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Winter in Taos

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Winter in Taos starkly contrasts Luhan's memoirs, published in four volumes and inspired by Marcel Proust's Remembrances of Things Past. They follow her life through three failed marriages, numerous affairs, and ultimately a feeling of 'being nobody in myself,' despite years of psychoanalysis and a luxurious lifestyle on two continents among the leading literary, art and intellectual personalities of the day. Winter in Taos unfolds in an entirely different pattern, uncluttered with noteworthy names and ornate details. With no chapters dividing the narrative, Luhan describes her simple life in Taos, New Mexico, this 'new world' she called it, from season to season, following a thread that spools out from her consciousness as if she's recording her thoughts in a journal. 'My pleasure is in being very still and sensing things,' she writes, sharing that pleasure with the reader by describing the joys of adobe rooms warmed in winter by aromatic cedar fires; fragrant in spring with flowers; and scented with homegrown fruits and vegetables being preserved and pickled in summer. Having wandered the world, Luhan found her home at last in Taos. Winter in Taos celebrates the spiritual connection she established with the 'deep living earth' as well as the bonds she forged with Tony Luhan, her 'mountain.' This moving tribute to a land and the people who eked a life from it reminds readers that in northern New Mexico, where the seasons can be harshly beautiful, one can bathe in the sunshine until 'untied are the knots in the heart, for there is nothing like the sun for smoothing out all difficulties.'

292 pages, Paperback

First published January 1, 1983

About the author

Mabel Dodge Luhan

18 books9 followers
Mabel Evans Dodge Sterne Luhan was an American patron of the arts, who was particularly associated with the Taos art colony.

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Displaying 1 - 15 of 15 reviews
843 reviews36 followers
October 20, 2019
Been curious for years about Mabel Dodge and about Taos, and the book definitely makes me more curious about both. I want to see Taos for myself, so hopefully that will happen sometime soon.

The book was well-enough written that I'll look for more of her memoirs at some point. But it's unashamedly a rich-lady memoir, as someone is bringing her a breakfast try in bed on page one. So unless you have a high tolerance for rich ladies, this is not for you. If you can tolerate rich lady writing, you'll be rewarded with a smattering of B&W photos by Edward Weston and others.

I got the book from the Mechanics Institute Library, so it's not whatever edition GoodReads shows, just for the record.
Profile Image for Emily Carlin.
382 reviews36 followers
June 25, 2021
I'm sure how this would hit if I wasn't in New Mexico. But given that I am (right off the High Road to Taos, even!), wow this was good.

Mabel Dodge Luhan was a wealthy American patron of the arts who lived in Taos for the last 45 years of her life (1917 - 1962). Upon arrival, she bought a 12 acre property, married a Pueblo man named Tony Lujan, and proceeded to write and also to host people like D.H. Lawrence, Georgia O'Keefe, Willa Cather, Aldous Huxley, etc.

But this book isn't really about her "life in the arts." It is about her life in Taos, and more specifically her life in relation to her home and nature as the seasons change.

As far as the less-than-delightful parts of reading this book (which is mostly delightful!): Mabel Dodge Luhan is kind of baby-ish and impulsive. Not saying I don't relate but it isn't always easy to read about. For example, every time she's in someone's house and sees something she likes, she makes them an offer they can't refuse and simply buys it from them. This applies to everything from someone's dog, who she likes the look of (!) to slightly more normal things like a chest of drawers. There are also some deeply racist things occurring -- both explicitly in things she writes and implicitly through what's taken for granted in her world.

Final remark: I'm going to go to Taos tomorrow and plan to visit the Mabel Dodge Luhan house. Excited to stand right where this book was composed and to see at least some of what she describes.

Anyway. For the archive:

On the pleasures of a cat:

There is nothing that makes a room so interior, so domestic and cozy and full of contentment as a nice cat beside the fire in the winter, or sitting in the open window in the summertime.


On the pains of piles of paper around the house:

Paper! Paper! Paper! And how I hate paper. One of the things that sets all my nerves jangling, is to handle paper.


On her house:

This is what the Big House is made up of. It is my home, it holds me, works me to death, bores me and will not let me go!


On sunshine:

There is nothing on this bare, blue-painted floor but some serapes, and up here under the sky, winter and summer, one can lie in the sunshine and bathe in it until "untied are the knots in the heart," for there is nothing like the sun for smoothing out all difficulties.


On being about to start a book but then not starting it:

For thirty years I've been meaning to read Boswell's "Life of Johnson." Today I would really start it, but just at the moment I had that little drop in my heart that I always have when Tony leaves, even for a few hours. There is a certain fall in the emotional temperature of the place, at least for me, in his absences. The house is less alive, and things look less significant when he is gone. But heh says the same thing happens when I am not there. So it must be all in our imaginations. But where he was, I thought, speeding along the road to Arroyo Seco, everything looked more vivid and real than this place where I was left alone.


Very appealing description of a room:

The room has dark corners; it has warm, vitality, and the sense of being that places have where someone works and likes it.


In praise of home and "the simple life":

When one thinks of the people who float around the world in hotels and boarding houses, the aging women, and men of all ages, who are looking for climates or distraction or something, they don't know what, who are without roots, and without the small household gods that give a person more heart-warming than theaters, art galleries, or any public festivity in the world, it is inconceivable that they don't know enough to find a little house somewhere that will be their very own, where every corner means something intimate and special, something planned for comfort and convenience, where the kettle sings on the hearth and the flower blooms in the window.
It is, probably, because they are afrad to be alone, but if aloneness is once confronted with courage and a final giving up and then relaxing into submission, acknowledging the perpetual and essential loneliness of life, whether in crowds or in deserts, there emerges a peaces and contentment in one's own small domain, and an almost intangible atmosphere of well-being thatpervades it, which emanates, really, from one's own heart, coming at last home to rest.


On the comforts of home:

My house can always mollify me when I feel cross; just to walk through it again and find it so sweet and clean sets one in order when one is thrown out of gear. So a disorderly and neglected house must put one down, I think, and untune one, no matter how happy one might be, and make one feel life is not worth living for its dreariness and effort.


I feel this:

I just don't know one thing about heating systems, plumbing systems, cesspools, septic tanks, or why electricity makes things run! There must be many who would see a fearful symbolism here, for I do myself. However, before I am through living, I will doubtless be forced to catch up with this aspect of life and complete myself as I believe I have in some other ignorances I was born with. If not, perhaps I will have to return to this earth and be a plumber.


On giving in to the seasons (in a good way):

Something like a shiver went over me at the thought of the winter thickening still more, covering us, clamping down, until I remembered what I learned long ago, but always forget and have to learn anew each year: that if one gives up and lets it come right down over one, if one sinks into the season and is a part of it, there is peace in this submission. Only in resistence (sic) there is melancholy and a sort of panic.


Dragging New England:

But when the sun is gone, the earth looks widowed and drear. The winter fields seem shabby and dirty, splashed with manure and trodden into dinginess by the horses. The Mountain shrinks and crouches until it seems only half as high as usual, ad it loses all its majesty. The landscape might be in New England instead of on a high and halcycon tableland in a region of magic.


On the challenge's of all of life's little tasks:

For every single time I have to attend to anything, whether it's a horse, or a telegram from goodness knows who, or a hole in the wall, or getting the windows washed, it is a distinct effort, like climbing a hill; and I suppose that is why I'v ebuilt up all these rooms and gathered all these animals around me, for one lives by instinctively creating the means to develop the weak places in oneself, and out of the effort to deal with the in continuity comes order and peace and the feeling of relationship, without which one may as well be dead and, in fact, is dead.


On the risks of language:

Let the pale smoke from our chimneys cling to the ground, and the mist deepen on the hills' and do not think in worldly terms of the birds' hushed song. Nothing in nature is sad-that is only a word. But let us beware of naming the day, lest we confine ourselves to the limitations of a language. If we are part of the color or tempo or rhythm the world is in at any time, we are alive and there is nothing of any greater significance than that, no matter what the books say ....


Dragging tourists:

These tourists are dressed with the indifference of appearance of those who sacrifice vanity to convenience in places where they will only see people they will never see again. The women are usually fitted out in long trousers or beach pajamas, and either boudoir caps or large hayfield straw hats. Frequently they wear glasses and wrinkle their noses in the bright sunshine. Their men are in their shirt sleeves with odd suspenders over their shoulders, and they carry coats on their arms. Their shapes are formed by sedentary occupations and they seem to miss their accustomed routine as they wander aimlessly about behind their women.


Once again, I feel this:

We have brought books, but we never read them, there is so much to watch and hear, and presently the long afternoon fades away, and when it is dusk, with the sun a gold rim on the uppe edges of the slopes, and the sky all full of rosy clouds floating across the highest peaks above us, the fishermen return and throw themselves down beside us and give a detailed account of the behavior of every fish they saw, and we must be patient with them. And we are.


On what to do post-dinner party:

After dinner, coffee and liqueurs back in the big happy living room, and in the evening what? Someone turns on the radio, or someone returns to the dining room to play the piano; when the company is that way, childish games are produced, though, thank God, not often. I hate all games so!


On vibes:

Then there are people who aren't talkers or listeners either, who just sit. I must admit I have numbers of these whom I love, who have no words, and no interest in abstract ideas or theories, but who have their own being. These people can sit in a room and give out a vital emanation so that one feels enriched by their presence. They are alive, they feel or sense life passing through them and they deepen one's own being. But there are others who don't exist at all in their own bodies, whoa re merely shadows. These I do not have around, or not for long. Just as there are two kinds of places where I do not go, places I do not like and to those who do not like me, so there are certain types of people I will not have near me, those who are insignificant in their being, and those who are trivial-minded and who neutralize other people's values.
Profile Image for Marsha.
23 reviews
October 27, 2014
Amazing memoir of Mable's life during winter in Taos when many of the residents move to warmer climes. She describes herself as a wintering almost hybernating animal. She is hyper sensitive as would be an animal to smells, temperature, light, color and moods. It is poetic and evocative of one who has learned to live a very simple life. Some of the descriptions are exquisite and the in and out appearance of her Pueblo Indian husband, Tony, remind of a love quiet and deep as a Taos winter. Highly recommend.
Profile Image for Alise.
69 reviews1 follower
July 16, 2017
I've been living in Mabel's head all summer, ever since my first visit to Taos at the end of May having discovered one of her books at the AirBnB where we were staying. I love seeing New Mexico through her eyes and even the mundane (this book is mostly about pets) glows with her prose. Favorite line from this book, "Then a hot bath, a clean gingham dress and a highball, and by that time the sun has slashed through the ominous, dark-gray, western sky, cutting it like a sword that divides a heavy mantle."
Profile Image for Carolyn.
21 reviews
December 28, 2009
My second reading of this book. I love Mabel's home in Taos. Mabel writes about the seasonal changes in Taos. Good read for December.
Profile Image for Mary.
1,503 reviews24 followers
March 31, 2012
This book is soothing to your soul. Luhan captures the essence of being in New Mexico through the seasons. I know I'll be re-reading this book. It's a solace for the weary soul.
Profile Image for Mark Valentine.
1,956 reviews27 followers
February 10, 2024
Some of the sentences in this delicate memoir are beautifully written. The same with wisdom, Dodge Luhan slid a nugget of elegant insight into a paragraph when I least expected it. This is not the book for most readers. There is no high danger or alert, no staggering romance, no car chases, no cataclysmic world events. She records the impact of the weather on the land, the trees, the rivers, and the people. It is the kind of book to read when a rest is needed for your soul.

There is danger though. Their dog, Tito, comes home mortally wounded from a neighbor having shot him for rooting in his vegetable garden. A mare kicks a Native boy in the head and needs to be put down. The severe cold has its danger. But the grace in which Dodge Luhan writes this is elegant.

I savored the reading of her book because it seemed a rare glimpse into another era. It was published in 1935 just when there was a calm between two World Wars, and in between enormous losses from Native ways and means to when they were able to reclaim some rights.

I also thoroughly enjoyed reading Dodge Luhan's descriptions of her daily routines and life. There is no rush. The pace of the book forces the reader to relax, wait, listen, and watch. The tempo will come with the season. The best way to describe this lies in this expression: It has a relaxed exuberance, or a quiet sublimity.

I compare it to Thoreau's, Walden, and to Proust's Remembrance of Things Past, and to books about place. I feel I know Taos and the land really well now.

One final comment: I sensed the upper-middle class of her family. They have several household servants who live in quarters across from the alfalfa field. Mabel gets served her lunch in her room on a tray frequently. She and her husband, Tony, have multiple fields of crops, several horses, hired hands, maids, and other services. Maybe it is not so much like Thoreau (who advocated for simplicity, simplicity, simplicity)--or it is in this sense, it replicates his love of nature.
Profile Image for Linda Kurth.
Author 18 books12 followers
October 17, 2021
I didn’t know what to expect when I chose to read "Winter in Taos." I thought perhaps it would be filled with tales of Luhan’s glittering social circle come to rough it in the wilds of Northern New Mexico. But having lived in New Mexico for a dozen years, I’d hoped to get a taste of the land and of a simpler time. And that’s what this book is all about.

At times I was close to tears, moved by the writer’s lyrical descriptions of life in her home (“I have to have a window that opens upon the mountain, and from my room, nothing stands between me and that open view of its sometimes calm, and sometimes stormy face.”) and the surrounding area (“The fields are blond with snow and pale, shining yellow grasses, now, and the sky above them is a cold, light blue, different from the burning depths of the black-blue of summer.”).

These poetic moments are occasionally shockingly interrupted by tragedy: A bore breaks loose and gores the horses. A favorite dog is shot by a neighbor. Yes, life was just as real in Taos back then as it is today, and Mabel Dodge Luhan was real too, revealing her true self and her appreciation of life in all its beauty and heartache .

A few weeks ago, on a road trop to New Mexico, I drove up to Mable's house. The house itself seems in fine shape, but from Luhan's description, I expected a bit more vegetation around it. I know that at one time after Mable's death in 1962, the house was owned by the actor, Dennis Hopper. I guess I could say I have three degrees (or so) separation with the house, as my second husband and I were married by the same judge who married Hopper around the same time. The house is now an historic 3-star hotel.
Profile Image for Jamie Burgess.
118 reviews17 followers
March 18, 2019
This book was such a pleasure, and right up my alley. It's just the wandering memoir of a woman who is lonely in winter in the West, away from most everyone she knows. The stories are close to home and especially loved some of the descriptions of food. Funny to think that someone so many decades ago was already thinking of herself as getting "back to the earth" because technology was moving along too quickly. She captures these thoughts with the same sentiments I would use now! So glad I read this.
22 reviews
August 2, 2024
Mabel Dodge Luhan was a pivotal person in the early creation of the artistic conclave in Taos New Mexico. If you believe there is a magical “other worldliness” to the Taos area- this is a must read. You will drool reading the description of meals prepared & you will be able to smell the pinion pine & sage in the air as you read her words.
Profile Image for Muffy.
19 reviews1 follower
September 28, 2013
Will forever remind me of living in New Mexico. A word picture including Black Iris is synonymous with Luhan and Winter in Taos for me. I treasure this book and read parts to step out of "today" on occasion.
Profile Image for Joanne.
829 reviews49 followers
July 25, 2014
It's clear that Mabel loved her home, and her husband. It did make me laugh to have her write about the work of home ownership. She rang a bell for her breakfast tray, and for anything else she wanted. It was a fine look at the valley as it used to be.
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