No and Me Quotes

“My Dad says that we're the meanest to the ones we love because we know they'll still love us.”
― Delphine de Vigan, No and Me

“People who think that grammar is just a collection of rules and restrictions are wrong. If you get to like it, grammar reveals the hidden meaning of history, hides disorder and abandonment, links things and brings opposites together. Grammar is a wonderful way of organising the world how you'd like it to be.”
― Delphine de Vigan, No and Me

“Some secrets are like fossils and the stone has become too heavy to turn over.”
― Delphine de Vigan, No and Me

“Before I met No I thought that violence meant shouting and hitting and war and blood. Now I know that there can also be violence in silence and that it’s sometimes invisible to the naked eye. There’s violence in the time that conceals wounds, the relentless succession of days, the impossibility of turning back the clock. Violence is what escapes us. It’s silent and hidden. Violence is what remains inexplicable, what stays forever opaque...

My mother stands there at the living room door with her arms by her sides. And I think that there's violence in that too - in her inability to reach out to me, to make the gesture which is impossible and so forever suspended.”
― Delphine de Vigan, No and Me

“All my life I've felt on the outside wherever I am - out of the picture, the conversation, at a distance, as though I were the only one able to hear the sounds or words that other's can't, and deaf to the words that they hear. As if I'm outside the frame, on the other side of a huge, invisible window.”
― Delphine de Vigan, No and Me

“If you consider that a single straight line can be drawn between any two points, one day I'm going to draw a line from him to me or me to him.”
― Delphine de Vigan, No and Me

“But sometimes the night reveals the only truth that time passes and things will never be seen the same again.”
― Delphine de Vigan, No and Me

“I used to think things were the way they are for a reason, that there was some hidden meaning. I used to think that this meaning governed the way the world was. But it's an illusion to think that there are good and bad reasons. Grammar is a lie to make us think that what we say is connected by a logic that you'll find if you study it, a lie that gone on for centuries. Because I now know that life just lurches between stability and instability and doesn't obey any law.”
― Delphine de Vigan, No and Me

“And when he catches me looking at him, he gives me this incredibly sweet, calm smile, and I think that we've got our lives ahead of us, our whole lives.”
― Delphine de Vigan, No and Me

“In books there are chapters to separate out the moments, to show that time is going by and things are changing, and sometimes the parts even have titles that are full of promise—'The Meeting', 'Hope', 'Downfall'—like paintings do. But in life there's nothing like that, no titles or signs or warnings, nothing to say 'Beware, danger!' or 'Frequent landslides' or 'Disillusion ahead'. In life you stand all alone in your costume, and too bad if it's in tatters.”
― Delphine de Vigan, No and Me

“Now I know without a shadow of doubt that you can't chase away those images, let alone the visible holes that burrow deep down inside. You can't chase away the reverberations or the memories that stir as night falls or in the early hours. You can't chase away echoing screams, still less echoing silence”
― Delphine de Vigan, No and Me

“Wir sind imstande, Überschallflugzeuge und Raketen ins All zu schicken, einen Verbrecher anhand eines Haars oder eines winzigen Hautpartikels zu identifizieren, eine Tomate zu züchten, die im K��hlschrank drei Monate lang völlig faltenfrei bleibt, und Milliarden von Informationen auf einem Mikrochip zu speichern. Wir sind imstande, die Leute auf der Straße sterben zu lassen.”
― Delphine de Vigan, No and Me

“I’m not too keen on talking. I always have the feeling that the words are getting away from me, escaping and scattering. It’s not to do with vocabulary or meanings, because I know quite a lot of words, but when I come out with them they get confused and scattered. That’s why I avoid stories and speeches and just stick to answering the questions I’m asked. All the extra words, the overflow, I keep to myself, the words that I silently multiply to get close to the truth.”
― Delphine de Vigan, No and Me

“Those moments aren't ours any more. They're shut up in a box, buried at the back of a cupboard, out of reach. They're frozen like on a postcard or a calendar. The colours will end up disappearing, fading. They're forbidden to our memories and our words.”
― Delphine de Vigan, No and Me

“I don't go after him. He's a funny sort of boy. I've known that from the start. Not just because he seems angry and contemptuous or the way he walks like a tough guy. Because of his smile - it's a child's smile.”
― Delphine de Vigan, No and Me

“You can learn to find unknowns in equations, draw equidistant lines and demonstrate theorems, but in real life there's nothing to position, calculate, or guess.”
― Delphine de Vigan, No and Me

“Vorher glaubte ich, die Dinge hätten eine Bestimmung, einen verborgenen Sinn. Vorher glaubte ich, dieser Sinn sei der Gestaltung der Welt vorausgegangen. Aber der Gedanke, es gebe schlechte und gute Gründe, ist eine Illusion,[...], denn ich weiß jetzt, dass das Leben nur eine Folge von Ruhe- und Ungleichgewichtszuständen ist, deren Anordnung keiner Notwendigkeit unterliegt.”
― Delphine de Vigan, No and Me

“Imagine that you're an extremely modern car, equipped with a greater number of options and functions than most cars. You're faster and higher performance. You're very lucky. But it's not easy. Because no one knows exactly the number of options you have or what they enable you to do. Only you can know. And speed can be dangerous. Like when you're eight, you don't know how to drive. There are many things you have to learn: how to drive when it's wet, when it's snowy, to look out for other cars and respect them, to rest when you've been driving for too long. That's what it means to be a grown up.' I'm thirteen and I can see that I'm not managing to grow up in the right way: I can't understand the road signs, I'm not in control of my vehicle, I keep taking the wrong turnings and most of the time I feel like I'm stuck on the dodgems rather than on a race track.”
― Delphine de Vigan, No and Me

“I wanted Sundays in wintry colours, the smell of soup drifting from the kitchen. I wanted our lives to be like other people's. I wanted everyone to have their place at the table, their time for the bathroom, their part in the domestic routine, for there be nothing to do by let time drift by.”
― Delphine de Vigan, No and Me

“But I can’t manage to grow up and change shape. I’m still tiny, and staying that way, perhaps because I know the secret that everyone pretends to be unaware of, perhaps because I know that deep down we’re all tiny.”
― Delphine de Vigan, No and Me

“I often regret the fact that you can't rub out words in mid-air like you can on paper, that there isn't a special pen that you can wave in front of you to remove the clumsy words before anyone can hear them.”
― Delphine de Vigan, No and Me

“Noël est un mensonge qui réunit les familles autour d'un arbre mort recouvert de lumières, un mensonge tissé de conversations insipides, enfoui sous des kilos de crème au beurre, un mensonge auquel personne ne croit.”
― Delphine de Vigan, No and Me

“Alors j'ai pensé aux adverbes et aux conjonctions de coordination qui indiquent une rupture dans le temps (soudain, tout à coup), une opposition (néantmoins, en revanche, par contre, cependant) ou une concession (alors que , même si, quand bien même), je n'ai plus pensé qu'à ça, j'ai cherché à les énumérer dans ma tête, à en faire l'inventaire, je ne pouvais rien dire, rien du tout, parce que ça se brouillait autour de moi, les murs et la lumiere.
Alors, j'ai pensé que la grammaire a tout prévu, les désenchantements, les defaites et les emmerdements en général.”
― Delphine de Vigan, No and Me

“I thought there was nothing more worthwile or more respectable than directing the traffic, going from red to green and green to red in order to protect people.”
― Delphine de Vigan, No and Me

“La vérité c’est que les choses sont ce qu’elles sont. La réalité reprend toujours le dessus et l’illusion s’éloigne sans qu’on s’en rende compte. La réalité a toujours le dernier mot.”
― Delphine de Vigan, No et moi

“My father told me that wouldn't work. "Things are what they are", and there are lots of things you can't do anything about. You probably have to accept that if you want to become an adult. We can send supersonic planes and rockets into space (...) and store millions of pieces of information on a tiny chip. Yet we're capable of letting people die in the street.”
― Delphine de Vigan, No and Me

“I don’t want my world to be subset A such that it doesn’t intersect with any others (B, C or D), a watertight shape drawn on a slate, whole but empty. I’d rather be elsewhere, following a line that leads to places where worlds communicate with each other, overlap, where the edges are permeable, where life follows a path without breaks, where things don’t come to an end brutally for no reason, where important events come with instructions (level of risk, mains or batteries, expected duration) and the necessary equipment (airbags, GPS, ABS).”
― Delphine de Vigan, No and Me

“Je voudrais lui dire que moi j’ai besoin d’elle, que je n’arrive plus à lire, ni à dormir, qu’elle n’a pas le droit de me laisser comme ça, même si je sais que c’est le monde à l’envers, de toute façon le monde tourne à l’envers,”
― Delphine de Vigan, No et moi

“Elle revient de territoires invisibles, et pourtant si proches de nous.”
― Delphine de Vigan, No et moi

“suffisait de voir son regard, comme il était vide, pour savoir qu’elle n’avait personne pour l’attendre, pas de maison, pas d’ordinateur, et peut-être nulle part où aller.”
― Delphine de Vigan, No et moi