Sara Pascoe > Quotes

“The sunset bled into the edges of the village. Smoke curled out of the cottage chimney like a crooked finger.”
― Sara Pascoe, Being a Witch, and Other Things I Didn't Ask For

“On the end of my bed. He’s short, round and bald, with a tartan loin cloth, and what looks like a spout on the top of his head,’ Bryony said. ‘You flatter me,’ came the snide male voice. ‘But it’s a valve.”
― Sara Pascoe, Being a Witch, and Other Things I Didn't Ask For

“But if you flip this around, the reason women are smaller and weaker is that men weren’t worth fighting over.
Hold my bag while I victory-lap.”
― Sara Pascoe

“And she was right. No matter how they tried, the two humans, with the cat but without the microchip, couldn’t connect to headquarters. Raya heard a loud popping sound in her mind, like a huge rubber band being snapped, like a glider plane released from a Piper Cub.”
― Sara Pascoe, Being a Witch, and Other Things I Didn't Ask For

“Love is described like GOD.”
― Sara Pascoe

“Oo, I like a good cat fight – especially when it doesn’t involve me,’ Oscar said.
‘Shut up!’ Bryony and Raya said simultaneously. A hairline crack formed in the ice between them.”
― Sara Pascoe, Being a Witch, and Other Things I Didn't Ask For

“With our beloved prairie voles the female has her ovulation induced by the smell of male urine. It’s a sure sign there’s a male nearby and so her body gets ready for mating. The exact opposite of a human female getting a whiff of urinals in a nightclub and her vagina falling off in disgust”
― Sara Pascoe

“The summer sun bowing out threw slashes of colour between the buildings. London looked big, empty, and lonely. She stood in the doorway, like a cat trying to make up its mind.”
― Sara Pascoe, Being a Witch, and Other Things I Didn't Ask For

“Oscar looked up from his plate, and if a cat could laugh, he would have. ‘Boy, that’s ugly, even for a jinn. Looks like a cross between a rat, a frog and a bottlebrush.”
― Sara Pascoe, Being a Witch, and Other Things I Didn't Ask For

“Raya knew this type of girl – they never liked her. Usually they’d make fun of her, behind her back, but loud enough for her to hear. She was too alternative, too poor and too cynical – the foster kid – to be of any interest to these social climbers.”
― Sara Pascoe, Being a Witch, and Other Things I Didn't Ask For

“He thrust his shoulders back and spoke in a whisper that sounded like the hiss of a snake.
‘Yes, the very battle between good and evil, played out even in the lowliest of lives like yours. Witches killing dogs because they did not get their favourite drink.”
― Sara Pascoe, Being a Witch, and Other Things I Didn't Ask For

“Like water around rocks, people streamed around them as though this sort of interaction, noisy and involving foreigners, was nothing unusual.”
― Sara Pascoe, Being a Witch, and Other Things I Didn't Ask For

“Even though it's only a minority of men who are violent or predatory, I don't know if men realise that girls are trained our entire lives to minimise the danger from you - and blamed if we don't.”
― Sara Pascoe

“I have decided it's my mind that's woman. It's my narrator. It's my relationship to myself, and oddly, nothing at all to do with my body.”
― Sara Pascoe

“Then Raya saw Rebecca West, the fourteen-year-old who only saved her own life by testifying against her mother, and then she saw her own face reflected in these girls – a swirl of chance, and life and sorrow.”
― Sara Pascoe, Being a Witch, and Other Things I Didn't Ask For

“She peeped through one of the small holes in the outer wall rising up from the walkway. The world on the outside was nothing but countryside now. Dirt roads, like chocolate ribbons, disappeared into woods or green fields in the distance.”
― Sara Pascoe, Being a Witch, and Other Things I Didn't Ask For

“What’s “ague?”‘ Raya asked.
‘Malaria.’ Oscar said.
‘Oh, great.’
‘Hey, you want plague? They got that too.’ Raya ignored
the cat.”
― Sara Pascoe, Being a Witch, and Other Things I Didn't Ask For

“When I'm hung-over I try to imagine being old and look- ing back fondly on now, on this bit I'm currently living, and how in retrospect it might seem adventurous. In the future when I only ever sit in a chair because I'm too gnarled for pleasure or movement I'll remember when I stayed out all night and had life-changing conversations and walked all the way home because I lost my phone.”
― Sara Pascoe, Weirdo

“Maybe we can politely ignore each other forever? I think that's the mature thing to do.”
― Sara Pascoe, Weirdo

“It is weird that the same two parents can come together and make two such different people.”
― Sara Pascoe, Weirdo

“It's only in my head, the madness. And there's no way of knowing if all this is going on in everyone else's head too without exposing myself, and I'd rather be insane and on the loose than locked up in a hospital.”
― Sara Pascoe, Weirdo

“I feel homesick but I don’t know where for.”
― Sara Pascoe, Weirdo

“If I were a scientist watching her, what would I write down as the results? Woman who had neglectful/scary childhood finds comfort in fictional representations of families?”
― Sara Pascoe, Weirdo

“What's that Einstein quote about expecting different results from the same person? I shouldn't feel bad - I'm here, aren't I, I'm not the parent who didn't even text. Or the one who locked themselves in their bedroom half of Christmas. Talking like this, it's become clear that we are the main parts. This has all been about us, the sisters. I hadn't realised. I tell my mouth not to share these thoughts and Dana offers me another cigarette.”
― Sara Pascoe, Weirdo

“I really like Matilda and that's not a clever book, is it? It's for children. But she's my favourite main character because she comes from an awful family and likes reading, like I do. Those special powers must've made her life a lot easier, though. She wouldn't be working in a pub at thirty-two.”
― Sara Pascoe, Weirdo