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Layers Quotes

Quotes tagged as "layers" Showing 1-30 of 45
Catherynne M. Valente
“She did not know yet how sometimes people keep parts of themselves hidden and secret, sometimes wicked and unkind parts, but often brave or wild or colorful parts, cunning or powerful or even marvelous, beautiful parts, just locked up away at the bottom of their hearts. They do this because they are afraid of the world and of being stared at, or relied upon to do feats of bravery or boldness. And all of those brave and wild and cunning and marvelous and beautiful parts they hid away and left in the dark to grow strange mushrooms—and yes, sometimes those wicked and unkind parts, too—end up in their shadow.”
Catherynne M. Valente, The Girl Who Fell Beneath Fairyland and Led the Revels There

Alexandra Katehakis
“If we’re wrapping ourselves up to conceal any vulnerability, whatever happens to us has to go through all those extra layers. Sometimes love doesn’t even reach where we truly live.”
Alexandra Katehakis, Mirror of Intimacy: Daily Reflections on Emotional and Erotic Intelligence

Pooja Agnihotri
“Remember, a business is not just your product. It’s made up of many layers and all those other layers are also equally as important.”
Pooja Agnihotri, 17 Reasons Why Businesses Fail :Unscrew Yourself From Business Failure

Sia Figiel
“In all, there were ten different types of clouds: cumulus, stratos, cumulonimbus, stratocumulus, nimbostratus, altocumulus, altostratus, cirrocumulus, cirrostratus, and cirrus – each with their own personality: fluffy, detached, transparent, thin, continuous, gray, heavy, dense, semi-transparent, and layered, which I use to describe my own moods and feelings at any given time.”
Sia Figiel, FREELOVE

Roseanna M. White
“She had a feeling he was like a matryoshka doll too--a placid exterior that hid layers of secrets and mysteries. And she couldn't help but wonder what lay beneath this carefully crafted shell.”
Roseanna M. White, A Portrait of Loyalty

Craig D. Lounsbrough
“Life is something like innumerable layers, leaving us wrongly assuming that the first or even the second layer is the essence of the thing.”
Craig D. Lounsbrough, The Eighth Page: A Christmas Journey

Aimee Bender
“I bit into the chocolate chip. Slowed myself down.
By then, almost a week in, I could sort through the assault of layers a little more quickly. The chocolate chips were from a factory, so they had that same slight metallic, absent taste to them, and the butter had been pulled from cows in pens, so the richness was not as full. The eggs were tinged with a hint of far away and plastic. All of those parts hummed in the distance, and then the baker, who'd mixed the batter and formed the dough, was angry. A tight anger, in the cookie itself.”
Aimee Bender, The Particular Sadness of Lemon Cake

Sarah K.L. Wilson
“Like I said, there are layers. People might agree with the principles but there’s more to it. Maybe they finally find a place with the true believers – a place they never had before with anyone else. Maybe the ideals, while not that important to them, open up paths to success or honor that weren’t open to them before. Maybe they get power they didn’t have. Maybe it just makes them feel good to rub other people’s faces in the dirt or feel like they’re somehow in the right or cleverer than their neighbors, or to rebel – not against anything, just to rebel in general. People are strange. In that buzz of thoughts and wants any one thing could be the controlling impulse that launches them down a path you can’t turn back from.”
Sarah K.L. Wilson, First Message

A storm of fruity sweetness!
A concerto of seafood and herbs!
And a fragrant duet of thick lamb mousse and creamed root vegetables!
All three glasses present their own colorful tableau that unfolds across your tongue!

"Though each glass maintains a clear and unique flavor profile...
... from creamed raw sea urchin to smoked scallop mousse- the perfect accenting layer is always slipped into the perfect place.
It's like a gorgeous richly colored show of mousses is dancing in my mouth!”
Yuto Tsukuda, 食戟のソーマ 34 [Shokugeki no Souma 34]

Nikolai Gogol
“I'd like to peek into the drawing room, where you sometimes see only an open door into yet another room beyond the drawing room.”
Nikolai Gogol, The Collected Tales of Nikolai Gogol

Marc Hamer
“When a song is ended, it leaves nothing but a feeling in those who heard it until that feeling, slowly moving backwards in time, collapses under pressure from more recent feelings and is replaced. Events become memories, unreliable stories, fade away at the ends. Unconnected and distinct from the day's experience, they become one of the millions of strata that make us who we are. We are the sum of all our experiences. We are waves on the ocean, interacting with and affected by all the other waves that move and die and are washed up on the shore. We are each a breath, a song, a flower. We are time itself, and mine has been long and I've collected many disconnected layers.”
Marc Hamer, Seed to Dust: A Gardener's Story

Aimee Bender
“The sensor did not seem to be restricted to my mother's food, and there was so much to sort through, a torrent of information, but with George there, sitting in the fading warmth of the filtered afternoon springtime sun spilling through the kitchen windows, making me buttered toast which I ate happily, light and good with his concentration and gentle focus, I could begin to think about the layers. The bread distributor, the bread factory, the wheat, the farmer. The butter, which had a dreary tang to it. When I checked the package, I read that it came from a big farm in Wisconsin. The cream held a thinness, a kind of metallic bumper aftertaste. The milk- weary. All of those parts distant, crowded, like the far-off sound of an airplane, or a car parking, all hovering in the background, foregrounded by the state of the maker of the food.”
Aimee Bender, The Particular Sadness of Lemon Cake

Stacey Ballis
“Herman and I have been doing a lot of talking about the cake the past couple of days, and we think we have a good plan for the three tiers. The bottom tier will be the chocolate tier and incorporate the dacquoise component, since that will all provide a good strong structural base. We are doing an homage to the Frango mint, that classic Chicago chocolate that was originally produced at the Marshall Field's department store downtown. We're going to make a deep rich chocolate cake, which will be soaked in fresh-mint simple syrup. The dacquoise will be cocoa based with ground almonds for structure, and will be sandwiched between two layers of a bittersweet chocolate mint ganache, and the whole tier will be enrobed in a mint buttercream.
The second tier is an homage to Margie's Candies, an iconic local ice cream parlor famous for its massive sundaes, especially their banana splits. It will be one layer of vanilla cake and one of banana cake, smeared with a thin layer of caramelized pineapple jam and filled with fresh strawberry mousse. We'll cover it in chocolate ganache and then in sweet cream buttercream that will have chopped Luxardo cherries in it for the maraschino-cherry-on-top element.
The final layer will be a nod to our own neighborhood, pulling from the traditional flavors that make up classical Jewish baking. The cake will be a walnut cake with hints of cinnamon, and we will do a soaking syrup infused with a little bit of sweet sherry. A thin layer of the thick poppy seed filling we use in our rugelach and hamantaschen, and then a layer of honey-roasted whole apricots and vanilla pastry cream. This will get covered in vanilla buttercream.”
Stacey Ballis, Wedding Girl

Ana Claudia Antunes
“Oh life is like potatoes and oignons;
In cooking you find many layers to peel
Go deep to really know what's going on.
Nevertheless you still have to cook to feel
Over the mouth their taste smooth the tongue
Not only you appreciate but make it known
So they are more than how they look in the grill.”
Ana Claudia Antunes, ACross Tic

Pragya Tiwari
“Sometimes, days and months of conversation cannot do what an hour of play can achieve. It might take an hour of play to know a person, real person lurking behind the mask.”
Pragya Tiwari, Outlet from Loneliness

Nitya Prakash
“All these extra layers, Sometimes love doesn’t even reach where we truly live.”
Nitya Prakash

Jeremy Jenkins
“As he held me close, I felt a sensation like I’d finally come home. It was like all of the layers around my heart were disintegrating away like paint chips falling into oblivion.
The only sound were the crickets chirping outside. And I didn’t know what possessed me to say it— maybe the intense emotion of everything all coagulated into one spot. A swollen button on top of every experience that had stitched us together.
“I love you,” I uttered into his ear, surprising myself. I’d meant to say I hated him, but my mouth wouldn’t form the words.
“I love you too,” he said.”
Jeremy Jenkins, My Dad's Best Friend

Adam Thorpe
“So a life builds up in layers, piecemeal, a kind of haphazard engineering that has elements of skill and cunning - the previous layers mostly hidden, as are the smaller mounds within, the clumps of different-coloured earth, the burnt offerings, the nodules of pain and the delight. The hard graft of the chopped-off antlers, picking and stabbing and scraping. The embers of old fires, old flames, in mute fragments of charcoal.”
Adam Thorpe, On Silbury Hill
tags: layers

Walter Tevis
“She had heard of the genetic code that could shape an eye or hand from passing proteins. Deoxyribonucleic acid. It contained the entire set of instructions for constructing a respiratory system and a digestive one, as well as the grip of an infant's hand. Chess was like that. The geometry of a position could be read and reread and not exhausted of possibility. You saw deeply into the layer of it, but there was another layer beyond that, and another, and another.”
Walter Tevis, The Queen's Gambit

Elif Batuman
“According to the artichoke theory, man had some inner essence, or “heart”; according to the onion theory, once you had unwrapped all the layers of society off of man, there was nothing there. Seen from this perspective, the idea of an onion masquerading as an artichoke seemed sinister, even sociopathic.”
Elif Batuman, The Idiot

Richie Norton
“Love your haters. People shed layers when they feel warmth.”
Richie Norton

“Pindar turned his thoughts back to time. What exactly was a moment? Was it the shortest span of time that could be represented by art? Perhaps moments were like sheets of gold leaf, hammered ever so thin, each leaf the locus for new thoughts. Time would then be a matter of layering, so that each second had a stack of moments on top, a baklava of time. Was this why his new Babylonian fragment had the word layers, then a gap where a piece was chipped out, then time? Or was that word branches rather than layers? Perhaps time wasn't flat after all. In that case, no sheaves like baklava, but filaments like kataifi, those nests made of shredded pastry drenched with syrup or honey. He saw the pastry threads as silver, now, each strand branching into new trees of silvery time growing out from each second, all of them inhabited by breath. For breathing had become necessary to his conception of time, inspiration and expiration. He needed the gods to breathe into him, breathe through him like a flute.”
Grace Dane Mazur, The Garden Party: A Novel

Jennifer Close
“A sandwich loaf (for those who don't know) is a beautiful creation, a multilayer sandwich disguised as a cake. It had fallen out of fashion in recent years, but at one time it was all the rage to serve at bridal showers and christenings. To make a sandwich loaf, you take one loaf of bread, slice it horizontally, and fill each layer with a different filling. The loaves from Scandia were filled with three layers: chicken salad, ham salad, and egg salad. Then the whole thing is frosted with cream cheese, piped with flowers and waves until it becomes a floofy white log. To serve it, you slice it vertically like a cake, each piece containing the three different layers.”
Jennifer Close, Marrying the Ketchups

If Takumi is beating the eggs whole, that means he's making a Genoise sponge cake for the cake layer, which has a soft and smooth texture but tends to be flat.
But by beating the eggs separated, Mimasaka is probably making a biscuit sponge cake for the cake layer, which is fluffier and will soak up more of the syrup!

"In other words, my cake layer will take better advantage of the sweet syrup than yours. I bet you picked Genoise sponge cake for its tender, smooth texture.
That's fine on its own, but if you try them side by side...
... mine will taste better.”
Yūto Tsukuda, 食戟のソーマ 10 [Shokugeki no Souma 10]

The citrusy tang of lemon floods the mouth!
At the same time, the rich aroma of almond tickles the nose!
Both flavors are seamlessly brought together with no bitterness or clashing at all!
It's sweet and mild and fragrant! I can feel it awakening the heart of a maiden within me!

"I chose a Biscuit Joconde for the sponge cake because it matched so well with the almond pralines. It gives even the cake layer the aroma of almonds, without disturbing the flavor balance in the least.”
Yūto Tsukuda, 食戟のソーマ 10 [Shokugeki no Souma 10]

Kristen Butler
“It’s all too easy to deny our true unhappiness if we’re unwilling or unable to pull the layers back to see the limiting beliefs about ourselves.”
Kristen Butler, The Comfort Zone: Create a Life You Really Love with Less Stress and More Flow

Ryan Gelpke
“A man stares at himself in the mirror and peels away all the layers. But the person he sees doesn't feels like someone he knows. He feels like he is looking at a total stranger.”
Ryan Gelpke, Peruvian Nights

“Kid, every murder is like an onion. It's got layers to it. The closer you get to the center, the more you want to cry.”
Ava Strong, Twisted Truth

“Revolutions begin with what is most intimate, with the things that lay against our skin. Clothing-creators world and time over have taken the greatest risks expressing themselves through what is hidden—reimagining movement, finding breath.
The alterations reverberate through each successive layer.”
Robin Brown, Glitter Saints: The Cosmic Art of Forgiveness, a Memoir

“The work only comes through the work. It requires absolutely everything of you and the only real and lasting return of any of it is your self, realized. Who you’ve always been, beneath. Released in the layers: rising, rising.”
Robin Brown, Glitter Saints: The Cosmic Art of Forgiveness, a Memoir

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