Kai wakes up in a watery tomb when an upstart poseur magician tries to take his magic. He has no idea how he got there, but he plans to find out. And Kai wakes up in a watery tomb when an upstart poseur magician tries to take his magic. He has no idea how he got there, but he plans to find out. And he's pretty mad when he wakes up. That’s just the beginning as his quest to find answers leads him to forming unlikely alliances to fight a tyrannous kingdom who has taken control over everything that Kai once knew.
Witch King feels epic, yet very personal as it’s through the eyes of an unique viewpoint, a demon who has the power to inhabit the bodies of humans. Demons are not like the Christian concept in this novel. Instead, they are beings who live in the Underearth but are able to inhabit the bodies of mortal, although their eyes are fully black, and they possess unique abilities based on their nature. So I think they are a very distinct sort of demon. Keep in mind, I am sure that more well read people in this genre may have read more stories with this kind of demon than me. Kai has magic abilities, and gains more when he takes over the body of an enemy.
I really did enjoy this book. But I won’t be dishonest. It was a bit confusing for me. The types of names and the places were hard to keep straight. It didn’t help that I would pick this up and put it down multiple times, as life has not allowed me to have much reading time (and I have so much going on, that it’s harder to focus on a book). It would take me a few minutes to get reoriented when I picked it up again, but I finally decided I didn’t need to pass an exam on what I was reading. Instead I just decided to embrace the experience. Once I did that, it became a lot lower stakes to read it as I could. I was just along for the ride.
I loved that the cultures are modeled after non-European civilizations and there is plenty of diversity (lots of shades of brown and evidence of different ethnicities), along with non-binary and LGBTQ representation.
I really liked Kai. He’s got a very wry sense of humor that I enjoyed. He’s also a complete badass. But he’s not the type whose a bragger about it. He’s just going to do the thing, and hopefully you are not in his way or the person who’s his opponent. I liked the secondary characters. I did get a little bit confused at first on who was whom, but eventually, I got into a rhythm where I was able to read their names and connect the characters to what part they played in the story. I liked how there are different kinds of magical abilities that seem to complement each other. Kai’s ability is very cool and kind of scary, and it gets magnified through different experiences through the book.
I feel like the story starts one way and ends up in an entirely different place, but there is some closure about the initial plot point. The open ending makes me wonder if this would be a series. If it is, I’ll be reading it.
This is not an easy read, in my opinion. It’s going to take some thinking through and focus to read, but it think it’s worth it. I really appreciate Martha Wells’ writing, and I definitely want to continue reading her backlist. I love her sense of humor but also the complexity of her characters.
Advanced Review Copy provided by Netgalley courtesy of Tordotcom for review....more
The Spite House is hungry. Humans are full of dark emotions that make for good eating. Is our love stronger than our rage and bitterness? Those are quThe Spite House is hungry. Humans are full of dark emotions that make for good eating. Is our love stronger than our rage and bitterness? Those are questions that you will ponder when you read this short but atmospheric novel. I feel very unsettled when I think of this book, but yes, I'd like to see a movie adaptation, and I want to read more by Johnny Compton.
I was reading this over a long period, in spurts. With the craziness of life, I just haven't had much time to read graphic novels, unfortunately. I reI was reading this over a long period, in spurts. With the craziness of life, I just haven't had much time to read graphic novels, unfortunately. I read this on my Ipad, which is really good for looking at comic panels. I love how the Kindle (Comixology) version allows you to tap on each panel and it magnifies the panel. This is the Alan Moore classic that revamped the character. It's very, very dated in the art style, but that's okay. It's historical. The colors are really bright, almost obnoxiously so. It's an 80s comic printing thing, and as I've studied comic art history, that was kind of fun to experience the medium. I was quite pleasantly surprised at how scary this was. Each story is kind of like a monster of the week format, which I absolutely love. For such an older comic, it really was spooky, scary and disturbing. In fact, this would have made a good Halloween read. I think I finished it in the late spring, so unfortunately, I didn't get to enjoy the spookiness for October. I definitely ship Swamp Thing/Alec and Abigail. Their doomed(ish) romance appeals to my sensibilities. I had watched the short-lived but very good DC TV show Swamp Thing and it was nice to compare it with the comic story (it holds up very well, IMO).
There's something about Swamp Thing that I really dig, so I know I'll be reading more.
I would recommend reading this if you don't mind the dated look of 80s era comic books....more
This is my least favorite out of the Daredevil Visionaries volumes. I think the storylines were less compelling and didn't make up for the dated naturThis is my least favorite out of the Daredevil Visionaries volumes. I think the storylines were less compelling and didn't make up for the dated nature of the artwork. Also, there wasn't nearly enough Elektra in it for me. I don't like Heather Glenn as Matt's girlfriend. I think that it's a misalliance. Plus, the villains were pretty campy in my opinion. "Guts" was a lot of fun. Foggy Nelson, Matt's law partner, goes off on his own adventure to investigate arms dealing for Heather, and gets a reputation as a formidable assassin. Daredevil goes along as his invisible backup and does all the butt-kicking dirty work for him. I was sad when it ended. I also liked Matt's what if Elektra hadn't died. The story about Matt as as SHIELD agent wasn't as successful. Oh, and I liked how the Punisher shows up. They are good contrasting characters, and in some ways mirror each other, although make different choices for the 'good.' Although I find Matt a very likable, sympathetic lead, part of me really respects the Punisher's ethos. I think when I'm upset with all the injustice and cruelty in the world, having a cypher like the Punisher is good catharsis for me. In general, I think I am generally more aligned with Daredevil's ethos, but sometimes, The Punisher gets the thumbs up from me.
I did like that I was able to catch up on Daredevil's story. Now I'm glad that I can read some newer comics about Daredevil and Elektra and get some more updated artwork and storylines. I don't doubt the influence that Frank Miller and his coworkers have had on this character, and I am grateful for these older books in the series. I'm glad I was able to read these from the library....more
I became acquainted with the "Under the Red Hood" storyline via the animated movie, and it is definitely a very dark part of the Batman history. I havI became acquainted with the "Under the Red Hood" storyline via the animated movie, and it is definitely a very dark part of the Batman history. I have recently embarked on exploring the Batman graphic novels, and decided to give this one a swing. This was very good.
This serves as a bit of a prequel to when the Red Hood enters the Gotham scene. It's not about Batman. It's about Jason Todd, who was found in the ruins of the warehouse that the Joker brought down on his head after beating and torturing him nearly to death. Initially, Jason is catatonic, but Talia Al'Ghul sees him as a pawn in destroying Batman and mentors him into the dangerous and murderous vigilante/assassin he becomes. He learns everything that Batman doesn't teach him about the darker Arts of War, with the goal of getting revenge on Joker (and peripherally Batman). In the process, he realizes that deep down, he still believes in fighting for good, but is willing to use extreme methods to deal with evil that Batman would never countenance.
This feels like a credible action/suspense story. Jason goes deep into the darkest pits of corruption and criminality, learns the skills he needs for his ultimate quest, and finds he can't turn a blind eye when innocents are harmed, or the tutors that Talia acquires for him turn out to be reprehensible in their habits. He also realizes that not all the means are justified for a desired end. Jason has a phenomenal brain and the incredible acrobatic and martial arts skills that demonstrate very clearly why he was Batman's Robin. Ultimately, I don't see that he has departed to far from the path that Batman sent him down. Maybe he is lost, but I think he will find his way. I need to read Batman: Under the Red Hood soon!
Definitely worthy of a 4.5/5.0 star rating....more
I was nervous about this book, because I love this time period, but I don't care much for estranged married couple romance. However, Ms. Raybourn tackI was nervous about this book, because I love this time period, but I don't care much for estranged married couple romance. However, Ms. Raybourn tackles both with beautiful grace. This book has wonderful atmosphere and Evie and Gabriel are both very endearing characters. The adventure was a much appreciated bonus.
Was thrilled to see this on the shelf at my library, since I've been wanting to read it for a while. Mostly enjoyed it, although there were some unpalWas thrilled to see this on the shelf at my library, since I've been wanting to read it for a while. Mostly enjoyed it, although there were some unpalatable aspects. A good dose of sex and violence cocktail. I am not a big fan of that combo. You may say a duh to that, since Elektra is a sexy assassin. I think it's all in the execution.
Elektra was depicted as a whole lot of crazy in this book. It occurs after her death and is about her resurrection by the Hand. She becomes a killer designated in service of the Hand, indirectly the Beast (yeah that one). However, she slowly becomes aware of a conspiracy of the Beast to end the world through the use of political puppets and dedicates her exceedingly expert kills in the art of death-bringing to eliminate all involved. She leaves quite a body trail behind her.
The artwork is innovative and very stylish, with a use of multiple media to convey the visual message of and along with the narrative in this book. Elektra doesn't speak much. She retains this mystique that adds to her allure. Most of her narrative was thought processes conveyed on the page. Honestly, I found her psychopathic in some ways. I wasn't quite sure if what she was experiencing wasn't a psychopathic break, and didn't get clarity until the end.
I wasn't quite in love with the storyline. It was way more political than I would have liked. I think I would have preferred a more intimate storyline. I certainly didn't like some of the venues and the secondary players in this novel. Wasn't that in love with Garrett's character or his ex-partner who turns out to be all kinds of icktastic.
Would you like this one? It depends. If you like Sin City (by the same writer), then probably. If you find some aspects of Sin City repellent, you might be like me, where I do like some aspects and others not so much. Yes, you know you're in for violence and lots of it with Elektra. I think I was hoping for something a little different in the execution. However, I can't give it less than four stars, because it's quite a work of art overall, the parts that were a turnoff, not withstanding.
At the end of the day, I am still a big fan of Elektra. A guilty pleasure of mine (since at heart I am not a fan of unnecessary or gratuitous violence). Yes on one level, I know that's probably wrong of me, but she's a bad@$$ female Ninja assassin who knows her way around a katana and sais (any edged weapon although her whole body is lethal), and can wreak all kinds of havoc in unimaginable ways. And I have to love her for that!...more
The Duke of Shadows was a meaty, involving historical romance, the kind I love! I admit I put off reading this book because I wanted to be in the righThe Duke of Shadows was a meaty, involving historical romance, the kind I love! I admit I put off reading this book because I wanted to be in the right mood for it. I was hesitant when I started it, feeling it would be too much for me right now. However, it turned out to be a good book to read at this time, because I was completely focused on the storyline.
I completely respect the way Ms. Duran addressed the setting of the British Raj in India, mid 1800s. She showed the complex issues at work: nationalism, prejudice, exploitation, cultural insensitivity, imperialism, loyalty, race; and for Julian and Emmaline, add falling in love to that picture. Although I have discussed with some romance fans who don't enjoy exotic settings about the tendency to pander to stereotypes or to oversimplify the pertinent issues, I enjoy exotic settings very much. Probably because I crave a good story of adventure and of travel to far away destinations--it adds another desirable layer to the escapist joy of romance reading. Of course, I do want to experience writing that does reach that 'next level,' and that addresses the important topics that go along with imperialism in a clear, thoughtful, and honest way. I feel that Ms. Duran did accomplish this in writing The Duke of Shadows.
As the descendant of African slaves, Native American tribespeople, and Irish immigrants to America, I can identify with the anger and sense of injustice of being under someone's economic and social yoke, with the wrong belief by the overrriding culture that they are bettering the savage or inferior race, showing a profund lack of respect for the beliefs and cultures of that 'conquered' group of people. I definitely could see the side of the native Indians, their land taken over, their cultures devalued, their people abused. On the other hand, the savagery in which the natives attack the British residents, civilian (including children and women) and soldier alike was very difficult and injust in a different way. Two wrongs never make a right. Duran shows both cultures at their best and their worst, making it clear that at the heart, we are all humans, good and bad.
I'm sure that Julian felt like he was being ripped in two by the uprising, having both Indian and English blood flowing in his veins. Not to mention that he never seemed to belong fully to either culture--too Indian to be a British person, and too British to be an Indian man. On top of that, was the fear that he couldn't protect Emmaline, the woman he'd fallen in love with, or his Indian relatives. This made for a very dramatic, somewhat shocking in parts, and extremely poignant read. Also, seeing Emma's breakdown and her struggle to survive after what she'd seen and experienced, and had to do for her survival. I can understand her anger at Julian in believing he'd failed to honor his promise to her, that he'd forgotten about her. Especially after the traumatic loss of her parents.
The reunion between these reunited lovers in London had me glued to the page. It was both what I would expect, and completely different. I was prepared to it to be powerful. I had not counted on Emma's rage. I didn't expect for Julian to be so out of control and primal in his need to hold Emma, even in polite company. Of course it made sense. Although their time together in India was short, a profound bond had formed, and their separation had left enormous holes in each other's hearts. They had come to love and rely on each other deeply, both in the tamer times in the British Raj, and during the fires of blood-soaked revolt. Despite all that had passed while they were separated, that love still simmered deep inside them both. However, they had to break past the barriers and the pain that Emma faced. From what I surmised, Julian would have taken up where they left off without a second thought, making Emma his duchess, since his love had never died. To my surprise, Emma turns out to be the more tortured person in this book. Julian's life had always been troublesome to some extent, because of his mixed heritage. He had many years to develop strong defense mechanisms that protected him from the scorn of society, and he had cultivated a reputation for being a fairly notorious, edge-riding member of the Ton. Not one easily dismissed, but not completely accepted by all in the snooty British society realms. For Emma, to go from being a coddled young girl with loving parents, to an orphan forced into a loveless engagement, to fighting for her life in a world in which she is hated and people want to kill her and her kind (and seeing her countrymen commit their own unspeakable acts of brutality), was no simple thing to recover from. It left deep scars on her psyche. It might have destroyed a more frail person, I'm sure.
Meredith Duran's writing reminds me of some of my favorite historical romance writers, like Laura Kinsale, Connie Brockway, and Anna Campbell, in a good way, although she establishes her own unique style and voice. It has a depth and an authenticity that shows me that she respects the time period and the impact of a historical romance with a powerful sense of period, texture, and intensity of emotion and passionate romance. Julian and Emma both are potent, vivid characters that resonated within me as I read. I think that Ms. Duran will likely become a favorite for the manner in which she writes, and the compelling charisma of her characters. This book just has that 'extra wow factor' that I look for in a historical romance, after more than twenty years of reading this genre.
Although there were parts of this novel that I felt weren't ideally paced, I think this is a five star read, because I was so involved and transfixed by this story. And I have to say this is an excellent effort for a first time author. I formed a bond with this book. I didn't just read it, I experienced the story of Julian and Emma as an active participant. The powerful pull into a story will urge me to give a book five stars, as I did in this case. Recommended!...more
I would definitely take off points because the hero is a mega-jerk. He is so hateful to Tessa. I can understand his cyncism about women, but it's almoI would definitely take off points because the hero is a mega-jerk. He is so hateful to Tessa. I can understand his cyncism about women, but it's almost like he was angry that Tessa hadn't died as he thought previously. I think that Tessa was remarkably tolerant of Stavros. I really wanted her to stab him with a fork. No matter what she did, he perceived it in the worst light. I'm assuming he was sleeping around with other women while she was gone, but it's not directly stated. In this case, I wouldn't hold that against him, per se, because he thought she was dead. My big issue is how he's such a tool to her when it's apparent she couldn't be more different from the women in his past and his father's ex-wives. This is one of those books where I wished that the heroine had really left him and he had to jump through all kinds of hoops to get her back. Not enough groveling for my tastes. I thought the imagery was good, and Stavros had a really dark aura that scared Tessa, what you'd expect from a hero who was a very bad man, not just a tool. That was kind of interesting. I really like Anne West's books. She's a good writer. The hero was just too mean for my tastes in this one.