“Those About to Die” thoughts, Season One, Episodes Three and Four: “Death’s Door” and “Fool’s Bet”

Blue, white, red, green, gold — these are the colors of the factions whose drivers thrill the crowds at the Circus Maximus. But the color I want to talk about is purple. A dawn purple, a dusk purple, making the streets of Rome look cool and rich and inviting. This particular shade of purple doesn’t really show up until director Marco Kreuzpaintner takes over from Roland Emmerich for Those About to Die’s fourth episode. But after spending much of the intervening time in the amorphous, blue-and-orange color-graded no-man’s-land favored by so many TV productions today, it’s nice to spend a little time in lavender and violet. Feels appropriately imperial, doesn’t it?

I reviewed the third and fourth episodes of Those About to Die for Vulture.

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