easily distracted by editing blunders, then these stories might work fine. Recommended only to those mystery-lovers. As the other reviews show, no one else had no problem with this debut work. I am the lone outlier so far, so feel free to ignore crabby old me and give this book a go. 2.4 stars, based on the average of my ratings for each story. My thanks to Amazon Smart Publishing and NetGalley for the DRC of “Twisting Tales and Truth”. This review is voluntary and contains my honest opinion about the book. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Connect with me through: My Blog | The StoryGraph | Instagram | Facebook | Twitter ...more |
Notes are private!
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1
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Nov 09, 2023
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Nov 12, 2023
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Oct 25, 2023
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Hardcover
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1804542679
| 9781804542675
| B0BM2DP2PK
| 4.22
| 1,236
| unknown
| Oct 20, 2023
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it was ok
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In a Nutshell: An imperfect Christmas story. Could have been really good had the characters behaved better. Not my favourite Bella Osborne work by far
In a Nutshell: An imperfect Christmas story. Could have been really good had the characters behaved better. Not my favourite Bella Osborne work by far. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Story Synopsis: Blythe is desperate to sell just one more house this month so that she can set a new record at the real estate firm she works with. So she bends the truth just a teensy bit when she sells a home in the picturesque little town of Holly Cross to city dweller Sam. Sam hates Christmas, so he is unaware that he has purchased a residence in the centre of the most Christmassy village of the country. Needless to say, as Christmas draws near, Sam is the Grinch who might jeopardise Holly Cross’s chances of winning a Christmas village competition. Now Blythe has to do some quick reparations as she is the one to blame. I admit, I was looking for light fluff when I picked this up. But one really bad habit I have is that even when I read fluff, I can’t let go of my logical side. As such, this book, that seemed intent on punishing the honest guy and supporting the lying girl, wouldn’t win any fairness awards from me. Sam was clear that he detested Christmas. He was the one Blythe hid the truth from. And yet, he was made out to be the villain (rather, the Grinch) of the story. Why? Not everyone likes (or needs to like) Christmas, and it was totally unfair of them to compel Sam to get involved. If I were in Sam’s position, I would have had a mental breakdown at the annoying intimidation of the villagers. It was strangely ironic to read a Christmas story with no sign of the Christmas spirit. Moreover, as a small-town holiday story, I expected to find some genuine Christmassy moments in the plot as well. But there’s no sign of carolling or anyone going to church, or doing anything else that’s truly connected to Christmas, except for one scene about a Christmas day family lunch. Instead, the whole story focusses only on those elements of Christmas that even I detest – the over-the-top decorations, the needless competitions to have the best decorated house/village, the frivolous expenses for purchasing huge quantities of non-recyclable décor, the cutting off of live trees, the larger-than-life gifts,… All nothing but crass commercialisation with no connection to the solemnity of the occasion. Of course, this is only a romcom, so I can’t really expect much on character development and festive accuracy. So let me gauge it as a romcom. The rom is almost invisible. Sam and Blythe are at loggerheads with each other, until they suddenly aren’t. There’s no mention of attraction, there’s no friendship that slowly warms up to something deeper, there’s no “sparks flew” meet-up. No build-up at all! Basically, it is like a Sophie Kinsella novel, where the idiotic self-centred heroine can do what she wants without any concern for others, and the good guy still falls in love with her. So unfair and unrealistic! The com is more varied in comparison. There’s situational comedy, double entendre, slapstick, repartee,... I like clever humour so the puns and the dirty jokes were quite funny to me. But the slapstick humour, I could have happily kicked out. There is a minor mystery in the story, connected to the owner of the house that Sam purchased. This is decently satisfying, though it wasn’t convincing. The blurb makes this sound like the story of Sam and Blythe’s relationship. But about a fourth of the book is written from the point of view of Blythe’s best friend Vicky, who is a single mom and has her own second-chance romance. I didn’t like this track either, as once again, there was no build-up, and once again, the past involved lies. What I did like about the story were some of the secondary characters such as Blythe’s mother and stepfather, Vicky’s daughter, and most of all, Tarpin the feral cat. Basically, there are a few good holiday moments herein, but on the whole, it was a meh experience for me. I’d rather read Jaimie Admans, who does a much better job at handling holiday romances in vivid settings. Holly Cross felt very pale in comparison to the stunning locations Admans envisages in her novels. All in all, this did most of what it set out to do. If you don’t use your brains too much and are a Sophie Kinsella fan, you might enjoy this as an entertaining light read. Unfortunately for me, I was looking to replicate the great characterisations I saw in this author’s ‘The Promise of Summer’ and ‘The Library’, but that wasn’t to happen. As it was also over-dramatic for my tastes, this might just be a case of right book, wrong reader. Do read the other reviews and get a more balanced opinion before you take a call. 2.5 stars. My thanks to Aria & Aries and NetGalley for the DRC of “The Perfect Christmas Village”. This review is voluntary and contains my honest opinion about the book. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Connect with me through: My Blog | The StoryGraph | Instagram | Facebook | Twitter ...more |
Notes are private!
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1
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Oct 19, 2023
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Oct 22, 2023
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Sep 27, 2023
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Kindle Edition
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0063031485
| 9780063031487
| B0BRY8FKYQ
| 3.77
| 25,035
| Oct 10, 2023
| Oct 10, 2023
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it was ok
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In a Nutshell: A book that is mostly women’s fiction focussing on a Chinese mom’s quest to be reunited with her daughter. The tag of ‘mystery/thriller
In a Nutshell: A book that is mostly women’s fiction focussing on a Chinese mom’s quest to be reunited with her daughter. The tag of ‘mystery/thriller’ applies to it in the loosest possible sense. I liked a few things but was equally unhappy with some other points. This is an outlier review. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Story Synopsis: 2007. New York. Bookish Yays: ...more |
Notes are private!
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1
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Dec 25, 2023
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Dec 29, 2023
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Sep 11, 2023
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Kindle Edition
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my rating |
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4.02
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it was ok
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Sep 28, 2024
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Sep 15, 2024
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3.77
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liked it
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Sep 03, 2024
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Aug 06, 2024
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3.82
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liked it
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Jul 16, 2024
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Jul 11, 2024
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3.97
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liked it
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Jul 29, 2024
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Jul 09, 2024
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3.62
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liked it
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Jun 28, 2024
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Jun 26, 2024
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3.82
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it was ok
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Jun 17, 2024
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Jun 13, 2024
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4.00
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it was ok
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May 28, 2024
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Apr 08, 2024
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4.14
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liked it
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Jun 15, 2024
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Apr 05, 2024
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3.76
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liked it
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Mar 24, 2024
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Feb 19, 2024
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4.18
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liked it
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Feb 17, 2024
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Feb 08, 2024
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3.89
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it was ok
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Mar 12, 2024
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Jan 19, 2024
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4.60
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liked it
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not set
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Jan 15, 2024
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4.14
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it was ok
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Dec 21, 2023
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Dec 16, 2023
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3.82
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it was ok
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Dec 18, 2023
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Dec 16, 2023
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4.56
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it was ok
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Dec 16, 2023
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Dec 10, 2023
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4.00
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Nov 10, 2023
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Nov 06, 2023
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4.19
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liked it
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Dec 06, 2023
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Oct 26, 2023
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4.40
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it was ok
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Nov 12, 2023
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Oct 25, 2023
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4.22
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it was ok
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Oct 22, 2023
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Sep 27, 2023
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3.77
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it was ok
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Dec 29, 2023
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Sep 11, 2023
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