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0063315734
| 9780063315730
| B0BSFXVBBV
| 3.68
| 560
| Oct 17, 2023
| Oct 17, 2023
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really liked it
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Rec. by: Editorial acumen; previous installments; MCL Rec. for: Seekers after excellence I was first attracted to The Best American Science Fiction and Rec. by: Editorial acumen; previous installments; MCL Rec. for: Seekers after excellence I was first attracted to The Best American Science Fiction and Fantasy 2023 by the name of its editor—R.F. Kuang—and the tiny note ("author of Babel") that follows Kuang's name on the cover. Babel is the Hugo-nominated novel (which I haven't read yet) that was preemptively removed from consideration by the 2023 WorldCon committee for fear of offending their hosts (in Chengdu, China): one of the more shameful events in the popular SF award's history. (And self-defeating, as now I want to read Babel even more.) Kuang's own Introduction to this anthology makes no mention of that controversy, of course, since it hadn't happened yet. But what it does make clear is that Kuang is a careful editor and a talented writer—also things I look for when seeking out new SF. The Best American Science Fiction and Fantasy 2023 continues the two-step process that has worked so well for this series in previous years. Series editor John Joseph Adams reads everything (or, well, as much as possible, anyway) and makes an anonymized long-list, from which Kuang chose the stories included here without knowing author or source. This balanced approach is a great way to build an anthology, at least in my opinion. All of these stories were at least readable, and (although I haven't done the research Adams and Kuang did) could very well be the best of the field for 2022: "Readings in the Slantwise Sciences," by Sofia Samatar Over the course of twenty-five years, Herbst and his group confirmed, the fairy biomass declined by 76 percent. "Air to Shape Lungs," by Shingai Njeri Kagunda Finding home is not easy, when the air is not the right shape for your lungs. "Beginnings," by Kristina Ten A fable, with—as fables have—a point. "Sparrows," by Susan Palwick A stark and spare eulogy, for all our lost tomorrows... "The Six Deaths of the Saint," by Alix E. Harrow Practice makes one perfect. "Termination Stories for the Cyberpunk Dystopia Protagonist," by Isabel J. Kim It's always two in the morning, if you need it to be, in the dark cyberpunk city that Cool and Sexy Asian Girl now calls home. The background keeps changing while you aren't looking, though. "Men, Women, and Chainsaws," by Stephen Graham Jones Jenna stumbles into a "violent fairy tale" (p.69), just like one that a different Stephen might have written. "Rabbit Test," by Samantha Mills SF is often really about the present, more than the future, and this story of (so-called) "AI" and anthropomorphism is more pointedly so than most. "There Are No Monsters on Rancho Buenavista," by Isabel Cañas A short and—yes—sweet (sweetly gruesome, anyway) retelling of a Mexican folktale. "Murder by Pixel: Crime and Responsibility in the Digital Darkness," by S. L. Huang Of the moment, and massively footnoted, yet already seeming a bit behind the times... this one is as hard as hard SF can get. "White Water, Blue Ocean," by Linda Raquel Nieves Pérez Families, amirite? But Gabriel has a harder time with their family than most, even so... "The CRISPR Cookbook: A Guide to Biohacking Your Own Abortion in a Post-Roe World," by MKRNYILGLD In an upright and holy nation of knockoff heirloom tomatoes and glowing housepets, where tech bros are 'way more bro than tech, who's to say what might become samizdat? "Three Mothers Mountain," by Nathan Ballingrud Tom and Scotty have apparently never read a fairy tale. Going into a witch's house—let alone one where three of them live and work—is never a good idea. They thought they had good reason to go up the mountain, but purity of purpose is no protection... "The Odyssey Problem," by Chris Willrich To live is to consume. To live is to fail. And there are other Federations (a word chosen with intent, I felt sure), far beyond the one that rescued the solitary inhabitant of Emulvain's Room... "Pellargonia: A Letter to the Journal of Imaginary Anthropology," by Theodora Goss Reality is that which fails to vanish when you stop believing in it, as the saying goes—but then, doesn't that also make reality what appears when you start believing? In Goss' story, three kids (young adults, that is) FAFO—Fantasize And Find Out, that is—what happens when you draw maps for a place that doesn't exist. "Pre-Simulation Consultation XF007867," by Kim Fu The devil's in the details, and the gotchas are in the fine print, when you enter a guided simulation. And no Operator can bring back that last chance to make something right. They can't—it's in the Handbook. "In the Beginning of Me, I Was a Bird," by Maria Dong An odd invasion—the image of the thorny maple seeds floating from the sky to pierce the skins of lonely humans really stuck with me (heh)—and an even odder end to that loneliness. Perhaps it's all for the best... "The Difference Between Love and Time," by Catherynne M. Valente The difference between love and time is (view spoiler)["{...}Nothing. There is no difference. The love we give to each other is the time we give to each other, and the time we spend together is the whole of love.{...}" (hide spoiler)] (p.244) "Folk Hero Motifs in Tales Told by the Dead," by KT Bryski What kind of stories do the dead tell each other, in the frozen and eternally sunlit land beyond the Maw? "Cumulative Ethical Guidelines for Mid-Range Interstellar Storytellers," by Malka Older Storytelling and travel are a pairing as old as Chaucer, at least, but rarely have they been analyzed in such depth. A good finale for the fiction in The Best American Science Fiction and Fantasy 2023. This volume concludes with Contributors' Notes and a list of Other Notable stories which are—no surprise—also worth reading. You'll find out more about Huang's concerns and Willrich's Odyssey, for two. I've adapted the Table of Contents from the Carnegie-Stout Public Library's entry, this time. Merged review: Rec. by: Editorial acumen; previous installments; MCL Rec. for: Seekers after excellence I was first attracted to The Best American Science Fiction and Fantasy 2023 by the name of its editor—R.F. Kuang—and the tiny note ("author of Babel") that follows Kuang's name on the cover. Babel is the Hugo-nominated novel (which I haven't read yet) that was preemptively removed from consideration by the 2023 WorldCon committee for fear of offending their hosts (in Chengdu, China): one of the more shameful events in the popular SF award's history. (And self-defeating, as now I want to read Babel even more.) Kuang's own Introduction to this anthology makes no mention of that controversy, of course, since it hadn't happened yet. But what it does make clear is that Kuang is a careful editor and a talented writer—also things I look for when seeking out new SF. The Best American Science Fiction and Fantasy 2023 continues the two-step process that has worked so well for this series in previous years. Series editor John Joseph Adams reads everything (or, well, as much as possible, anyway) and makes an anonymized long-list, from which Kuang chose the stories included here without knowing author or source. This balanced approach is a great way to build an anthology, at least in my opinion. All of these stories were at least readable, and (although I haven't done the research Adams and Kuang did) could very well be the best of the field for 2022: "Readings in the Slantwise Sciences," by Sofia Samatar Over the course of twenty-five years, Herbst and his group confirmed, the fairy biomass declined by 76 percent. "Air to Shape Lungs," by Shingai Njeri Kagunda Finding home is not easy, when the air is not the right shape for your lungs. "Beginnings," by Kristina Ten A fable, with—as fables have—a point. "Sparrows," by Susan Palwick A stark and spare eulogy, for all our lost tomorrows... "The Six Deaths of the Saint," by Alix E. Harrow Practice makes one perfect. "Termination Stories for the Cyberpunk Dystopia Protagonist," by Isabel J. Kim It's always two in the morning, if you need it to be, in the dark cyberpunk city that Cool and Sexy Asian Girl now calls home. The background keeps changing while you aren't looking, though. "Men, Women, and Chainsaws," by Stephen Graham Jones Jenna stumbles into a "violent fairy tale" (p.69), just like one that a different Stephen might have written. "Rabbit Test," by Samantha Mills SF is often really about the present, more than the future, and this story of (so-called) "AI" and anthropomorphism is more pointedly so than most. "There Are No Monsters on Rancho Buenavista," by Isabel Cañas A short and—yes—sweet (sweetly gruesome, anyway) retelling of a Mexican folktale. "Murder by Pixel: Crime and Responsibility in the Digital Darkness," by S. L. Huang Of the moment, and massively footnoted, yet already seeming a bit behind the times... this one is as hard as hard SF can get. "White Water, Blue Ocean," by Linda Raquel Nieves Pérez Families, amirite? But Gabriel has a harder time with their family than most, even so... "The CRISPR Cookbook: A Guide to Biohacking Your Own Abortion in a Post-Roe World," by MKRNYILGLD In an upright and holy nation of knockoff heirloom tomatoes and glowing housepets, where tech bros are 'way more bro than tech, who's to say what might become samizdat? "Three Mothers Mountain," by Nathan Ballingrud Tom and Scotty have apparently never read a fairy tale. Going into a witch's house—let alone one where three of them live and work—is never a good idea. They thought they had good reason to go up the mountain, but purity of purpose is no protection... "The Odyssey Problem," by Chris Willrich To live is to consume. To live is to fail. And there are other Federations (a word chosen with intent, I felt sure), far beyond the one that rescued the solitary inhabitant of Emulvain's Room... "Pellargonia: A Letter to the Journal of Imaginary Anthropology," by Theodora Goss Reality is that which fails to vanish when you stop believing in it, as the saying goes—but then, doesn't that also make reality what appears when you start believing? In Goss' story, three kids (young adults, that is) FAFO—Fantasize And Find Out, that is—what happens when you draw maps for a place that doesn't exist. "Pre-Simulation Consultation XF007867," by Kim Fu The devil's in the details, and the gotchas are in the fine print, when you enter a guided simulation. And no Operator can bring back that last chance to make something right. They can't—it's in the Handbook. "In the Beginning of Me, I Was a Bird," by Maria Dong An odd invasion—the image of the thorny maple seeds floating from the sky to pierce the skins of lonely humans really stuck with me (heh)—and an even odder end to that loneliness. Perhaps it's all for the best... "The Difference Between Love and Time," by Catherynne M. Valente The difference between love and time is (view spoiler)["{...}Nothing. There is no difference. The love we give to each other is the time we give to each other, and the time we spend together is the whole of love.{...}" (hide spoiler)] (p.244) "Folk Hero Motifs in Tales Told by the Dead," by KT Bryski What kind of stories do the dead tell each other, in the frozen and eternally sunlit land beyond the Maw? "Cumulative Ethical Guidelines for Mid-Range Interstellar Storytellers," by Malka Older Storytelling and travel are a pairing as old as Chaucer, at least, but rarely have they been analyzed in such depth. A good finale for the fiction in The Best American Science Fiction and Fantasy 2023. This volume concludes with Contributors' Notes and a list of Other Notable stories which are—no surprise—also worth reading. You'll find out more about Huang's concerns and Willrich's Odyssey, for two. I've adapted the Table of Contents from the Carnegie-Stout Public Library's entry, this time. ...more |
Notes are private!
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Aug 02, 2024
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Sep 24, 2024
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Kindle Edition
| |||||||||||||||
0312864523
| 9780312864521
| 0312864523
| 3.61
| 709
| 1995
| Jan 15, 1998
|
liked it
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Rec. by: Previous (or subsequent) work; Godfather's Books in Astoria OR Rec. for: Iconoclasts, and peacemakers, perhaps, for a place that knows no peac Rec. by: Previous (or subsequent) work; Godfather's Books in Astoria OR Rec. for: Iconoclasts, and peacemakers, perhaps, for a place that knows no peace The capacity for self-deception was, despite all myths to the contrary, more tenaciously protected in men than in women. Jerusalem Syndrome may not be "listed as a recognised condition in the Diagnostic and Statistical Manual of Mental Disorders or the International Classification of Diseases," but it's frequently observed in visitors to that ancient holy city anyway. Tom Webster has made his way from soggy England to sunny Jerusalem, after the untimely death of his wife Katie and an initially-unspecified workplace issue, and it seems obvious well before the term itself pops up (on page 107) that he has succumbed to something—if not Jerusalem Syndrome, then to something very much like it. I think Tom's college friend Sharon, who lives in Jerusalem, has the right of it, though: "Sometimes I despise this city." Through an unlikely chain of events, Tom receives a copy of a lost Dead Sea Scroll—an artifact which leads him to Sharon's friend Ahmed, a multilingual Arab beset by djinn who, despite misgivings, agrees to translate the scroll. The text turns out to be from an apocryphal Gospel, written by and about (view spoiler)[Mary—Mary Magdalene, that is, who was forcibly expelled from the early Christian church by the machinations of the apostle Paul, who is known only as "The Liar" in the Scroll itself (hide spoiler)]... something which leads Tom and Sharon into ever more intense engagement with Jerusalem's history and the very foundations of Christianity. This isn't easy on anyone, though—not Tom, or Ahmed, or Sharon. Tom in particular may not be as well put-together as he'd like to believe. He's not the most likeable of protagonists, anyway—Tom's guilt over his wife Katie's death, and about his inappropriate relationship with one of his students, seems entirely justified—but the reality is even worse (or even weirder) than that. Reading this novel did feel strangely topical, though—as the events of Requiem are unfolding, the real-life peace negotiations between Palestinian leader Yasser Arafat and Israeli prime minister Yitzhak Rabin were also ongoing, although even then it seemed unlikely that those talks would succeed... "Not everyone is in favor of Arafat. You know Hamas will try to break the talks."Not that the Israelis in Requiem come off as any better... it was depressing to see the squabbling factions in this book and to realize that essentially nothing has changed in thirty years. * Following hard on the heels of the magnificient Facts of Life, I was overjoyed to find this trade paperback (an autographed copy, no less—and we will see no more of those, you know, since Graham Joyce passed away in 2014) in a well-stocked and welcoming bookstore in the seaside town of Astoria, Oregon, called Godfather's Books. Requiem is a substantially earlier effort, though—first published in 1995, though my copy was printed in 1998—and that shows, I think. I did not enjoy Requiem nearly as much as the other, more recent Graham Joyce books I've encountered. The novel's conclusion felt rushed and undeserved as well, at least to me. You may consider one of the stars I've conferred here an asterisk, if you like. But this story still had its moments, and Joyce kept me guessing all along—so job done, Mr. Joyce. Perhaps one day I'll get to thank you for your work in person. Eh, probably not. ...more |
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not set
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Sep 20, 2024
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Sep 22, 2024
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Paperback
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0743463420
| 9780743463423
| 0743463420
| 3.92
| 1,248
| 2002
| Jun 17, 2003
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it was amazing
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Rec. by: Previous work; Powell's City of Books Rec. for: Those who kept calm and carried on The late Graham Joyce (he passed away in 2014) was an unders Rec. by: Previous work; Powell's City of Books Rec. for: Those who kept calm and carried on The late Graham Joyce (he passed away in 2014) was an undersung British fantasist, whose work was always at a bare minimum well-crafted and subtle. The Facts of Life, which came out in 2003, is a magnificent example: a slow burn of a novel, a 21st-Century period piece set during and shortly after World War II, penned by a writer who was at the very top of his form. I ran across my copy during a rather rushed recent trip to Powell's City of Books in downtown Portland, Oregon, and read the first few pages. That was enough to get me to take it in. I'm very glad I did. * The Wikipedia article for the city of Coventry, in England's West Midlands, notes that "in November 1940, much of the historic city centre was destroyed by a large air raid." This event is the axis around which Joyce's story revolves. Of course, it takes a little while for us to get there. As The Facts of Life begins, Cassie Vine is standing on the steps of the National Provincial Bank in the centre of Coventry, holding her newborn child and forlornly waiting for the woman who is coming to take on the raising of that child—a task that Cassie herself must admit she's ill-suited for. After all, Cassie is wayward. Cassie is fey. Cassie is the last girl on earth fit to raise a child. Everyone is agreed.Such are the facts of life. And yet... Cassie has already given up one child. Must she relinquish another? * The Vines are an exceedingly odd family anyway: Odd family indeed, starting with Martha and her phantom visitors. Then Aida, the eldest, married to a man who by common consent looked like a walking corpse; and then the spinster twins, Evelyn and Ina, pillars of the spiritualist church, permanently organizing and documenting the visits of mediums, psychics, clairvoyants, rappers, howlers and peepers; Olive, who could cry for everything and Una, who wouldn't squeeze a tear for anything; and Beatie, who would put up her fists to defend the sanctity of an intellectual idea; and Cassie who thought it passing strange that human beings were not equipped with wings to fly. Here's a bit more about Beatie, and her beau Bernard, which may help explain their perspective: Beatie, who according to Martha was "afflicted with too much brain," was studying at the Workers' Education Association. And, "We've got to build a land fit not just for heroes but the children of heroes." You may have noticed that all of these quotes are from quite early in the book, which—trust me—gets even better as it goes along, as Cassie and her family deal with the Nazi bombing of Coventry and its aftermath, with the responsibilities of child-rearing, and with the extra burden of being, perhaps, just a little more in tune with the far side of life than their more down-to-earth, strait-laced neighbours and friends. * Ultimately, The Facts of Life reveals itself to be many things—an historical novel, for example; a fantasy; and an extraordinarily bawdy work—which makes it well-titled, though the facts of life do tilt more towards death than sex, later on. The Facts of Life has a marvelous ending, too, which I won't spoil for you by going into details... there's no such thing as a happy-ever-after, of course, but Joyce's novel gets just about as close as one could. ...more |
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1
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not set
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Sep 14, 2024
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Sep 20, 2024
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Hardcover
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0451131398
| 9780451131393
| 0451131398
| 3.47
| 22,288
| 1973
| Nov 01, 1974
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really liked it
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Rec. by: Roberta's book group; historical interest; prurience Rec. for: Frequent flyers Fear of Flying was Erica Jong's first novel, published in 1973—h Rec. by: Roberta's book group; historical interest; prurience Rec. for: Frequent flyers Fear of Flying was Erica Jong's first novel, published in 1973—half a century ago, as I write this—and it's definitely a product of its time. Even the blurb on the cover of this old mass-market paperback, an endorsement from the late John Updike, lands differently these days. Post-Pill and pre-AIDS, Jong's book was written and published during what now seems like a charmed interval, a time when it really seemed possible for women and men to have sexual intercourse—often, and loudly—without any of those messy consequences. The title of Chapter 1 immediately sets the tone for the whole book: "En Route to the Congress of Dreams or the Zipless Fuck." Wow... I was just ten years old, in 1973... I had no idea what revolutions were going on in reality, much less in fiction (although I think I did learn a few things later on). And I didn't read this book until 2024—an altogether more enlightened time, when the very idea of sex without consequences seems... naïve, at best. The sort of sexual liberation—of libertinism—depicted here was never really sustainable, was it? And yet... the ziplessness of Isadora Wing's many fucks does still have appeal. * The thing is, though, that Fear of Flying isn't just about sex. Although it is, perhaps, the most erotic book I've ever read, Jong's novel also delves into many other states of being—being psychoanalyzed; being a New Yorker; being an American traveling through Europe; being Jewish (and living in Germany just a few short years after that nation's, umm, flirtation with genocide); being married to men who are frequently disappointing... there's a lot going on here that has nothing whatsoever to do with fucking, ziplessly or otherwise. Isadora is, for better or worse, intensely self-aware. I could easily see the sterility of hopping from bed to bed and having shallow affairs with lots of shallow people. I had had the unutterably dismal experience of waking up in bed with a man I couldn't bear to talk to—and that was certainly no liberation either. I found a lot of such quotable introspection in Jong's work, in fact, and very few of those passages contain the four-letter words that Isadora uses so freely in dialogue. In her musing on marriage, for example—and remember, this is precisely the sort of wedded bliss that real men like J.D. Vance would very much like to return us to: Being unmarried in a man's world was such a hassle that anything had to be better. Marriage was better. But not much. Damned clever, I thought, how men had made life so intolerable for single women that most would gladly embrace even bad marriages instead. Almost anything had to be an improvement on hustling for your own keep at some low-paid job and fighting off unattractive men in your spare time while desperately trying to ferret out the attractive ones. Though I've no doubt that being single is just as lonely for a man, it doesn't have the added extra wallop of being downright dangerous, and it doesn't automatically imply poverty and the unquestioned status of a social pariah. I know some good marriages. Second marriages mostly. Marriages where both people have outgrown the bullshit of me-Tarzan, you-Jane and are just trying to get through their days by helping each other, being good to each other, doing the chores as they come up and not worrying too much about who does what. Some men reach that delightfully relaxed state of affairs about age forty or after a couple of divorces. Maybe marriages are best in middle age. When all the nonsense falls away and you realize you have to love one another because you're going to die anyway. Men have always detested women's gossip because they suspect the truth: their measurements are being taken and compared. In the most paranoid societies (Arab, Orthodox Jewish) the women are kept completely under wraps (or under wigs) and separated from the world as much as possible. They gossip anyway: the original form of consciousness-raising. Men can mock it, but they can't prevent it. Gossip is the opiate of the oppressed. I think this admonition is a great one-sentence synopsis: Never fuck a psychoanalyst is my advice to all you young things out there. Any system was a straitjacket if you insisted on adhering to it so totally and humorlessly. I didn't believe in systems. Everything human was imperfect and ultimately absurd. What did I believe in then? In humor. In laughing at systems, at people, at one's self. In laughing even at one's own need to laugh all the time. In seeing life as contradictory, many-sided, various, funny, tragic, and with moments of outrageous beauty. I suspect that this disclaimer, or rather Isadora's lament on the downsides of even modest fame, is pure Jong, writing as if she'd already published this very book: In the months since my first book had appeared, I had received plenty of bizarre phone calls and letters from men who assumed that I did everything I wrote about and did it with everyone, everywhere. Suddenly, I was public property in a small way. It was an odd sensation. In a certain sense, you do write to seduce the world, but then when it happens, you begin to feel like a whore. The disparity between your life and your work turns out to be as great as ever. And the people seduced by your work are usually seduced for all the wrong reasons. Or are they the right reasons? Do all the nuts in the world really have your number? And not just your telephone number either. If you were female and talented, life was a trap no matter which way you turned. Either you drowned in domesticity (and had Walter Mittyish fantasies of escape) or you longed for domesticity in all your art. You could never escape your femaleness. You had conflict written in your very blood. Now, you may have gathered the impression—especially from the observations I've chosen to reproduce here—that Isadora (or Jong) hates men, but that is of course not true at all. Isadora Wing loves men, wants men, feels incomplete without men, even as she is irritated, infuriated and—yes—oppressed by those very men as well. I see no contradiction in this. This later passage about "coupling" resonated strongly with me—and note that Jong specifically includes platonic couples, non-sexual relationships, in her admiration: Coupling doesn't always have to do with sex; you see it among friends who live together, or old married homosexuals who rarely even screw each other anymore, and you see it in some marriages. Two people holding each other up like flying buttresses. Two people depending on each other and babying each other and defending each other against the world outside. Sometimes it was worth all the disadvantages of marriage just to have that: one friend in an indifferent world. I did find fewer passages of note in the latter third of the book, I'll admit, as Isadora embarks upon an impulsive automobile tour of Europe—but she, and we, are still learning, up through the very end of Fear of Flying. ...more |
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1
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not set
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Sep 10, 2024
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Sep 17, 2024
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Mass Market Paperback
| |||||||||||||||
1250827515
| 9781250827517
| 1250827515
| 3.59
| 1,375
| Oct 03, 2023
| Oct 03, 2023
|
really liked it
|
Rec. by: Title, flash, and numerous reviews Rec. for: Enlightened souls bearing battle-ready skill sets The Jinn-Bot of Shantiport is a lovely and evoca Rec. by: Title, flash, and numerous reviews Rec. for: Enlightened souls bearing battle-ready skill sets The Jinn-Bot of Shantiport is a lovely and evocative title which, upon examination, tells you pretty much exactly the kind of story you're going to get. Shantiport—which is indeed a shantytown as well as a spaceport—reminded me a lot of Andre Norton's settings—a sprawling, ramshackle city, a literal backwater dreaming of former glories, its very stones perpetually damp, ancient temples half-sunken in the delta of a grand river, yet still pulsating with life and full of high technology, much of it forgotten or barely understood by the city's current residents. Starships land at Shantiport, and depart full of colonists and conscripts escaping the long-rumored death of the city, and its elites are served by robots of such complexity that they seem (well, they are) worthy of being treated as human. In particular, the relationship between Lina and Bador reminded me strongly of that between Murdoc Jern and Eet in The Zero Stone—at least to begin with. There's lively banter, and a lot of it, that helps sustain this novel through its many action sequences. The Jinn-Bot of the title does not show up for quite some time—half the book goes by, in fact—although there are plenty of other bots in Shantiport. Lina's brother Bador is one, a versatile "monkey-bot" who struggles with feelings of inferiority that are common to many second children, not just those who were constructed rather than born. The most prominent bot in Samit Basu's novel, though, is Moku, a disc-shaped sentience who is, ostensibly, just a storyteller—but whose powerful alien technology (including the power of invisibility from cameras and humans that Moku calls "shimmer") becomes crucial to Lina and Bador's efforts as they become embroiled ever more deeply in the power struggles wrenching Shantiport apart. Moku is the narrator through whose sensors we come to see Shantiport. But... How am I supposed to understand the nuances of human conversation if everyone is just lying all the time? Although The Jinn-Bot of Shantiport is ostensibly and explicitly fashioned after the legend of Aladdin, this novel's lush and lurid settings, its frenetic pace, and its numerous escalating battle scenes (that seldom actually resolve anything) show more kinship with The Mahabharata, from Basu's native India. This exchange is typical—and trust me, not much of a spoiler for anything: Standing over her, Tanai, in a defensive martial stance, fingers glowing. Lina loves Shantiport despite all its flaws—this bit even makes her sound a little like a (Shanti)Portland local: "Day after day of wanting to say, 'Okay, stranger, thank you for pointing out my home is trash, I know it is, and it's so much worse than you think, what you're seeing is just the tip of the trashberg, but you know what, you're trash too, and so is your entire bloodline and jokes-forwarding list, and all the places their ancestors came from, so thank you very much for your blinding insight and original observation and casual grope, now please, and I say this with nothing but best wishes, go fuck yourself, and don't forget to leave us a nice rating.'" Yeah... For what it's worth, though, I have no problem at all leaving The Jinn-Bot of Shantiport a very nice rating. ...more |
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not set
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Aug 31, 2024
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Sep 04, 2024
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Hardcover
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1942801165
| 9781942801160
| 1942801165
| 4.38
| 8
| unknown
| Dec 14, 2021
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it was amazing
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Rec. by: Proximity; MCL (via Daniel) Rec. for: Screen dreamers Sometimes familiarity does not breed contempt. When my son handed me our local library's Rec. by: Proximity; MCL (via Daniel) Rec. for: Screen dreamers Sometimes familiarity does not breed contempt. When my son handed me our local library's copy of Movie Madness: 30 Years Behind the Counter at Portland's Iconic Video Store, I was happy to pick it up. After all, we have been going into Movie Madness now for almost 30 years ourselves—almost as long as it's been around. You see, Movie Madness was and is still, even in this all-digital, all-streaming era, a video store, of all things. It is truly, as that About page I linked to says, "a Portland institution," housing more than 80,000 unique physical copies of films, television shows, and other visual media, as well as being a museum of props and memorabilia—and it has been one of the best things about our neighborhood for as long as we've lived here. Some of my favorite artifacts from that museum include: one of the fu dog sculptures from the entrance to Charles Foster Kane's mansion in Citizen Kane (1941). A mugwump, hanging from the ceiling in the store's Psychotronic back room, from David Cronenberg's brilliantly twisted version of Burroughs' twisted, brilliant Naked Lunch (1991). The scale model of Los Angeles' Bradbury Building in rain-soaked decay, as seen in Blade Runner (1982). And many more. And then there are the movies, of course. Not just copy after copy of the latest sequel from Hollywood... this place is where I found again some of the deep roots of my childhood, like Twisted Brain (1973)—I remember seeing that film once on TV in the 1970s, and it made such an impression on me that when I finally discovered the real title (or one of 'em, anyway—I'd thought it was Green Brain but it's known to IMDb as Horror High) and then found out Movie Madness actually had a copy, I just had to rent it. It really was pretty awful, though. In this very '70s rehash of the tale of Dr. Jekyll and Mr. Hyde, Vernon Potts (I remembered the name Vernon) figures out an easily-made chemical formula that turns his guinea pig (Mr. Mumps—I remembered the guinea pig, too!) into a vicious, cat-killing monster. When he's forced to drink his own formula and then kills the janitor responsible, Vernon discovers that he actually likes the taste... of revenge! Notable also for a godawful theme song and low production values even for the time, this movie appears to have been a career-killer for just about everyone involved (if you look through IMDb for its named stars, Twisted Brain is their very last credit in almost every case). Movie Madness also has a copy of a much better, much more recent film: the documentary Inhaling the Spore: A Journey Through the Museum of Jurassic Technology (2006), about one of my favorite Los Angeles institutions. And many, many more. Movie Madness: 30 Years Behind the Counter... is a slim volume, but it packs a lot of deep history and fond appreciation into its 56 pages. From luminaries with local roots, like noted film director Todd Haynes, to amateur students of film, to its loyal, dedicated and opinionated staff and customers, Movie Madness: 30 Years Behind the Counter... is without doubt a labor of love... and even if you can't make it to Portland to see the store itself, I think this book provides a great introduction to its unique and long-lasting appeal. ...more |
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0857669281
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| 0857669281
| 4.05
| 154
| Apr 27, 2021
| Apr 27, 2021
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really liked it
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Rec. by: Previous work; Village Books in Bellingham, WA Rec. for: Folks who just wanna sit around and get caught up Turns out two out of three really ai Rec. by: Previous work; Village Books in Bellingham, WA Rec. for: Folks who just wanna sit around and get caught up Turns out two out of three really ain't bad, at least in this case... I've read the first two books of Tim Pratt's Axiom trilogy of newfangled old-fashioned space operas (The Wrong Stars and The Dreaming Stars, both back in 2018), and even though I haven't yet read the third, I think the ones I did read have made me well-prepared to enjoy The Alien Stars. Pratt's collection of three interstitial novellas is set in the same scintillating space-opera universe, after all, so when I ran across a copy this summer quite by chance in a lovely multi-level bookstore called Village Books, in the Fairhaven district of Bellingham, Washington, I snapped it up right away. The dynamic central character of the Axiom novels is Kalea ("Callie") Machedo, intrepid Captain of the starship White Raven. But Callie, and her lover Elena Oh, do not appear onstage in these short takes—and that's intentional. Pratt's Introduction admits that Callie "has a way of taking over any story you let her wander into, you see." Instead, these novellas focus on characters who had only minor roles in the trilogy. This is a very good concept—after all, everyone is the protagonist of their own story, so arguably there are no "minor characters" anyway. Pratt ably teases out these three individuals' tales: Fresh-faced Delilah Mears is the star of "The Augmented Stars"... and when Delilah walks (well, "walks"—it's a simulation) into an interview with the augmented individual Ashok Ranganathan, who used to be crew on the White Raven with Captain Machedo, they discover a lot of common interests. "You had the job as soon as you told me why you wanted it."And while the super-science MacGuffin in "The Augmented Stars" seemed like questionable physics at best, it's still cool. The sentient starship Shall is at the helm of "The Artificial Stars"—a darker and more gruesome tale, but in a way I found this story more plausible because of that. This one goes into questions of identity as old as Theseus' ship, and it has a satisfying ending that I did not see coming. Pratt saves his best for last, though—in "The Alien Stars," we get the perspective of a literal alien, one of the Free (formerly known to humanity as Liars) whose species served the inimical Axiom as technicians and acolytes. The Free individual called Lantern must venture into the heart of—well, call it a generational conflict, with the Elders of Lantern's race who are neither Liars nor Free. The epistolary style works well for this one. Lantern composes letters to Elena Oh that reveal events in satisfying discrete chunks. And while I didn't really understand how Lantern, as a member of a species that reproduces by budding off "kindlings," could express love for Elena so romantically, maybe that's just an effect of translating Lantern's feelings into human language... and I do think that Lantern's regard for Elena, across so many barriers of space and time and species, is an integral part of what makes this kind of SF so comforting. And it is. These vignettes differ in viewpoint, but they're all hopeful glimpses into a future where warmth and inclusivity and friendship across barriers are exactly those factors that help the good guys (whatever their shapes, substrates and identities) ultimately triumph. That's the kind of future I wouldn't mind living in. Your (interstellar) mileage may vary, but I for one enjoyed the heck out of these extra insights into Pratt's rich and rewarding SF universe. ...more |
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0316449083
| 9780316449083
| 0316449083
| 3.98
| 4,256
| Mar 12, 2019
| Mar 12, 2019
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really liked it
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Rec. by: Previous work Rec. for: Rebels I actually did things in the right order for a change, this time, having read Rosewater, the first volume in Tad Rec. by: Previous work Rec. for: Rebels I actually did things in the right order for a change, this time, having read Rosewater, the first volume in Tade Thompson's Wormwood trilogy, before checking out this one. I recommend you do the same— some series can be read out of order, but I don't think this is one of them. The Rosewater Insurrection begins carefully—Thompson eases us back in to his chaotic milieu, letting us get used to the unique Nigerian city of Rosewater again before showing us why this installment has its more violent title. But don't worry—things get much more intense, very quickly, and there is in fact an insurrection. At least one. Thompson brings forward characters who were only peripheral to Rosewater, and introduces a number of new ones. Kaaro, who was so central to the first book, is relegated to the background of The Rosewater Insurrection. Which is as it should be, I think—the new faces freshen up the plot, while remaining connected to the old through the city of Rosewater and through Wormwood, the alien presence at the city's heart. Tade Thompson also introduces a powerful new antagonist in this installment, one for which he laid the groundwork in the first book. I don't want to go into too much detail about that new enemy, but I think it's okay to mention that Alyssa Sutcliffe is not what she seems... I only noticed one significant error, though it was repeated two or maybe three times late in the book—I'm pretty sure those places where Thompson uses "grapheme" (the smallest functional unit of a writing system) should really be "graphene" (an allotrope of carbon that has unique material properties). That was about it for gaffes, though. I did struggle a bit with this review, trying to balance between revealing too much and being too cryptic. I hope I struck the right balance for you, because The Rosewater Insurrection really is worth reading—an exciting and enormously satisfying middle third for the Wormwood trilogy, which concludes in The Rosewater Redemption. ...more |
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Aug 05, 2024
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Aug 17, 2024
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0063043041
| 9780063043046
| 0063043041
| 3.78
| 2,522
| Jun 06, 2023
| Jun 06, 2023
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really liked it
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Rec. by: Previous work, and the newly-minted Holgate branch of Multnomah County Library Rec. for: Shiny happy people It's got to be hard to write about Rec. by: Previous work, and the newly-minted Holgate branch of Multnomah County Library Rec. for: Shiny happy people It's got to be hard to write about a global epidemic of depression—herein known as the Grey—without actually being depressing. But Charles Soule pulls off that difficult trick, in The Endless Vessel. From the very first chapter, in which the curator of paintings at the Louvre performs an astonishing act of public self-sacrifice, Soule's novel made me want to know What Happens Next. The Grey is one of those nastiest of disorders, the kind that interferes with its own cure. In that it reminded me of a much different novel about a much different plague, Arthur Herzog's 1978 book IQ 83, in which the scientists desperately searching for a cure are made dumber and more irascible by the very virus they're studying. The Grey is incredibly contagious as well—Soule doesn't make it clear whether the epidemic is a virus or something else entirely. One of the Grey's primary vectors, in fact, is a video called the "Despair Manifesto"—there are a lot of Capitalized Nouns like this in the book, by the way—so whatever it is, the Grey is not just a virus. And as if that weren't enough, a small but significant percentage of the people affected by the Grey don't just get depressed and give up. A few of them instead acquire a sort of manic nihilism that leads them to spread the Grey—these are the members of Team Joy Joy, who are just about as terrifying as that name implies. Working against these parallel plagues—the growing apathy of the majority, and the actively destructive minority—is (at least to start with) a single woman, a materials scientist struggling against the Grey herself while working for CarbonGo in Hong Kong. Lily Barnes encounters a device that seems too good to be true, a sleek blue tube that can sequester carbon from the atmosphere quickly and cheaply, potentially solving at least one of humanity's ongoing problems (for the Grey is but one of the crises facing us as a species). The device, and the way she handles it at first, sets Lily on the "Wonder Path," which I will not describe in detail, but which may in fact lead her to the salvation of the human race. Charles Soule is, apparently, primarily an author of comic books, and there are certainly elements of that brightly-colored genre in The Endless Vessel. It is a very visual work, with a lot of vivid imagery (as well as those multiple Capitalized Features I mentioned above). But those end up being good things... while this book does take some pretty whacky turns while progressing toward its goal, I did really enjoy its heartening, heartfelt conclusion. I last read one of Charles Soule's books, The Oracle Year, back in 2018... and while The Endless Vessel is a very different kind of work, I enjoyed it at least as much. And perhaps you, if you have not sunk too far into the depths of the Grey, will enjoy it too. ...more |
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Jul 28, 2024
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1645241246
| 9781645241249
| 1645241246
| 3.88
| 74
| unknown
| Jan 01, 2023
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liked it
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Rec. by: MCL; previous work Rec. for: Struggling screenwriters everywhere I suspect you won't take long to read After Many a Summer. I didn't, anyway— T Rec. by: MCL; previous work Rec. for: Struggling screenwriters everywhere I suspect you won't take long to read After Many a Summer. I didn't, anyway— Tim Powers' novella is only 84 pages long, in this sleek Subterranean Press hardback edition, and I devoured it in less than a day. Powers packs a lot into this brief outing, though. Conrad is a struggling screenwriter (is there any other kind?), divorced and drifting in and out of homelessness in Powers' beloved Los Angeles, but it seems that fortune may finally be turning in Conrad's favor, as the filmmaking mogul Ethan Satkin has hired him to pretend to be homeless once again—just for a month this time—and then to deliver a mysterious package. In return, Conrad will finally see his beloved screenplay South of Evening optioned and, maybe, even filmed. It's an odd and, frankly, very fishy deal—Conrad's a writer, not an actor—but he isn't interested in examining it too closely, either. The other primary character in After Many a Summer is Arielle, a feisty French woman who will connect with Conrad in a surprising way—but we don't meet her for awhile, and Conrad doesn't meet her himself until quite a bit later. Arielle is, however, the reason why Conrad needs to deliver that mysterious package. None of this so far may seem particularly magical, but it's important to remember that this is a Tim Powers story. In Power's hands, magic has a way of intruding (or maybe protruding is a better word) into the mundane world, after all, and what Conrad finds in the trunk of that generic Honda in the 7-11 parking lot is nothing like the bundled stacks of bills that he'd expected to see... * I have to say also that I loved the lurid horror-movie poster cover art for After Many a Summer. It fits the story well—as you will discover too, should you dare to peruse its pages... ...more |
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1951213289
| 9781951213282
| 1951213289
| 3.89
| 638
| Dec 07, 2021
| Dec 07, 2021
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liked it
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Rec. by: The Bellingham and Multnomah County Public Libraries Rec. for: Cyber dudes—that is, precocious teenage hacker types One of the things my wife a Rec. by: The Bellingham and Multnomah County Public Libraries Rec. for: Cyber dudes—that is, precocious teenage hacker types One of the things my wife and I like to do when we visit a place that's new to us is go to the public library—we're just cool like that, and you can really learn a lot about a town from the way it treats its books (and the people who read them). So when we were recently in Bellingham, Washington, I was scanning the shelves at the Bellingham Public Library and ran across Saad Z. Hossain's 2021 novel Cyber Mage. I couldn't check it out from there, of course, but a quick flip through its pages convinced me that this book had to go on my to-read list. And so when a copy practically threw itself at me just a few weeks later at my own local branch library, winking at me seductively from the shelf, I just had to check it out... Besides, I'd been wanting to return to speculative fiction, after a couple of rewarding excursions into other areas of literature. Saad Z. Hossain's style reminded me of Norman Spinrad's, if that's a touchstone for you. Cyber Mage is very playful SF, featuring a high-volume firehose of ideas-per-page, but it's also, maybe, a little too didactic, a little too boyish, too given to the infodumps—and even footnotes! There's a lot of setup to get through, and it wasn't until the first chapter of Book 2 that I really laughed out loud... but things really picked up after that. Marzuk is a fifteen-year-old boy living with (though legally emancipated from) his parents in one of the better parts of Dhaka, Bangladesh (which is, by an odd coincidence, where Saad Z. Hossain himself resides). The year is 2089, though, and biological nanotech keeps some areas of the climate-ravaged region pretty livable. Marzuk is fearsomely bright, but not much respected in so-called "real life" (by his parents, or his schoolmates, for example)... Online, though, Marzuk is the Cyber Mage, a legendary hacker who can call down fire from the heavens (literally, in at least one case) upon his enemies. But... he's still a teenaged boy, and what we currently call an "incel" (which my wife pronounced "insole" the other day, and now I want to make that the official pronunciation). His obsession over the beauteous Amina is both annoying and entirely believable. In brief, and you may want to consider this a warning, Cyber Mage contains pretty much all of the flaws (as well as all the fun) of an old-school cyberpunk novel from the 1980s. Plus, djinn! "What the hell are djinn?" The closest comparison to something else I've read, I think, would be to G.Willow Wilson's Alif the Unseen, which also combines computers and djinn to highly entertaining effect. Apparently, I've done it again—Cyber Mage is actually the second novel set in Hossain's madcap future (the first was something called Djinn City, which I of course haven't read). But this book does stand on its own, it does get better as it goes along, and ultimately I was very glad I'd encountered Saad Z. Hossain's work, even if I did so out of order. I'll be looking out for his name, if I survive that far into the cyberpunk future... ...more |
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Jul 17, 2024
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Jul 18, 2024
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0679435204
| 9780679435204
| 0679435204
| 4.24
| 104,281
| May 05, 1994
| Sep 06, 1994
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really liked it
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Rec. by: Ted, and Kim Rec. for: People who just wanna write So my wife and I have been watching Ted Lasso with our friend Kim lately, and we got up to a Rec. by: Ted, and Kim Rec. for: People who just wanna write So my wife and I have been watching Ted Lasso with our friend Kim lately, and we got up to an episode (I believe it was S2.E9: "Beard After Hours") during which Ted Lasso says to Coach Beard, "Remember, bird by bird," and Beard turns around with both middle fingers raised. "Not that kind of bird," says Ted. I mentioned to Kim that "bird by bird" sounds as if it might come from something, but I'd never heard of it—and Kim says "Yes, it's from a book, and I have a copy right here. Would you like to read it?" Certainly—and thanks, Kim! Anne Lamott's brief and supple book Bird by Bird: Some Instructions on Writing and Life came out in 1994, long enough ago that I can well believe it was influential on the writers for Ted Lasso, and many other works as well. The advice Lamott provides boils down (mostly) to common wisdom, things any aspiring writer knows (or ought to know): establish a routine and write; allow yourself complete free rein during the first draft but be ruthless for the second and third; observe and take notes; don't let the perfect be the enemy of the good; don't pin all your hopes on publication... stuff like that. But in Lamott's hands, these raw injunctions are enrobed in warm, intimate and often very funny prose—which makes those often bitter pills go down much more easily. Seeing yourself in print is such an amazing concept: you can get so much attention without having to actually show up somewhere. While others who have something to say or who want to be effectual, like musicians or baseball players or politicians, have to get out there in front of people, writers, who tend to be shy, get to stay home and still be in public. There are many obvious advantages to this. You don't have to dress up, for instance, and you can't hear them boo you right away. As it turns out, "bird by bird" is itself actual writing advice—a phrase Lamott gleaned from her father (also a writer), who encouraged her older brother to finish a long-delayed report on a book of ornithology by taking it one bird at a time. Which is, of course, excellent advice—take a large task and break it into smaller tasks, then tackle those subtasks one at a time. But the metaphor... that's what makes it sing. Lamott writes from a solidly Christian perspective—not something I normally seek out, but Lamott's is precisely the kind of Christianity I admire, the kind that follows the compassionate teachings of the Christ himself, rather than the arrogant bleatings of his self-appointed representatives... Although when I mentioned this to my priest friend Tom, he said you can safely assume you've created God in your own image when it turns out that God hates all the same people you do. The 30-year gap since Bird by Bird was published does show in many ways, all of them minor. Lamott uses Polaroid photographs as a metaphor for a whole chapter, for example, and refers to typewriters a lot more often than to computers. But she also lists David Byrne as a figure to admire—something I still think is true—and, for the most part, the advice she provides is timeless even when referring to bygone technologies and people. Lamott graciously acknowledges many other writers and thinkers throughout Bird by Bird—and often, those she credits are priests and other clergy. Even so, though, she does not accept such authority uncritically... To be engrossed by something outside ourselves is a powerful antidote for the rational mind, the mind that so frequently has its head up its own ass—seeing things in such a narrow and darkly narcissistic way that it presents a colo-rectal theology, offering hope to no one. The real center of Bird by Bird, I think, comes just about halfway through the book, in the chapter called "The Moral Point of View"—at least, that's the chapter I found most quotable: {...} if you do care deeply about something—if, for instance, you are conservative in the great sense of the word, if you are someone who is trying to conserve the landscape and the natural world—then this belief will keep you going as you struggle to get your work done. Or look at the fourteenth Dalai Lama, who is, for my money, the sanest person currently on earth. He says simply, "My true religion is kindness." That is a great moral position—practicing kindness, keeping one's heart open in the presence of suffering. Unfortunately it does not make great literature. And this passage could have been written on the very day I finished reading Bird by Bird: We are all in danger now and have a new everything to face, and there is no point gathering an audience and demanding its attention unless you have something to say that is important and constructive. My friend Carpenter says we no longer need Chicken Little to tell us the sky is falling, because it already has. The issue now is how to take care of one another. Now, I'll admit, a lot of the above doesn't sound like writing advice, as such... but Lamott does provide some cogent guidance for putting words onto the page (or screen) as well... Writing is about hypnotizing yourself into believing in yourself, getting some work done, then unhypnotizing yourself and going over the material coldly. Along with some snark about newfangled devices created to solve problems that... aren't really problems to begin with: Of course, it goes without saying that to make lemonade, all you need is a pitcher, a lemon-juice squeezer, ice cubes, water, lemons, and sugar. That's all. Oh, and a long spoon. But my aunt was a little depressed, and this lemonade-making thing must have seemed like something that would be fun and would maybe hydrate her life a little, filling her desiccated spirit with nice, cool, sweet lemonade. The contraption consisted of a glass pitcher, with a lemon squeezer that fit on top and that had a holding tank for the lemon juice. What you did was to fill the pitcher with water and ice cubes and sugar, then put the squeezer—with its holding tank—on top, squeeze a bunch of lemons, then pour the lemon juice from the holding tank into the pitcher. Finally, you got your long spoon and stirred. The lemon googe (I loved that word!—APS) and seeds stayed on top in the juice squeezer. The whole thing was very efficient, but if you thought about it too long, totally stupid, too. Although Lamott often presents her tips about the craft of writing in definite terms, her writing remains humble and to the point—these are good ideas that have worked well for her, and may very well work for you too. I think that it would be both a lot of fun and very educational to take a writing class from her. I'll leave you, I think, with one last quote, from Bird by Bird's conclusion: Lighthouses don't go running all over an island looking for boats to save; they just stand there shining. Anne Lamott stands herein, shining very brightly... ...more |
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Jul 14, 2024
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Jul 15, 2024
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178828335X
| 9781788283359
| 178828335X
| 4.02
| 167,233
| 1872
| 2019
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it was amazing
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Rec. by: Roberta, although she hasn't read it yet herself Rec. for: Ladies and gentlemen of good breeding and prospects, not given to flights of fancy. Rec. by: Roberta, although she hasn't read it yet herself Rec. for: Ladies and gentlemen of good breeding and prospects, not given to flights of fancy. Spooneys need not apply. I was wary about embarking upon George Eliot's Middlemarch. This novel, published in 1871, consists of more than 800 pages of incredibly dense and discursive prose, and its subject is not at all my usual thing—a totally realistic account of the lives and loves of English country folk, where the most science-fictional aspect of the story is about building railroads. I was also nervous because I'd bounced very hard away from Eliot's Silas Marner, back when I was in high school. But... maybe I just needed to have lived through more of life. I was delighted (and, frankly, surprised at myself) by just how much and how quickly I started enjoying Middlemarch—very soon, I could see just why it's been claimed to be one of the "greatest novels in the English language." The way Eliot focuses so intensely on the minutiae of English country life, in such lush detail and with such a critical eye... this, right here, is one seed of so many Masterpiece Theatre adaptations. Eliot's extraordinarily sly, you see, and sarcastic, and fearsomely observant about human nature—but I strongly suspect that she had to be circumspect, to hide those things behind clouds of verbiage, because she was writing at a time (totally unlike today) when the men who ran things would have felt very threatened if she'd been more plainspoken. At least, that's my theory. I was impressed early on by the subtle sarcasm of Eliot's writing, as in phrases like {...}that gorgeous plutocracy which has so nobly exalted the necessities of genteel life. Or take this short example, which if anything seems more plainspoken than most of Eliot's observations: A man's mind—what there is of it—has always the advantage of being masculine,—as the smallest birch-tree is of a higher kind than the most soaring palm,—and even his ignorance is of a sounder quality. Sir James might not have originated this estimate; but a kind Providence furnishes the limpest personality with a little gum or starch in the form of tradition. The edition of Middlemarch that I read begins with a brief potted biography of George Eliot (whose real name was Mary Ann Evans), that I found helpful as an introduction, but it's really the Prelude of the novel that sets the tone—Eliot's long, convoluted sentences advance the proposition that most lives (women's lives, in particular) consist of vast potential that routinely gets squandered and thwarted by circumstance. She's not wrong... In Book I, Miss Dorothea Brooke ("Dodo" to her sister Celia) seems likely to become one of those thwarted women. How good she looks even when dressed badly is the first thing we learn about her... although we soon discover that Miss Brooke possesses much more depth than that. This, too, seems like the voice of bitter experience: The difficult task of knowing another soul is not for young gentlemen whose consciousness is chiefly made up of their own wishes. I left off writing down specific quotations and pages soon after the above... there's so much going on in Middlemarch that it began to seem counterproductive to keep calling out specific lines or phrases. Suffice it to say that the way Eliot develops the relationships in this novel—between Dorothea and her much older husband Edward Casaubon; between Dodo's sister Celia and Sir James Chettam; between Mary Garth and her childhood sweetheart Fred Vincy; between Rosamond Vincy and the dashing young physician Tertius Lydgate, a newcomer to Middlemarch; and so many more that I'm not even touching on—kept me captivated throughout... and Eliot does indeed wrap things up at the end, satisfying all questions (or at least all of mine). Okay, I'll leave you with one more quote, this one from a subplot that I haven't even mentioned, involving the banker Bulstrode and his disturbing nemesis Raffles: There is no general doctrine which is not capable of eating out our morality if unchecked by the deep-seated habit of direct fellow-feeling with individual fellow-men. Verbum sapienti, y'all... ...more |
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Jul 09, 2024
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Paperback
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0999446290
| 9780999446294
| 0999446290
| 4.33
| 6
| unknown
| Oct 27, 2020
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liked it
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Rec. by: Kim Rec. for: Playful spirits 34 Stories/124 Beloved executes two independent literary stunts, simultaneously—one quite old, and the other a br Rec. by: Kim Rec. for: Playful spirits 34 Stories/124 Beloved executes two independent literary stunts, simultaneously—one quite old, and the other a brand new trick (well, one that I had never run into before). The older, more common feature is that this book is actually two books in one, printed and bound back-to-back and upside-down, like an Ace Double, if you remember those. I learned the term tête-bêche for this type of binding just the other day, by the way. The new gimmick, unique to this series as far as I can tell, is that every story in this anthology (these anthologies, really) is an act of so-called "literary taxidermy": a story-writing process that involves taking the first and last sentences from a well-known work (often a novel, sometimes a short story) and then "re-stuffing" what goes in-between those lines to create a new, wholly-original work.The term only came into use in the 21st century, according to that same Introduction, which makes this particular trick a really recent innovation in literature. And, y'know, it's not bad... 34 Stories/124 Beloved does rather stick the landing on both stunts. My takes on each tale are short, but unlike the stories themselves I tend to end with... ellipses, which I encourage you to read as just trailing off, rather than by yelling "DOT! DOT! DOT!" when they appear. FLIP I read the side called 124 Beloved first, its contents inspired by the first and last lines of Toni Morrison's beloved novel Beloved. "Best Kept Secret," by L.F. Falconer Might as well jump right in—this story begins with a "slave-for-a-day" auction (probably not a Toni Morrison concept) and then gets into... gardening. "Submission 129," by Amis Dee, whose Story Notes on this one say, I decided why limit myself to just one story? Why not do them all? "A Songbird's Silence," by Khariya Ali The King only imprisons the really dangerous ones... rebels like Wren. "The Wiseman Bridge," by Michael R. Goodwin An eldritch tale, to be sure, despite its squalid setting... and who can truly possess his Beloved? "The Salvation of 1-2-4," by Julia Jordan A bit of doggerel (catterel, maybe), just right for a bedtime story. "You Know, He Knew, I Said," by Erika Bauer—contest winner I did agree with the judges' decision on this one. Bauer takes the prompt and runs with it, right down that lonesome highway... "The Missing Husband," by David Kerekes Pastoral, sunlit, the smells of spoiled jam, oil paint, daisy chains on the horse's neck... "125," by Sam Szanto 125 was kind, wrote the girl in the brothel. Szanto is a poet, and that shows in this one. "The Last Directive," by Nathan Baker This is how you engineer the robot rebellion. "Attila the Hen," by Mel Kennard Short and funny—those names!—but with a serious point to make about those cluckers. A fine final flourish for the Morrison side. And thus ends one half of this volume, apart from some ancillary and promotional material—a list of Honorable Mentions, for example, and information about the judges—one of whom, Nisi Shawl, upon receiving what is now known as the Otherwise Award for her brilliant 2008 collection Filter House, was crowned with the Tiptree tiara and given a plaque, a check, a pie, and a ceramic sculpture of a duck. FLIP The other side of this tête-bêche is called 34 Stories, as inspired by Aldous Huxley's Brave New World. And while I did think this half was somewhat less impressive overall, I again agreed with the contest judges about the winner here as well. "The Crystal Tower," by Thomas Baldwin All Chira has to do is impress her father with her management skills. That can't be too hard... "Thirty-Four Stories," by Steve Amos There are at least thirty-four stories in the naked city... "Mowing the Sky," by Robert Burton Atkinson A vignette, really, about a mundane insurance settlement finally wrested from a company with its very own flag. "In Thunder," by Joel McKay Pearson Altogether more magical—Robert Chagrin interviews for a job at a witches' publishing house... "Point Me in the Right Direction," by Damien J. Howard It's a puzzle, all right... "The Tenant," by Anna Shannon Sometimes you really don't want the other shoe to drop. "The Grey Hut," by Helen J. Firminger, who says Alana and Tarka had a chat and we worked out the story together. I couldn't have done it without them. "Cornucopia," by Amanda la Bas de Plumentot—contest winner Burra loved Mally. After all, He'd breastfed her himself.But then he sold her. "Sharp Edges," by Lolly Alder Sadie followed Lance everywhere... almost. "Compass of the Winds," by Josephine Greenland The squat grey building cannot survive... but what about Nazia inside? Based on a true story, this one, and a strong ending for the Huxley side as well. FLIP I'm not sure I will be seeking out other exhibitions of literary taxidermy, but all in all, I thought this was a pretty neat book—imposing the constraint did inspire these authors to widely-varying interpretations (and I wonder now how many of them had read the original novels, and how if so that experience influenced their takes). (I transcribed the table of contents by hand this time since it didn't seem to appear anywhere online, and added Goodreads "author" tags where I could find and verify them.) ...more |
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1683968824
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| 1683968824
| 3.95
| 4,080
| Oct 2023
| Oct 03, 2023
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really liked it
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Rec. by: Previous work; MCL Rec. for: Children of the flower children Monica is messed up, man. Mostly, though, that's not her fault; she was merely mis Rec. by: Previous work; MCL Rec. for: Children of the flower children Monica is messed up, man. Mostly, though, that's not her fault; she was merely misbegotten—born into a bad scene, a child of a child of The Sixties™. Her mother, Penny, was one of the many women who were unpleasantly surprised to discover that hippie freedoms and the joys of communal living applied mostly to... men. Monica—whose real name is something much less common—actually came out of that situation fairly well, eventually parlaying her mom's scented candle business into a multimillion-dollar franchise. It's been almost a decade since I read Daniel Clowes' The Death-Ray, a graphic novel which—as I said in 2015—"distills the entire arc of a second-rate superhero's life into a single short graphic novel." But to me—and to anyone who's familiar with Clowes' other work, like Ghost World or Wilson—his clean style and quirky plotting are immediately recognizable in 2023's Monica, which is a remarkable mosaic—nine interconnected graphic vignettes, merged into one beautifully-reproduced hardcover edition from Fantagraphics in Seattle. We start in a "Foxhole", in Vietnam. Monica isn't even in the picture(s) yet, and Penny's just a pretty name. In "Pretty Penny," we get to see what Penny's been up to while Johnny's been in the 'Nam. "The Glow Infernal" switches focus yet again, raising the spectre of a "devilish mystery" in a derelict small town that—at first, anyway—seems to have nothing to do with Monica. In "Demonica", Monica herself begins being feeling the effects of occult influences that heretofore had only touched her indirectly. "The Incident" veers away from Monica again, to recount another disturbing... incident... in a town where "there was just something off, a feeling of madness in the air" (p.51). Monica's "Success" was a giddy time for her, a flashy and addictive high from which she finally found the strength to withdraw... And the next thing I knew, I was deep in the bowels of a dangerous cult, alone and terrified for my life. "The Opening The Way" is where Monica really got sucked into that cult. All she wanted was to find her long-lost mother... and to figure out who her father (or fathers—spiritual as well as physical) might have been. Cranky old man "Krugg" is an artist and a recluse, who retreated from the world long ago. What he knows is not what Monica is searching for. The final segment of Monica is called "Doomsday", but it begins quietly enough, with Monica—now in her 70s—"living sexless and invisible in the blissfully-irrelevant vacation town of Pine River, CA" (p.93). Until she receives one last clue to her parental mystery, a clue which leads her back to the setting of "Demonica" and to an act of resurrection which is only rash in retrospect... And while I did not expect, nor even especially like, the way Clowes ended Monica, those final pages could not retroactively spoil my enjoyment of what had gone before. ...more |
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Jun 16, 2024
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0593536118
| 9780593536117
| 0593536118
| 4.00
| 52,632
| Sep 26, 2023
| Sep 19, 2023
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it was amazing
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Rec. by: Previous work and, belatedly, a Goodreads giveaway for the paperback Rec. for: Romantics and, although he'll never read it, that guy you know Rec. by: Previous work and, belatedly, a Goodreads giveaway for the paperback Rec. for: Romantics and, although he'll never read it, that guy you know who has all the time in the world to engage with the algorithm Wellness begins inauspiciously, with a lot of red flags... It seems impossible that their gazes have not already met. She and Jack (we don't find out her name for several pages) are both neighbors and strangers, already a couple but only by proximity, at first—voyeuristically entwined in a way that's only possible in a big city like Chicago: they can see across the alley into each others' apartments, and neither one has apparently ever heard of curtains. Very quickly, though, Hill begins to redeem all of the red flags he's raised—if subtly, at first. He's managing her entire experience, and he probably thinks she appreciates it."He" is not Jack—the two haven't met cute quite yet—and while "she" remains anonymous for a couple more pages, we do find out soon that her name is "Elizabeth Augustine—of the Litchfield Augustines" (p.22; emphasis in original). Jack does not try to manage Elizabeth's experiences. And Elizabeth does, actually, have curtains—as Hill confirms on p.24. Wellness, so richly detailed and so thoroughly researched, seems to gain momentum and poignancy with every chapter, until by its final pages I was close to weeping. There's no "sophomore slump" here. Now, don't get me wrong... I liked Nathan Hill's debut, The Nix, back in 2018—but Hill has really stepped up his game in this one. "With the internet, we find each other. It's like this amazing alternative world. You don't have to prostrate yourself to the usual conformist rules. You're free to be your weird and wild self. So it's a more honest place, less fraudulent, more real."Yeah, people really talked just like that in 1998. I remember. But then—we jump forward a couple of decades, and things aren't so idyllic. Jack and Elizabeth are together, married, with a kid, and big plans to move from Wicker Park to Park Shore, a suburb of Chicago that has real estate's "three magic l's"— "Liberal, leafy, and loaded."Because Their bohemian neighborhood had turned into a yuppie neighborhood with a bohemian theme. Wellness, we come to find out, is a company, one where Elizabeth's training as a behavioral psychologist became very useful. Founded by Dr. Otto Sanborne, Wellness began by performing a public service, debunking various shady medical products and practices by conducting rigorously controlled studies. This is one of many parts of Wellness where Hill takes pains to show his work—at around page 80, Hill starts referring to multiple actual studies about placebos, and he includes a list of sources in the Bibliography at the end of this book. Verisimilitude is a hallmark of Hill's work, in general. I'm pretty sure my family and I saw the skyscraper described below, on a riverboat tour of Chicago's architecture back in August 2023, although our tour guide did not mention its drawback: It was a room on the tenth floor of an office building on Upper Wacker Drive, a high-rise build on the spot where the river split into its north and south branches. The front of the building had been designed in the traditional rectilinear manner—straight lines and right angles where it fit into the downtown grid—but the back of the building was not rectilinear at all. It was, instead, one long and graceful curve that exactly mimicked the curve of the river below it. And the building's blue-green mirrored glass had been selected to exactly mimic the color of the water. It was a building created to perfectly fit into and reflect its particular surroundings, and most everyone agreed that it was one of Chicago's most beautiful and clever buildings, but it was a disaster for the local birds, who literally could not tell the difference between sky and water and glass, and so office life in this building was characterized by the violent frequent whumping sound when a window halted the flight of some unfortunate sparrow or warbler or duck. Wellness is a remarkably complex and realistic work, often very uncomfortably so. It's a novel of giddy highs and despondent lows—and the lows get very low, indeed. There's an Internetism that applies: "Thanks, I hate it." "{...}maybe we call something 'nothing' to avoid the knowledge that it's been lost." But there's much wry humor, as well. There was, Jack sometimes mused, a kind of church-like quality to the farmers market: a bunch of similarly minded people waking up a little earlier than they'd probably prefer to wake up on a weekend, coming to a place that offered salvation from an abstract bad guy—either Satan or late capitalism, depending. The stories were different, but the dominant aesthetic seemed about the same: both the church and the farmers market longed for a more pristine Earth, one as either God or nature originally intended, before humanity came along and fouled it all up.Upon hearing this, my son commented that this is a problem with churches—no free samples. Of food, anyway. "Back then, we really believed that the worst person in the entire soulless corporate machine was the man in the gray flannel suit, you know? The man in the small beige cubicle. But we were wrong about that. The truth is that tattooed hipsters are way, way worse." Since most of Wellness is set in the 21st Century, Hill has to confront what "the algorithms" of social media and search engines have done to us—and here, again, his analysis is discomfiting and very close to the mark. Jack Baker's father Lawrence, isolated but online in Kansas, asks questions... and gets answers: Do cellphone towers really cause cancer?I know people—as do you, most likely—who have fallen down this very rabbit hole of self-reinforcing conspiratarian BS... Jack's hometown isn't mine, but it could very well have been. His grade-school experiences, featuring frequent fistfights and rampant anti-intellectualism (see in particular pp.339-341) could well have been mine. And so, How could they not understand that he had never felt like one of them? For so many years, they had treated him like a reject, and now here they were, telling him the worst thing he could do was reject them back. There's a whole lot more in this amazing novel that I'm not even touching on—those Litchfield Augustines, for example, are some real pieces of work—but I will close with one more quote. Very late in Wellness—almost at the end, really, just before that Bibliography—Nathan Hill drops some significant wisdom which, by this time, you just might be ready to accept: "Believe what you believe, my dear, but believe gently. Believe compassionately. Believe with curiosity. Believe with humility. And don't trust the arrogance of certainty. I mean, my goodness, Elizabeth, if you want the gods to really laugh at you, then by all means call it your forever home."...more |
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1668022699
| 9781668022696
| 1668022699
| 3.47
| 1,780
| May 16, 2023
| May 16, 2023
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liked it
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Rec. by: Previous work, albeit in other media Rec. for: The eternal child in all of us Like every other person who had ever been alive in the history ofRec. by: Previous work, albeit in other media Rec. for: The eternal child in all of us Like every other person who had ever been alive in the history of the world Harold really wasn't sure if there was a God. Steven Wright's much better known as a standup comedian, I know... and I've been a fan of his ever since hearing him intone, "It's a small world... but I wouldn't want to paint it."Which I must have heard back in the 1980s. However, the 2023 novel Harold is Wright's first venture into long-form fiction, a seriocomic adventure that focuses on a precocious third-grader named, oddly enough, Harold. This Harold does not have a purple crayon, though he does sniff a green one at one point. Wright's Harold reminded me a lot of Richard Brautigan's work, actually—if Brautigan had felt the need to be funny all the time, that is, and had had the attention span of a 7-year-old. This example could in fact be from Brautigan's own poetry: Right outside a porch ran the length of the house. Harold comes across as a misogynist, though, and unpleasantly phobic, even at his tender age: Harold thought how weird and strange it must be to be a girl. And, Because he was aware, even at his age, that if she knew how much he really liked her she would be in charge and his life would be ruined.There are numerous other passages like this, and I'm not sure they were all strictly necessary. Wright also makes Harold sound rather curmudgeonly now and then, complaining profanely about targets like big business and the City of Los Angeles that would (probably) not be a concern for your average 7-year-old. Of course, that's (part of) the point—Harold isn't just an average kid, not at all. For example... dimensions are very important to Harold. Exact measurements, in feet and inches, appear throughout Harold, and I only saw a single example that was questionable—not the 4'1" marionette on p.164 but the "small 8' canoe" later on that same page, a "child's toy" that seems obviously meant to be eight inches long. But as I said that was a singular error. Let's not quibble about Harold's believability, anyway, though. That's not the point. What is the point is that, like the rest of Steven Wright's work, Harold is still a whole lot of fun. I was thinking about how short life is and then I drank coffee. I feel ya, Harold. I feel ya... ...more |
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1250212693
| 9781250212696
| 3.43
| 42
| Jan 23, 2024
| Jan 23, 2024
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liked it
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Rec. by: Previous work Rec. for: Fun guys and fun gals Although Nisi Shawl's novel Kinning would stand on its own, I believe you will want to have read Rec. by: Previous work Rec. for: Fun guys and fun gals Although Nisi Shawl's novel Kinning would stand on its own, I believe you will want to have read its predecessor Everfair anyway (as I did, back in 2018) before tackling this one. And even with that experience, I struggled through the dry beginning of this not-quite-a-sequel—a dozen pages of alternative history lessons, a series of "Imaginary Chapters" addressed to the reader, before the story itself begins. But my perseverance was rewarded. There is a science-fictional concept at the core of Kinning, and amazingly it's even more of a game-changer than the changes in Everfair. Kinning is... well, it is that game-changer: the effect of a fungal treatment called the "Spirit Medicine" that gives the people of Everfair—and other places where people have seen and followed Everfair's example—a significant advantage. In addition to conferring immunity to the so-called "Maltese 'flu" that disrupted European colonial expansion, the Spirit Medicine connects people, directly enhancing their senses and empathy, and creating a mycelial network of "cores" which people can use, and spread. The Kinned become cells in a conspiracy of kindness and mutual benefit, integral parts of a network that wants to be spread, with all the fervor of a benign infection. (I was reminded in a small way of my own brief dream in "Planet of the Kind: the Optfield".) In an interview from January 2024, Shawl calls Kinning "mycopunk." I think that's an excellent term. "The Spirit Medicine solves all difficulties."Well, no, not quite. The fungi—both the Spirit Medicine and a rival treatment, the similar if cruder and weaker "Russian Cure"—connect people intimately, but they cannot completely erase competition and jealousy... especially when it comes to the inevitable conflicts between the inoculated and the so-called "pre-inoculated." No one will be left unchanged. Everfair also faces an external threat: those thwarted imperialists have hatched a plan to drain the Mediterranean Sea, annexing millions of hectares of arable land to southern Europe in a plan called "Atlantropa"—but also flooding central Africa, including Everfair, and most likely devastating the climates of both continents. This fever dream is obviously insane and counterproductive... but of course that doesn't mean it lacks supporters. "Business. Government. How are they different? I trust neither of them," Princess Mwadi replied.Princess Mwadi and her brother Prince Ilunga are not just siblings, by the way, and not just rivals for the throne of Everfair... they are also vectors for the spread of the Spirit Medicine. And no one will be left unchanged. * As a sexagenarian myself, I was heartened a bit by this forceful statement: "Sixty isn't the end of the world, you know," the Poet objected. And I also enjoyed Shawl's consistently beautiful prose. Take this brief example, from rather late in the book: "We fell like feathers, light and pretty, blown softly to the ground by the last mild wind before the approaching storm. At first, like feathers, we knew nothing of where we were—empty sand and shadows kept us apart. Then, just as we found ourselves together again, the first fury struck: blasts of sand like the blows of a giant fist. Where was there shelter?" * I originally thought perhaps Kinning's title might be a callback to Octavia E. Butler's Kindred... but found no indication that this was so. And one final note: although I rarely mention authors' photos—how writers spin words is much more important to me than how they look—I was impressed by Nisi Shawl's serene attitude, in their picture on the back flap of Kinning's dust jacket. As if they were already Kinned. Who knows? Perhaps they are. ...more |
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1250829178
| 9781250829177
| 1250829178
| 3.75
| 6,515
| Oct 11, 2022
| Oct 11, 2022
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liked it
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Rec. by: Previous work Rec. for: That one customer who wants to speak to your manager... I'll admit, it took me a relatively long time to get into Mary Rec. by: Previous work Rec. for: That one customer who wants to speak to your manager... I'll admit, it took me a relatively long time to get into Mary Robinette Kowal's standalone science-fiction mystery novel The Spare Man. Tesla Crane, Kowal's poor-little-rich-girl protagonist, is such an entitled child of privilege. She uses her pronouns (she/her) as a cudgel, more than once; continually threatens to sic her lawyers on people who disagree with her; and, in general, behaves as precisely the kind of person who has caused mountains of distress to, among other victims, actual friends of mine named "Karen." Ugh. But... Tesla has a point. She has reasons (this time, at least) for behaving as she does. While traveling incognito as "Artesia Zuraw" (she's on her honeymoon, dammit!) aboard the ridiculously complicated interplanetary cruise vessel Lindgren, her new husband Shal gets accused—falsely but plausibly—of murder. More than once. Tesla's going to need every considerable gram of her privilege, just to get the Lindgren's willfully obtuse security staff to listen to her. And despite shipboard rules, other passengers' interference, and her own physical limitations—Tesla was injured, terribly, in an incident that was not her fault but for which she still feels responsible, an accident that left her with chronic pain that can only be somewhat mitigated by her expensive implanted Deep Brain Pain Suppressor (DBPS)—she's going to have to investigate those unjust accusations against Shalmaneser almost entirely on her own... * The Spare Man is a remarkably boozy novel. From its dedication to the "Whiskey Chicks," to Tesla's dog (an adorable scene-stealer named "Gimlet"), to the chapter headings—each one of which is a cocktail recipe, though a few are "zero-proof"—Kowal and her characters come across as people who plainly enjoy a good libation. If you're someone who is or has been struggling with sobriety... perhaps this book isn't for you. * And yet... I did warm up to Tesla, and to her and Shal's plight. The triple-layer-cake design of the Lindgren, with its Lunar, Martian and Earthly gravity levels, does make a certain sort of sense—as she explains in an afterword called "About the Science," Kowal's own experiences aboard cruise ships here on Earth both ground and inform her space-faring version. I am probably going to try out at least one or two of those cocktail recipes. And... blending science fiction and mystery is actually really hard—since the author of such a hybrid needs to balance world-building (explaining the setting) against hiding clues in plain sight (obfuscating that same setting). Kowal does do a good job of making her interplanetary mystery... well, not exactly plausible, but at least within the realm of possibility. And yes, at least in context, Yoga was a terrible idea....more |
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May 17, 2024
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1947845470
| 9781947845473
| 1947845470
| 4.00
| 31
| unknown
| Apr 09, 2024
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really liked it
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Rec. by: MCL; couleur locale (if that's not a faux pas) Rec. for: Fanatiques et flâneurs The 2024 anthology Continuum: French Science Fiction Short Stor Rec. by: MCL; couleur locale (if that's not a faux pas) Rec. for: Fanatiques et flâneurs The 2024 anthology Continuum: French Science Fiction Short Stories begins with a long Introduction, wherein editors Annabelle Dolidon and Tessa Sermet work hard to define and justify what they mean by "French" SF, before providing these nine chronological examples. The anthology is presented as a textbook; after each story Dolidon and Sermet include an "Expansion" with author biographies and discussion questions—and although this very Introduction hints that you may choose to skip this material, I found it enlightening. (Note: I am including YouTube links to several songs that came to my mind while I was reading... clicking through to listen to those is entirely optional!) The stories, spanning the decades from the 1950s to the present, are: "The Bubbles" (1956), by Julia Verlanger, translated by Tessa Sermet A surreal apocalypse, seen through the eyes of sixteen-year-old Monica. There are many kinds of bubbles, you see—and of Others. "So Far from Home" (1958), by Jacques Sternberg, translated by Brian Mather Agent 002 has been sent to a hostile planet: Earth, where "every object has its own peculiar stink" (p.60). The Agent hates pretty much everything about Earth's inhabitants... And why is it that men sometimes sit bolt upright in the middle of the night, bathed in sweat, terrified by some nightmare, but that they never sit bolt upright at work, in the much more horrifying nightmare they live every day?I found "So Far from Home" mopey, yet oddly fascinating. And, actually, the Agent doesn't hate everything about Earth... Except for cats, that is. Indeed, the cat is the only thing on Earth that really interests me. Probably because it doesn't seem to belong to this world. What is the source of that indolence it alone possesses, that insolent laziness that seems to thumb its nose at commerce, that ability to live life at such a languid pace amid a frantic world of fits and starts, that pleasure it gets from curling up into a ball, complacent in its apathy, opening an eye from time to time to look out on the madness of the world around it, a world that couldn't possibly concern it? Who knows? Men have often asked themselves the same questions. Strange to think that they tolerate cats. No doubt because they don't understand them. They only understand dogs, their devoted brethren, always craving affection, always ready to perform a thousand clever tricks. In any case, cats are truly the only things on this planet with which I feel some affinity. My mental soundtrack for this one was T. Bone Burnett's "Humans from Earth" (2m:47s). "That Which Is Not Named" (1985), by Roland C. Wagner, translated by Annabelle Dolidon A contrived vocabulary is part of the point—the Shôrs have been paring their own lexicon down for centuries, erasing their history and forgetting concepts... like lying. But you cannot really erase anything just by forgetting its name... can you? "The Liberator" (1989), by Colette Fayard, translated by Annabelle Dolidon Agent Piggy is well-(nick)named, and the editors' content warning entirely appropriate for this tale set on a planet ironically under investigation for its culture's barbarity. But... nothing is as it seems on Io Phenix, and what Piggy ends up wanting is ultimately something entirely different from what we were warned about... "Nowhere in Liverion" (1996), by Serge Lehman, translated by Jean-Louis Trudel A quiet rebellion against the privatization of all, centered in... Nowhere. Soon, nobody would remember what the twentieth century once called "public services."Paul Coray remembers... "Inside, Outside" (1999), by Sylvie Denis, translated by Aishwarya Marathe with Annabelle Dolidon It begins with a manifesto, or part of one, from the "Free and Unique Men," full of high-minded vows and absolutes (never, always). It continues with a protagonist who is neither free nor unique. She was raised within walls, guarded by guns, taught by the faithful. But... Life is monotonous in the celestial city. Sadly, I'm apparently the only one who notices. "The Swing of Your Gait" (2009), by Sylvie Lainé, translated by Aurélie Brémont and Jean-Louis Trudel Apparently Lou's ex-boyfriend has never seen the movie Brainstorm (1983)—because when he binges Lou's recorded experiences, gorging himself on her movements and mannerisms, he is changed far more than he'd bargained for. But the transformation doesn't turn out to be what you'd expect, from such a beginning. "Beyond the Terminator" (2017), by Laurence Suhner, translated by Sheryl Curtis Respect for other life forms does not seem to be innate... but it can be learned. My mental soundtrack for this one featured the obscure B-side track "Singing the Dolphin Through" (8m:18s), from the album The Roaring Silence by Manfred Mann's Earth Band. "The City, That Night" (2021), by Jean-Claude Dunyach, translated by Tessa Sermet "It's better to avoid dying when we're sick," explained the doctor. "The organism requires longer to recover."This final story involves... finality. You're gonna die anyway, after all—might as well lean into it. My mental soundtrack for this one? L7's "Pretend We're Dead" (3m:53s), of course. Continuum concludes with a list of Additional Readings and Sources about (French) Science Fiction, both worth perusing. I was pleased and, honestly, rather proud of our fair city when I noticed that Continuum is a product of Portland State University's student-run Ooligan Press, which has previously brought to my attention Allison Green's excellent The Ghosts Who Travel with Me (about Richard Brautigan) and poet John C. Morrison's compelling Monkey Island. For a small university press in a jumped-up small town like Portland, Oregon, Ooligan Press really punches well above its size. * (Table of Contents adapted from the Springfield City Library in Massachusetts, of all places.) ...more |
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it was amazing
|
Sep 14, 2024
|
Sep 20, 2024
|
||||||
3.47
|
really liked it
|
Sep 10, 2024
|
Sep 17, 2024
|
||||||
3.59
|
really liked it
|
Aug 31, 2024
|
Sep 04, 2024
|
||||||
4.38
|
it was amazing
|
Aug 27, 2024
|
Aug 31, 2024
|
||||||
4.05
|
really liked it
|
Aug 21, 2024
|
Aug 23, 2024
|
||||||
3.98
|
really liked it
|
Aug 05, 2024
|
Aug 17, 2024
|
||||||
3.78
|
really liked it
|
Jul 23, 2024
|
Jul 28, 2024
|
||||||
3.88
|
liked it
|
Jul 18, 2024
|
Jul 20, 2024
|
||||||
3.89
|
liked it
|
Jul 17, 2024
|
Jul 18, 2024
|
||||||
4.24
|
really liked it
|
Jul 14, 2024
|
Jul 15, 2024
|
||||||
4.02
|
it was amazing
|
Jul 09, 2024
|
Jul 11, 2024
|
||||||
4.33
|
liked it
|
Jun 25, 2024
|
Jun 29, 2024
|
||||||
3.95
|
really liked it
|
Jun 10, 2024
|
Jun 16, 2024
|
||||||
4.00
|
it was amazing
|
Jun 06, 2024
|
Jun 07, 2024
|
||||||
3.47
|
liked it
|
May 26, 2024
|
Jun 01, 2024
|
||||||
3.43
|
liked it
|
May 24, 2024
|
May 30, 2024
|
||||||
3.75
|
liked it
|
May 15, 2024
|
May 17, 2024
|
||||||
4.00
|
really liked it
|
May 13, 2024
|
May 15, 2024
|